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E LUXO SO

Labradford

Post Rock/Math rock


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Labradford E Luxo So album cover
3.21 | 9 ratings | 1 reviews | 11% 5 stars

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Studio Album, released in 1999

Songs / Tracks Listing

1. Recorded And Mixed At Sound Of Music, RIchmond, Va. (7:50)
2. With John Morand And Assisted By Brian Hoffa (5:43)
3. Dulcimers Played By Peter Neff, Strings Played (5:09)
4. By Chris Johnston, Craig Markva, Jamie Evans (5:04)
5. And Jonathan Morken. Photo Provided By (7:19)
6. Leta O'Steen. Design Assistance By John Piper (7:59)

Total time (39:06)

Note : these are the titles as written in the booklet. One can deduce there is no real titles since they serve a credit purpose.

Line-up / Musicians

- Mark Nelson / guitars, vocals
- Carter Brown / keyboards
- Robert Donne / bass

With:
- Peter Neff / hammered dulcimer
- Chris Johnston / violin
- Craig Markva / violin
- Jamie Evans / violin
- Jonathan Morken / violin

Releases information

Artwork: Leta O'Steen (photo)

CD Kranky ‎- KRANK 037 (1999, US)

LP Kranky ‎- KRANK 037 (1999, US)

Digital album

Thanks to d.o.k for the addition
and to projeKct for the last updates
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LABRADFORD E Luxo So ratings distribution


3.21
(9 ratings)
Essential: a masterpiece of progressive rock music(11%)
11%
Excellent addition to any prog rock music collection(44%)
44%
Good, but non-essential (44%)
44%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

LABRADFORD E Luxo So reviews


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Collaborators/Experts Reviews

Review by Lewian
PROG REVIEWER
3 stars This is a slow and fairly minimalist atmospheric instrumental album. The tracks are all rhythmic although there are no drums; sometimes percussive electronic sounds are used, and sometimes the rhythm is carried by repeated motifs of guitar or piano or sometimes electronic keyboard. The music is all quite harmonic and muted and mostly in melancholic minor. It's truly "post rock" in the sense that the band creates soundscapes rather than songs, but they do it in a rather warm and accessible way. There is this fun idea to get the song names from basically splitting up the credits into six parts, with which I can sympathise, knowing very well the struggle to name instrumentals that are not meant to have a meaning that would be expressible in words. The band underlines in this way the orientation toward atmosphere instead of song structure. It's the whole, not the parts, that counts. What I like about this album is that regarding the arrangements and the use of the instruments there is quite a bit of variation between the tracks. The music is certainly good for a melancholic mood and for meditative listening. Personally I have to say that for this kind of music I prefer a bit more mystery and a bit less reliance on conventional harmonies without all too fascinating ideas or melodies; the album is good at what it tries to be, but it doesn't do too much magic for me.

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