DANIEL CROSS

Sweeping mellotron tapestry infuses "The Sacred Spire", with a knife-like coda that winks at you, pummeled along by synthetic bass and percussion during the course of its 9- and one-half minutes. Transitioning into a more somber state, with steely choir and an ominous undertow, the mood veers further into a contrasting modern/medieval feel that has cinema soundtrack stamped all over it. The finale returns to initial rampage that hint at 'stand up and fight, for you know we are right'. This track has won.

The near dozen minute long title track also implies even more gloom and doom, with stark sonics-laden misery from the mighty mellotron, leading to a sense of impending revelation as the main theme kicks in gracefully majestic and overpowering. Then swerving into another wink at the 'moon eclipsed the sun', as well as Bach-ing into a harder edge corner that has a slight Triumvirat feel, the arrangement continuously evolves through inspired channels, an instrumental kaleidoscope of acquainted resonances. Colliding electric piano with synthesized 'boings', as the windswept them sets icily forward, undertaking a new direction, Cross keeps the pace well in check. Murky, creepy, and even spectral, the impact is immensely pleasing. The climax is suitably solemn, the realm no longer forgotten, but rather well traveled.

The lively "Divine Conquest" combines a bass line with clanging piano and more synthesized electronica, athletically muscled along by that orchestral white machine, undulating as if searching for some celestial reprieve. Higher and higher it spirals until the goal is met. We have arrived.

Speaking of which, "The Arrival of the Beast 1509 AD" closes off this intriguing recording with some added flair. My numerous history books indicate that the title perhaps refers to the succession of Henry VIII to the throne of England, among a few other possibilities but the presence of Rick Wakeman's first solo album (and outright masterpiece) "the Six Wives of Henry VII" should indicate the correctness of this assumption. By and large a grave sonic affair full of tragedy and doom, there is little lightness here to illuminate the soul, quite the contrary. Dark and subdued sections contribute to an intense experience, perfectly depicting the cover art that shows the legend of St-George slaying the dragon, in an act of typical medieval bravery as the praying maiden awaits her deliverance.

Very enjoyable musical journey that is mood setting, utterly unpretentious as well as paying the deserved homage to the greats of instrumental progressive rock. 4 overlooked domains

The album's main course, "A Descent into the Unknown," is a 30-minute epic that takes the listener on an unforgettable musical voyage. The track's complex layers of sound create a mesmerizing atmosphere that draws the listener in, while the captivating melodies take them on a sonic journey through a myriad of emotions. The keyboard work by Daniel Cross is particularly noteworthy, showcasing his exceptional talent and technical prowess.

The second track, "Beyond the Horizon," may be shorter than the previous track, but it is no less impressive. With its haunting melodies and intricate harmonies, this track serves as the perfect dessert to the album's main course. It is a beautiful and emotive piece that leaves a lasting impression on the listener.

Overall, "A Descent into the Unknown" is an exceptional debut album from Daniel Cross, and one that deserves to be recognized as one of the best albums of the year. The level of musicianship, artistry, and creativity displayed throughout the album is truly outstanding, and it is a testament to Daniel Cross's talent and dedication to his craft. I, for one, am eagerly anticipating his future releases and am excited to see where his musical journey takes him next. Without a doubt, this album deserves a well-earned 5-star rating.