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Topic ClosedJoanna Newsom for prog folk - again!!

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Direct Link To This Post Posted: December 20 2010 at 20:18
I'm still pissed off about Glenn Branca not getting in. I mean how the hell does Bjork get in but Glenn Branca doesn't. I mean I support Bjork being here but come on, GLENN BRANCA.
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Direct Link To This Post Posted: December 20 2010 at 11:17
Originally posted by stonebeard stonebeard wrote:



I'm not talking about how prog metal is judged, and once again, I really don't care about discussing that aspect ofhe site, and seeing how it makes no consequence on my argument to ignore it, I will.


Of course it does. It bears on MY arguments. Wink  Prog metal is judged by the standards of metal.  In the like fashion, new prog - that is, other than prog metal -  ought to be judged by the standards of contemporary music.  Judging it by the tenets of prog that were established in the 70s makes no sense because the music has changed. 

Originally posted by stonebeard stonebeard wrote:

Look, it seems to me that prog was pretty well defined in the beginning.


I have never denied that. Wink  The problem starts with trying to make believe that prog as defined in the 70s exists, or rather, new additions to the website generally adhere to those standards.  I am afraid they don't. 

Originally posted by stonebeard stonebeard wrote:

In the case of Tori Amos, 95% of what she writes is pop songs. Pretty simply pop songs. Clever instrumentation, sure, but we're in a sorry state if adding a synthesizer and a banjo in the same song makes someone Crossover.


They may be 'pretty simple pop songs' if by pop, you mean 70s Stevie Wonder or something like that.  It is demonstrably more involved than typical 90s pop/rock music.  Oh, leave alone pop, Little Earthquakes (or Under The Pink for that matter) is more involved than Delicate Flame for Desire.  By the standards of 90s and onwards pop/rock music, Tori Amos is progressive.  She doesn't have to 'progress' music in that Kraftwerk/Can sense because progress in that sense hasn't happened in a long time, at least not in rock/pop.  It is not and never has been my stand that Dream Theater progressed rock music to any place it hadn't already got to Wink so there's no reason why so stiff a benchmark should be applied to evaluate Tori Amos.  The main difference between these two sets of artists, neither prog in the 70s sense, one which is easily accepted as prog and one who is hotly contested, is the former got called prog by the media. Wink


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Direct Link To This Post Posted: December 19 2010 at 21:59
Originally posted by rogerthat rogerthat wrote:

Originally posted by stonebeard stonebeard wrote:



Tori Amos has a handful of kinda sorta progressive rock structured songs.

If artists like Tori Amos, Bjork or Newsom ought to be judged by the standards of what was progressive rock in the 70s, how about judging progressive metal by those same standards?  Most prog metal additions are made by judging them to be progressive against metal standards, and not whether they are progressive rock.


I'm not talking about how prog metal is judged, and once again, I really don't care about discussing that aspect ofhe site, and seeing how it makes no consequence on my argument to ignore it, I will.

I think we would solve a lot of our problems by keeping in mind a lot of the tenets of progressive rock when evaluating new artists to add. Look, it seems to me that prog was pretty well defined in the beginning. Long-ish songs sometimes, complex compositions, lots of virtuosity going around. Pushing all sorts of boundaries. That was fine then, but music has broadened and expanded incredibly since the late 60s, into electronic music, metal, post-rock, ambient, avant-garde, and frankly I find it hard to figure out how we can stake claim to Tori Amos or Bjork. Bjork's most ambitious career turn was into electronic music, and not the insular Berlin and wherever Kraftwerk are from schools. She simply doesn't fit here unless we uselessly expand the definitions of prog to make her fit.

In the case of Tori Amos, 95% of what she writes is pop songs. Pretty simply pop songs. Clever instrumentation, sure, but we're in a sorry state if adding a synthesizer and a banjo in the same song makes someone Crossover. Which, by the way, makes no sense as a genre, and causes more trouble than it's worth.

This site is implicitly expanding the definitions of progressive music to include pop artists that progress...as pop artists. Maybe that's worth including, but there's no logical reason to avoid adding "Goa Trance" as a genre here. After all, it did progress the trance scene. (We obviously aren't playing favorites with rock music anymore [re:Bjork])
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Direct Link To This Post Posted: December 19 2010 at 21:34
She has some songs which could be considered prog-folk, but the majority of her works doesn't really fit the bill.
"One had to be a Newton to notice that the moon is falling, when everyone sees that it doesn't fall. "
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Direct Link To This Post Posted: December 19 2010 at 19:42
Originally posted by stonebeard stonebeard wrote:



Tori Amos has a handful of kinda sorta progressive rock structured songs.


See, this is the problem, I more or less summarized it on the previous page, there is, largely, no such thing as progressive rock after the 70s.  Most of what there is is in Avant/RIO and a handful of neo prog bands.  Extended sections don't make it prog, that was just one of the hallmarks of prog in the 70s and a more or less incidental one, imo.  If you want to say extended sections equate prog rock structure, then Rainbow, Black Sabbath or Metallica should be in Progressive Metal and not Prog Related.  If we only go by the presence of some hallmarks/elements of prog, they are definitely present in Tori Amos's music.  I would not call it prog rock but then, I would not call a lot of stuff after the 70s that's on this site prog rock and I truthfully don't understand how to decide if a band from after the 70s is prog rock as per this website's requirements.  It's all very well if you don't care about Nightwish, but they are on this website, and in prog metal and not prog related, and even if they are in a different sub-genre, they define the 'standards' of what is and what is not prog as per this website in some way; after all, it is all supposed to collectively represent prog rock.  If artists like Tori Amos, Bjork or Newsom ought to be judged by the standards of what was progressive rock in the 70s, how about judging progressive metal by those same standards?  Most prog metal additions are made by judging them to be progressive against metal standards, and not whether they are progressive rock.
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Direct Link To This Post Posted: December 19 2010 at 11:31
Originally posted by rogerthat rogerthat wrote:

Originally posted by stonebeard stonebeard wrote:



You can't stop Tori Amos.




And that is somehow more objectionable than that you couldn't stop Nightwish?  At least, Tori Amos has SOMETHING to do with prog. Nightwish has nothing to do with it all, not in spirit,not in form, just some dubious, superficial similarity to power-prog metal a la Symphony X. But I guess ear-splitting pseudo-opera is more proggy than Newsom's childlike wailing, p'haps?


Tori Amos has a handful of kinda sorta progressive rock structured songs. She almost never veered from pop/rock, and only made the piano rock more weird through instrumentation and composition. She spiced things up, to summarize. I don't care about rehashing old arguments, but I never have seen any good argument for her being here at all, let alone in one of the "legitimate" genres. All I've heard is "wellI guess you haven't really listened to much Tori Amos, then." Wrong. Very wrong.

And I don't care about Nightwish, so...ok.
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Direct Link To This Post Posted: December 19 2010 at 11:06
I wouldn't mind seeing her in. I realize the banner says "ultimate prog rock resource", but I'd be pretty lenient on the "rock quotient" required for a category called Prog Folk if that's all that's keeping her out. Wink
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Direct Link To This Post Posted: December 19 2010 at 00:07
Originally posted by stonebeard stonebeard wrote:



You can't stop Tori Amos.




And that is somehow more objectionable than that you couldn't stop Nightwish?  At least, Tori Amos has SOMETHING to do with prog. Nightwish has nothing to do with it all, not in spirit,not in form, just some dubious, superficial similarity to power-prog metal a la Symphony X. But I guess ear-splitting pseudo-opera is more proggy than Newsom's childlike wailing, p'haps?
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Direct Link To This Post Posted: December 18 2010 at 23:51
Originally posted by King By-Tor King By-Tor wrote:

I can not judge whether it is actually prog or not based on the guidelines of the site.




I gave up on that pursuit long back. LOL  After 1970s, most prog that can actually be judged to be prog without getting into whether it's experimental or weird or whatever is from the Avant/RIO/Zeuhl section.  Some early neo prog albums like Script, Lush Attic, some rare modern geniuses like Kevin Gilbert.  I find it hard to take anybody who says you can hear a prog metal album and judge it to be prog on a straight line from the 1970s seriously, I mean, you've got to be kidding me.  Music that could be judged progressive in the contemporary scene is necessarily going to be very different from what was prog in the 1970s; if anything, that's a good sign and indicates a measure of originality. 
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Direct Link To This Post Posted: December 18 2010 at 23:30
Kate Bush is already in PA.
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Direct Link To This Post Posted: December 18 2010 at 23:00
You're right. And since I no longer have any emotion vested in the artists added to this site I think I'll just stand back and watch from a distance.



It's a shame I defiled this thread though, I do like Joanna Newsom from what I've heard. I can not judge whether it is actually prog or not based on the guidelines of the site.

[/trolling this thread]
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Direct Link To This Post Posted: December 18 2010 at 22:58
Your cognitive dissonance will never go away if you start to care about what artists PA adds.

You can't stop Bjork.

You can't stop Tori Amos.

Lady Gaga and Ani DiFranco will eventually be here under Crossover.

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Direct Link To This Post Posted: December 18 2010 at 22:53
teehee, defense mode on the interwebz is amusing.



Yeah, so I've been reduced to trolling, I'll be the first to admit that.
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Direct Link To This Post Posted: December 18 2010 at 22:50
^ No it would not
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Direct Link To This Post Posted: December 18 2010 at 22:44
Originally posted by Marty McFly Marty McFly wrote:

^ That's your opinion and that's what it is, only opinion.

EDIT: It's quite tiring to hear this from you over and over again. You sound like Walter now.



EVERYTHING POST 89 SUCKS AND THE PEOPLE WHO LIKE MUSIC FROM THERE ARE DIPsh*tS

I may sound like a broken record, but I was making an honest suggestion - recommending her for Xover would get her in.


Edited by King By-Tor - December 18 2010 at 22:47
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Direct Link To This Post Posted: December 18 2010 at 21:58
Originally posted by Angelo Angelo wrote:

It's simple... she lacks the 'rock' part of 'progressive rock', as does Björk, unfortunately.

Well, JT is among the few prog folk bands in whose music I emphatically hear the rock part of it.  And that is probably because they were a lot of things and not just folk.  Besides, Bjork is on PA. Wink  
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Direct Link To This Post Posted: December 18 2010 at 15:07
Originally posted by lucas lucas wrote:

Roy Harper opened for her in Paris some months ago, and said that Joanna and himself were two pioneers of folk music.
 
Ys is indeed an adventurous piece of music, and if only for that album I would include her in prog-folk.
Agree for sure
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Direct Link To This Post Posted: December 18 2010 at 15:05
Originally posted by Marty McFly Marty McFly wrote:

^ That's your opinion and that's what it is, only opinion.

EDIT: It's quite tiring to hear this from you over and over again. You sound like Walter now.

Well said MartyClap except re Walter, since 1989 he seems to be getting more mellowWink
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Direct Link To This Post Posted: December 18 2010 at 14:59
Originally posted by Marty McFly Marty McFly wrote:

^ That's your opinion and that's what it is, only opinion.

EDIT: It's quite tiring to hear this from you over and over again. You sound like Walter now.

 
Marty, your animated picture is disturbing. I hope you are aware of this.
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Direct Link To This Post Posted: December 18 2010 at 14:17
It's simple... she lacks the 'rock' part of 'progressive rock', as does Björk, unfortunately.
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