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Topic ClosedPhil Shulman's role in Gentle Giant

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Frenetic Zetetic View Drop Down
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Direct Link To This Post Topic: Phil Shulman's role in Gentle Giant
    Posted: February 24 2018 at 10:46
Originally posted by Man With Hat Man With Hat wrote:

They definitely became more rock forward once Phil left. I feel like Weathers taking over the drum stool had something to do with that too. 

I agree with this statement. There's a definite "upping of intensity" once Octopus - and Weathers - came around.

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Direct Link To This Post Posted: February 23 2018 at 17:25
They definitely became more rock forward once Phil left. I feel like Weathers taking over the drum stool had something to do with that too. 
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Direct Link To This Post Posted: February 23 2018 at 15:28
The album that is often considered to be GG's best is actually the first album without Phil and that is "In a glass house." Not sure if he was involved with the writing process on it though(like how Moraz was involved with GFTO).
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Direct Link To This Post Posted: February 23 2018 at 11:39
^I agree that the technicality increased post-Phil, but it was always there to begin with. I think they would have been more tech even with him remaining in the band, but I imagine there would be more literary references/themes. He was a teacher IIRC, and returned to it full-time upon leaving GG. Family time by that point for him!

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Direct Link To This Post Posted: February 23 2018 at 10:41
I feel like the band got a little more technical after Phil left, almost as if they were compensating for only having 5 members instead of 6. In a good way, though, since they wrote a lot of interesting music without him. Fewer instruments, but each had a more complex part, basically. Perhaps they wanted to have more songs that they could adapt to the stage; a lot of Phil-era GG songs sound pretty impractical even for 6-piece to pull off. I think they only ever played 1 song off of Acquiring The Taste (Plan Truth), for example.
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Direct Link To This Post Posted: February 23 2018 at 09:42
Phil was great but the band got better without him: In A Glass House, Power & The Glory, Free Hand - all better than anything with Phil (well, maybe not Octopus but certainly the first three.)


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Direct Link To This Post Posted: February 22 2018 at 04:10
Originally posted by Mascodagama Mascodagama wrote:

^ It was better when they used to sell vegetables at gigs. People didn't have to resort to throwing glasses and bottles.

What a (smart) market.

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Direct Link To This Post Posted: February 22 2018 at 03:53
^ It was better when they used to sell vegetables at gigs. People didn't have to resort to throwing glasses and bottles.
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Direct Link To This Post Posted: February 22 2018 at 02:10
As others have said, there was an element of warmth and literature-references that seemed to disappear with him. His vocals are some of my favorite ever. "Isn't it Quite and Cold?", "Black Cat", and "River" feature some of his best lines and takes.

My favorite Phil Shulman story is after they were booed from the stage opening for Sabbath (I know, right?!), he proclaimed "You're all a bunch of c**ts!!!" to the crowd, before Gentle Giant was pelted off stage with vegetables Tongue LOL Cool

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Direct Link To This Post Posted: February 21 2018 at 19:10
Never realized Phil sang on so many great songs!  I love both GG versions with and without Phil, but definitely prefer the early albums over the latter...
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Direct Link To This Post Posted: February 21 2018 at 18:35
Wow, after looking at that list, maybe I really liked Phil's input, after all.
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Direct Link To This Post Posted: November 29 2016 at 11:20
Originally posted by Tom Ozric Tom Ozric wrote:

He plays some trumpet and provides back-vocals........
I dunno when it comes GG. I'm sure Phil inserted his twist on the compositions. Probs why I don't love GG albums post-Octopus as much.......

Phil does quite a lot of lead vocals and was probably the primary lyricist, I got this info from Wikipedia haven't checked it except in a few instances where it seemed correct, so if anyone sees errors please say so, I'll have a listen tonight.

These are the songs that Phil sings lead on:

"Funny Ways"  Phil and Derek

"Alucard"  Phil Derek & Kerry Minnear

"Isn't it Quiet and Cold?"  Phil

"Nothing at All"  Phil and Derek


Acquiring the Taste

"Wreck"   Phil & Derek

"Black Cat"  Phil


Three Friends

"Prologue"  Phil

"Schooldays"  Phil & Kerry

"Peel the Paint"  Phil & Derek

"Three Friends"  Phil, Derek & Kerry


Octopus

"The Advent of Panurge" Derek Kerry & Phil

"Knots" Derek Kerry & Phil

"Dog's Life"  Phil

"River"  Phil & Derek

 


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Direct Link To This Post Posted: November 29 2016 at 06:13
Octopus and Acquiring The Taste are GG's two best albums, but then I don't care much for Three Friends or the debut. His departure certainly had an impact on the music, but not enough to significant alter its quality. Free Hand, In a Glass House, The Power and the Glory, and even Interview all still have some fantastic and passionate songs. Generally these albums are also more prone to somewhat mechanical filler tracks as well, whereas Acquiring and Octopus present a series of unique, lively, fresh songs with nearly no significant dips in quality. So I'm torn, since I like the two "eras" almost equally, but I understand the arguments either way.  
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Direct Link To This Post Posted: November 29 2016 at 03:40
I stopped being interested in the group after the third album Confused
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Direct Link To This Post Posted: November 29 2016 at 03:22
He plays some trumpet and provides back-vocals........
I dunno when it comes GG. I'm sure Phil inserted his twist on the compositions. Probs why I don't love GG albums post-Octopus as much.......

Edited by Tom Ozric - November 29 2016 at 03:24
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Direct Link To This Post Posted: November 29 2016 at 02:40
Originally posted by Dellinger Dellinger wrote:

... but somehow I decided to give their earlier studio albums a chance and, well, I did love their first two albums, and sort of liked the next two also, but they already began to show signs of the elements I didn't like from the albums I had checked before... so, I'm not sure what exactly might have been, but I believe Phil was a very important element for what I liked from GG on their early albums, and perhaps the attempt of the band to shift the sound is what made him leave.

I am interested to see so many comments from people who prefer the Phil era material. I have recently listened to all of the albums in order and one of the things that surprised me was just how good the debut album is. It is very much a group effort, Ray and Kerry are fundamental musically, Derek's vocals are important in providing a rock element, but Phil's vocals span the bridge between Derek's and Kerry's ethereal vocals. There is the occasional stab of colour from Phil's trumpet that is missed too, but also the incisiveness of his lyrics. "Isn't it Quiet and Cold?"is a unique gem in their catalogue.
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Direct Link To This Post Posted: November 29 2016 at 02:33
the band definitely lost something after Phil's departure. it is hard to pinpoint what exactly it is; it is just some kind of overall atmosphere. the first 4 albums where magic. they still did some good albums after his departure, but this special magic is no longer in them


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Direct Link To This Post Posted: November 29 2016 at 02:19
Originally posted by Darious Darious wrote:

Originally posted by Borris Borris wrote:

So please give me your thoughts on Phil's contribution to Gentle Giant.
Excellent interviews. And yes, with Phil's departure from Gentle Giant it was the beginning of the end for the group


The "beginning of the end" took another 7 years to "kill" the group after Phil left........hardly a quick death, especially when most people on PA, including myself, believe their best albums span from In A Glass House up to and including Free Hand (see top PA 100 albums). Sure their first 3 albums with Phil are great but their next 4 albums, including the live Playing the Fool are IMHO even better.
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Direct Link To This Post Posted: November 28 2016 at 02:42
Originally posted by Borris Borris wrote:

So please give me your thoughts on Phil's contribution to Gentle Giant.
Excellent interviews. And yes, with Phil's departure from Gentle Giant it was the beginning of the end for the group
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Direct Link To This Post Posted: November 27 2016 at 21:32
Originally posted by Mascodagama Mascodagama wrote:

Originally posted by Magnum Vaeltaja Magnum Vaeltaja wrote:

Originally posted by zravkapt zravkapt wrote:

They lost a warmth and atmosphere when Phil left; their music became more mechanical and cold...still good just not great like before.


Preach brotha. The first 4 GG albums had soul, man. 


I'm pretty much with you guys. The only post-Phil album I unconditionally love is TPATG.


The first Gentle Giant album I got was "Playing the Fool" (since I am fond to try live albums first to get an overview of band's careersu up to that point, and that particular album had such great reviews), and it almost led me to not try them out any further, for I just couldn't get much enjoyment out of it (and that reinforced by the fact I had checked out "The Power and the Glory" on Youtube and didn't do much for me either)... but somehow I decided to give their earlier studio albums a chance and, well, I did love their first two albums, and sort of liked the next two also, but they already began to show signs of the elements I didn't like from the albums I had checked before... so, I'm not sure what exactly might have been, but I believe Phil was a very important element for what I liked from GG on their early albums, and perhaps the attempt of the band to shift the sound is what made him leave.
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