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Topic ClosedDo PA proggers have the right prog balance?

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dr prog View Drop Down
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Direct Link To This Post Topic: Do PA proggers have the right prog balance?
    Posted: March 24 2012 at 03:06

Too often I'm finding the best composed albums here to be rated low and the least well composed albums rated high. Most of us like the same bands of the era between the late 60s and early 80s but do prog listeners continually choose the most experimental/least composed stuff over the most well composed? I've always believed the best music came from the best composers and the more great compositions you can put in an album the better. Experimenting is ok, but when it's long passages of non melodic music, I believe this is filler and proof the band lacks strong composition to fill an album. Experimenting and Improvising should be saved for concerts. Albums should be packed with genius Tongue. Do proggers listen to band catalogues extensively? Do they give all albums enough spins or do they buy so many albums from different bands than they don't get time to enjoy albums over many listens? I'm finding several albums by bands that rate low here to be close to the best albums. Full of quality compositions. Quality compositions will always come out on top. I'm past that overdone prog and fusion which tries to get over complex. Just sounds a bit of a mess. Or you get the amatuer composers who rely on technicality and experimenting. That doesn't go far with me either. It's time we all matured and gave the right albums the high ratings in here Big smile



Edited by dr prog - March 24 2012 at 03:13
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Direct Link To This Post Posted: March 24 2012 at 03:14
Schoenberg is not a composer, then?
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Direct Link To This Post Posted: March 24 2012 at 03:15
Got some examples?

I rarely rate or review albums here, but for me composition, experimentalism and improvisation are on the same line and all that matters is how much enjoyment I get out of listening to it.

Originally posted by dr prog dr prog wrote:

It's time we all matured and gave the right albums the high ratings in here Big smile

Smiley or not, I'm sure some people may not like the "I'm right and I know what is good music, and you all are wrong" mentality.


Edited by Pekka - March 24 2012 at 03:18
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Direct Link To This Post Posted: March 24 2012 at 03:15
Well yes, it is weird for you to consider J-Tull.com a 5 star album, but if you think non-melodic music and improvisation is filler then you have a different perspective, which has nothing to do with "maturity". There is no such thing as the right prog balance.
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Direct Link To This Post Posted: March 24 2012 at 03:15
He sure isn't very progressive for somebody that calls himself dr prog.

Good thing glorifiedpopmusicarchives.com is going to be Max's next site.


Edited by Triceratopsoil - March 24 2012 at 03:19
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Direct Link To This Post Posted: March 24 2012 at 04:14
In science an experiment is made to confirm a hypothesis or to find a new law of nature. In music it's needed to progress. Without experiments in music we would still be beating branches on trees. 
I stand with Roger Waters, I stand with Joan Baez, I stand with Victor Jara, I stand with Woody Guthrie. Music is revolution
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Direct Link To This Post Posted: March 24 2012 at 04:35
^True.

Originally posted by dr prog dr prog wrote:

Too often I'm finding the best composed albums here to be rated low and the least well composed albums rated high. Most of us like the same bands of the era between the late 60s and early 80s but do prog listeners continually choose the most experimental/least composed stuff over the most well composed? I've always believed the best music came from the best composers and the more great compositions you can put in an album the better. Experimenting is ok, but when it's long passages of non melodic music, I believe this is filler and proof the band lacks strong composition to fill an album. Experimenting and Improvising should be saved for concerts. Albums should be packed with genius Tongue. Do proggers listen to band catalogues extensively? Do they give all albums enough spins or do they buy so many albums from different bands than they don't get time to enjoy albums over many listens? I'm finding several albums by bands that rate low here to be close to the best albums. Full of quality compositions. Quality compositions will always come out on top. I'm past that overdone prog and fusion which tries to get over complex. Just sounds a bit of a mess. Or you get the amatuer composers who rely on technicality and experimenting. That doesn't go far with me either. It's time we all matured and gave the right albums the high ratings in here Big smile


Good composition is quite subjective I guess. I also guess you're using Larks' Tongues in Aspic as a main reference point behind your post (I remember you being confused about the praise it gets). But didn't you say you listened to that album in your car? I really don't think that's a good place to listen to that album considering the hugely varied dynamics in tracks. You need no (or almost no) background noise to listen to Larks' properly IMO. Maybe then, you'll change your mind once you can hear it properly, or not. (BTW I don't think the album is perfect as I do think it has its slight flaws). 

Anyway, I mostly agree with you that good composition always comes out on top, and yes some prog can be grating and seem badly composed, but some just need time and several listens. Different people will prefer different composition styles, I mean are any Behold... The Arctopus pieces well composed? (Sorry, this is after 1983). I think some are, but it helps looking at the full piece as well, and what may seem "least composed" may be the exact opposite. Whether it resonates well with you is the important thing. 

This rant probably makes no sense, and probably the reason I don't do it often. LOL 


Edited by irrelevant - March 24 2012 at 04:46
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Direct Link To This Post Posted: March 24 2012 at 04:54
Originally posted by dr prog dr prog wrote:

Experimenting is ok, but when it's long passages of non melodic music, I believe this is filler and proof the band lacks strong composition to fill an album.
 
I have similar misgiving in some sporadic causes, but I cannot to say, that it is generally or frequently. Everybody feels single records individually and it is good, by my meaning. Normalization rating by similar mechanical criterion is way to the hell.
 
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Direct Link To This Post Posted: March 24 2012 at 04:56
How do you rate the non-melodic part of Pink Floyd's Echoes? Is it a filler?

Edited by octopus-4 - March 24 2012 at 04:56
I stand with Roger Waters, I stand with Joan Baez, I stand with Victor Jara, I stand with Woody Guthrie. Music is revolution
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Direct Link To This Post Posted: March 24 2012 at 04:57
Originally posted by octopus-4 octopus-4 wrote:

How do you rate the non-melodic part of Pink Floyd's Echoes? Is it a filler?
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Direct Link To This Post Posted: March 24 2012 at 05:13
Originally posted by octopus-4 octopus-4 wrote:

How do you rate the non-melodic part of Pink Floyd's Echoes? Is it a filler?


I like it.
And King Crimson's Moonchild Including The Dream And The Illusion I like too. Tongue
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Direct Link To This Post Posted: March 24 2012 at 05:43
I'm so glad we have you here to set us straight.  Experimentation and improv are part of the genius of prog.  Too bad you are incapable of appreciating that.  We have the right balance.
Whenever someone trots out the term filler, it always boils down to stuff that the person doesn't like.  Give me your "perfect" album and I'll tell you what is filler to me. LOL

Composition is overrated.  Long live decomposition.!!!

You want "perfect" albums?  Just stick with "best" of albums. 


Edited by Slartibartfast - March 24 2012 at 06:06
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: March 24 2012 at 06:20
In general, reviewers base their ratings on listening experiences (positive/negative), the replay value of an album and it's place within the perceived historical context of prog (importance). The deeper rooted elements of composition and intelligence of the instrumental parts can perhaps better be judged by people who are experienced musicians themselves, but that's not what reviewing is about. Reviewing isn't just for an elite of knowledgeable persons, but it is for the general public; in this way it reflects the opinion of the general public. Next to the opinion of the general public, there's your own opinion. The latter should be more influential in choosing the music you listen to, the first can help you find new music.

And to be perfectly honest, I think the people who really embrace the eclectic/Progressive ideal are in a minority on PA. A lot of people like music in the vein of Genesis, Yes and the like and completely satisfied with the genre-name progressive rock (which doesn't necessarily imply the music is innovative or experimental).    
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Direct Link To This Post Posted: March 24 2012 at 06:39
I like the rough edges.  I like the experimental and improvised bits.  I like the funny track on a serious album.  I like the odd track that "ruins" an album.  I do have problems with this thread.  It was put in a way to insult PA proggers.  If you have another site or forum that gets it right, please do share. 


Edited by Slartibartfast - March 24 2012 at 06:41
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: March 24 2012 at 07:02
Given the imaturity I've seen in many of dr.progs posts, I find this entire thread laughable.

It all comes down to personal tastes, and no matter how much I hate certain artists who are highly rated by a majority here, or highly rate certain artisit who are either lowly rated by othes or completely ignored, it doesnt make me right and them wrong.
Spending more than I should on Prog since 2005

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Direct Link To This Post Posted: March 24 2012 at 07:09
I find the premise of the thread laughable but nothing ventured...

The original post is full of filler.
Released date are often when it it impacted you but recorded dates are when it really happened...

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Direct Link To This Post Posted: March 24 2012 at 07:16
Originally posted by Slartibartfast Slartibartfast wrote:

I find the premise of the thread laughable but nothing ventured...

The original post is full of filler.

LOL
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Direct Link To This Post Posted: March 24 2012 at 07:18
Filler = Polyfilla

And I love that stuff. 

Seriously though, this is the ongoing discussion we've been having for years now, but who has any right in regards to music? If music had any inherent quality to it, then we wouldn't be the only ones listening to it. Then we'd be fighting rhinos and foxes for the killer spots at the Porcupine Tree gig.

Just like Slarti points out: Give me one man's filler and I'll give you my idea of musical bliss. I had a discussion with one guy at some point. He couldn't get his head around the fact, that I totally and utterly adore Captain Beefheart's Trout Mask Replica. Luckily so - we are all different, but sometimes I do get a bit irritated that we need to keep pointing that out. Come on! And yep - you heard it here first: the earth is round as well. 
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Direct Link To This Post Posted: March 24 2012 at 07:20
Originally posted by Slartibartfast Slartibartfast wrote:


The original post is full of filler.
 
Small-minded Smile The original post is EXPERIMENT !!! Big smile
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Direct Link To This Post Posted: March 24 2012 at 07:46
At the risk of offending Flower Kings fans ( of which i am one) would any of their albums exist without experimention and filler? The same could be said of Yes's "Tales from...." But I love all the work from both of these artists regardless!
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