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Topic ClosedFavourite Dream Theater Epic?

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Direct Link To This Post Posted: September 26 2012 at 22:42
Originally posted by dtguitarfan dtguitarfan wrote:

Originally posted by progbethyname progbethyname wrote:

Originally posted by Ytse_Jam Ytse_Jam wrote:

DT has haters like every single band on the earth. Everyone has its tastes, not a big deal. Honestly, I find most of King Crimson's albums to be more boring, pretentious and unuseful than most of DT's tracks, but who cares?
Talkin about lyrics, has anybody figured out what Metropolis pt. 1 is about? Confused




John Petrucchi has a way of starting off a story and then having it make no sense. Metropolis part 1 deals with the maracle (the after life) and the sleeper(hypnotheripists) who originally puts the main character NICHOLAS into after life orbit. Now I really can't say today how metropolis pt 1 and 2 really connect with one other lyrically. It doesn't make sense just like the track THE KILLING HAND. we just have to guess or assume what happens. Kills me!! Anyway, terrific question, but I'm just as baffled as you. 😁

Actually I heard that the whole story of Metropolis Parts 1 & 2 are a modern retelling of the mythical tale of Romulus and Remus, the sons of Mars....


I'm pretty sure that part 1 is based upon the myth of Romulus and Remus and the founding of Rome, but I don't think part 2 has anything to do with it. 

To Progbethyname: you have to look at parts 1 and 2, not as two parts of a story, but as an extraction of a story from the themes of an existing work.  I think I've read that the "Part 1" thing was meant as a joke, but then people started looking for a part 2.  The band took some of the themes explored in Part 1 and made them into a story (and one of the best stories I've ever heard, to boot).
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Direct Link To This Post Posted: September 26 2012 at 22:39
Originally posted by dtguitarfan dtguitarfan wrote:

So...you actually care about the lyrics?  Haha, kind of kidding there - lyrics are important, but for me they've always been the whipped cream on the sundae.  More important to me is the music itself - the vocals, the harmonies, the instrumentals, etc.


In my opinion, you can't really distinguish between the lyrics and all those other elements you listed; the lyrics aren't some separate topping dropped arbitrarily onto a song, they're an integral part of the whole piece and are just as important as the melodies, guitar riffs, drum part, etc. and thus can affect a song in the same way that those other elements do.

Of course, sometimes you can just try to ignore the lyrics, which is pretty much what I do with The Count of Tuscany.  I think the song would have been perfect if they had kept the music but scrapped the whole lyrical concept and wrote something different instead.  Still a great song, though.

As for my favorite DT epic, it has to be Six Degrees of Inner Turbulence, without hesitation.
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Direct Link To This Post Posted: September 26 2012 at 21:16
You're sort of half way there, because I truly don't dislike the band! Just that I always choose other things over them to listen to. I even have several of their live DVD's, but I almost never make it through them! After an hour I want to put my head through the wall!

I do like the `Train Of Thought' album, I know it was dismissed by a number of the more `prog-loving' of their fans for being TOO metal, but I always thought there was plenty of good stuff on it. Just haven't listened to it in years!
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Direct Link To This Post Posted: September 26 2012 at 21:00
Originally posted by Aussie-Byrd-Brother Aussie-Byrd-Brother wrote:

See, here's the thing...Because I'm not a massive fan of them (although I do have all their albums, go figure!), I can't even think which track that is!

I'll have to go and look at the actual CD's of theirs from my shelf and go `Oh, right, that long one on `xxx' album!' etc!

I'll get back with an updated answer!


Oh man go listen to it!!! The last 5 minutes are crazy epic. It's off the TRAIN OF THOUGHT album. Track 7 my friend. Enjoy. I will make a fan of you yet!!! 😜
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Direct Link To This Post Posted: September 26 2012 at 20:39
The Count of Tuscany.
For some reason, the vocals of A Change of Seasons seem too corny and repetetive. Confused
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Direct Link To This Post Posted: September 26 2012 at 20:26
See, here's the thing...Because I'm not a massive fan of them (although I do have all their albums, go figure!), I can't even think which track that is!

I'll have to go and look at the actual CD's of theirs from my shelf and go `Oh, right, that long one on `xxx' album!' etc!

I'll get back with an updated answer!
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Direct Link To This Post Posted: September 26 2012 at 20:18
Originally posted by Aussie-Byrd-Brother Aussie-Byrd-Brother wrote:

Even though I'm not a big fan of the band, could I cheat and vote for all of `Scenes From A Memory'?! I truly enjoy that one, and I consider the entire CD to be one continious piece! It's labelled `Scenes 1 - etc', so I think I'm justified!


Nope. Cheating. 😜 pick IN THE NAME OF GOD. that's a good one that know one has picked yet. 👌
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Direct Link To This Post Posted: September 26 2012 at 19:27
Even though I'm not a big fan of the band, could I cheat and vote for all of `Scenes From A Memory'?! I truly enjoy that one, and I consider the entire CD to be one continious piece! It's labelled `Scenes 1 - etc', so I think I'm justified!
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Direct Link To This Post Posted: September 26 2012 at 19:08
Originally posted by Snow Dog Snow Dog wrote:


Originally posted by JoeyPS JoeyPS wrote:

Octavarium. I LOVE the melancholy beginning segments. 

Shine On You Crazy Rudess?


Oh big time!!! Count of Tuscony too. Huge FLOYD influences
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Direct Link To This Post Posted: September 26 2012 at 16:54
Originally posted by Ytse_Jam Ytse_Jam wrote:

It must be at least 15+ min to be classified as an epic to me.

I agree. If you're going to classify an epic as 10+ min then half of DT's songs would be an 'epic'.
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Direct Link To This Post Posted: September 26 2012 at 15:01
It must be at least 15+ min to be classified as an epic to me.
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Direct Link To This Post Posted: September 26 2012 at 12:52
I'm not sure what qualifies as an "epic", but the only 10+ minute Dream Theater songs I'm familiar with and enjoy are "The Glass Prison" and "Learning to Live".
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Direct Link To This Post Posted: September 26 2012 at 11:39
Originally posted by progbethyname progbethyname wrote:

Originally posted by Ytse_Jam Ytse_Jam wrote:

DT has haters like every single band on the earth. Everyone has its tastes, not a big deal. Honestly, I find most of King Crimson's albums to be more boring, pretentious and unuseful than most of DT's tracks, but who cares?
Talkin about lyrics, has anybody figured out what Metropolis pt. 1 is about? Confused




John Petrucchi has a way of starting off a story and then having it make no sense. Metropolis part 1 deals with the maracle (the after life) and the sleeper(hypnotheripists) who originally puts the main character NICHOLAS into after life orbit. Now I really can't say today how metropolis pt 1 and 2 really connect with one other lyrically. It doesn't make sense just like the track THE KILLING HAND. we just have to guess or assume what happens. Kills me!! Anyway, terrific question, but I'm just as baffled as you. 😁

Actually I heard that the whole story of Metropolis Parts 1 & 2 are a modern retelling of the mythical tale of Romulus and Remus, the sons of Mars....
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Direct Link To This Post Posted: September 26 2012 at 11:29
A Change of Season, then In The Name of God. Octavarium is not far behind.

EDIT : if we allow songs under 20 minutes, then it's Metropolis pt.1, Change of Season, Learning to Live, and then In The Name Of God.


Edited by Chozal - September 26 2012 at 11:32
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Direct Link To This Post Posted: September 26 2012 at 11:22
Originally posted by Snow Dog Snow Dog wrote:

Originally posted by JoeyPS JoeyPS wrote:

Octavarium. I LOVE the melancholy beginning segments. 

Shine On You Crazy Rudess?

haha

You can really hear the Genesis meets Floyd influence. "Supper's Ready" meets "Echoes"? LOL
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Direct Link To This Post Posted: September 26 2012 at 11:12
Originally posted by JoeyPS JoeyPS wrote:

Octavarium. I LOVE the melancholy beginning segments. 

Shine On You Crazy Rudess?
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Direct Link To This Post Posted: September 26 2012 at 11:05
Octavarium. I LOVE the melancholy beginning segments. 
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Direct Link To This Post Posted: September 26 2012 at 10:57
Tie between Mind Beside Itself and Learning to Live.
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Direct Link To This Post Posted: September 26 2012 at 10:24
Originally posted by Ytse_Jam Ytse_Jam wrote:

DT has haters like every single band on the earth. Everyone has its tastes, not a big deal. Honestly, I find most of King Crimson's albums to be more boring, pretentious and unuseful than most of DT's tracks, but who cares?
Talkin about lyrics, has anybody figured out what Metropolis pt. 1 is about? Confused




John Petrucchi has a way of starting off a story and then having it make no sense. Metropolis part 1 deals with the maracle (the after life) and the sleeper(hypnotheripists) who originally puts the main character NICHOLAS into after life orbit. Now I really can't say today how metropolis pt 1 and 2 really connect with one other lyrically. It doesn't make sense just like the track THE KILLING HAND. we just have to guess or assume what happens. Kills me!! Anyway, terrific question, but I'm just as baffled as you. 😁
Gimmie my headphones now!!! 🎧🤣
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Direct Link To This Post Posted: September 26 2012 at 10:15
Originally posted by infandous infandous wrote:


Originally posted by dtguitarfan dtguitarfan wrote:

So...you actually care about the lyrics?  Haha, kind of kidding there - lyrics are important, but for me they've always been the whipped cream on the sundae.  More important to me is the music itself - the vocals, the harmonies, the instrumentals, etc.

The music is the most important aspect, for sure.   However, if you are going to have lyrics at all, they should, at the very least, not be totally ridiculous.  Which they are on The Count of Tuscany.  I still listen to it, because the music is great, but it does sort of take away from the grandness when I find myself giggling uncontrollably at certain points.  Maybe if they didn't seem so serious about the silly lyrics, I would feel differently (I'm a Zappa fan, so I can appreciate deliberately silly lyrics). 

What if they were trying to seem serious about silly lyrics on purpose in order to be more silly? A la Andrew Kaufman?
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