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Topic ClosedWhat makes Progressive Metal progressive?

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Direct Link To This Post Posted: June 19 2008 at 11:25
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Mike, you meant labels like progressive rock, hard rock and progressive metal right? Because Death metal was properly coined by Possessed and black metal was properly coined by Venom. . . .

Strangely enough, Spooky Tooth is labeled progressive rock on Wikipedia . . . .

http://en.wikipedia.org/wiki/Spooky_Tooth


Edited by CCVP - June 19 2008 at 11:25
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Direct Link To This Post Posted: June 19 2008 at 11:23
Originally posted by CCVP CCVP wrote:

What the?

As far as i know and as far as anyone that i know who is old enough to have lived that period Rush was NOT a progressive rock band neither a progressive metal one (what the hell?), just a terrific HARD ROCK band. It just happens that people who lived when history is in the making don't know the exact outcome of things and, about Rush, that was what happened. some years later (i think on the early 90's, already in internet chat things) Rush's classification changed widely to progressive rock wile it was still a hard rock band, which was quite reasonable since they for sure had some of the progressive rock elements.

Nowadays its classification is changing again to progressive metal. People, we HAVE to remember that, if we are going to change Rush's classification we'd better change also Deep Purple's and Led Zeppelin's to metal and also keep in mind that the measuring stick for old school metal is Black Sabbath. Come on, think about it: if Rush indeed was a progressive metal band, they would not had only invented progressive metal, but also they would be one of the inventors of metal itself.

Originally posted by Atavachron Atavachron wrote:

It reminds me a little of the dilemma Bruce Lee's followers had after he died.  The form of martial art he developed and taught, Jeet Kune Do, was designed to be always evolving, fluid, and able to adapt to any opponent or situation.. essentially a progressive fighting style, a 'way of no way' as he put it.  But over the years as his approach was taught to others, it became a rigid system with rules and techniques never meant to be adhered to.  Sorry, had to slip in the martial arts analogy Smile


i wish i could have thought that, since it falls right into what i just said: some classifications are just forced, like putting Rush in the prog metal genre. Just let it be where it belongs: the hard rock session (and occasionally on the prog rock Tongue).
 
I want to interject here. It was with Rush's second release, the first with monster Peart, that they headed into Prog. By-Tor and the Snow Dog was, IMO,  a creation with inadvertent  Prog elements. Yes, they were hard rock, but they turned the corner with this release. Only those well versed in their material witnessed this. Those that only knew Fly By Night, the song, would see them as merely hard rock.
 
They contributed heavily to the future of what would be Prog Metal. I think investigating some current Prog Metal band inspirations will show this.
 
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Direct Link To This Post Posted: June 19 2008 at 10:46
The problem is that labels are not properly defined ... they're "coined", and usually by people with no certified (sic) background in music, such as fans or reviewers. They lump bands or albums together because in their opinion they're similar, based on whatever criteria they see fit. I guess we both have the same motive: We attempt to unify the criteria used to define these genre labels. But since the way they're commonly used conflicts with this scientific approach, our attempts might be doomed to fail.

Maybe the best solution is to come up with a brand new label, one that hasn't been used before. My suggestion: "difolkaw". Yeah, "Difolkaw Rock" and "Difolkaw Metal", that will clear things up!Wink


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Direct Link To This Post Posted: June 19 2008 at 10:37
The labels themselves have nothing to do with scientific reasoning, it's true, but, under analysis, there are clear connections between groups that tend to get labelled a certain way. People want to label and classify, which is why there are so many labels around.
 
Generally, this is more true of popular music until the end of the last millenium - it is a very recent thing to get as fuzzy as it currently is, for which the Internet is mainly to blame. There have always been fuzzy edges in defining any type of music, we're not talking about Euclidean geometry or anything as precise as that.
 
 
Fuzzy logic is as good a term as any to describe what I'm thinking about.
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Direct Link To This Post Posted: June 19 2008 at 08:11
^ these labels have little or nothing to do with scientific reasoning. That's one of the reasons why on my website I'm trying to move from complex genre labels to simple, clearly defined tags. Of course some of the "fuzzy" labels are difficult to split ... I'm not sure if I can find a set of simple tags which you could use to construct the genre label "metal" with. But it can't hurt to try! 
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Direct Link To This Post Posted: June 19 2008 at 07:52
Re: Rush - I suppose it must be a geographical thing.
 
Iron Maiden were viewed in some areas as Progressive, but not in their home country.
 
Rush were viewed as Progressive - but crucially got lumped in with metal, as they were to metal to be Prog Rock. This might not have been the case everywhere on earth.
 
The point is, that there's a reason Rush were considered this way - all this discussion of labels sticking is bogus - I'm trying to get away from labels and into essence - REALITY.
 
 
The line in Steppenwolf's song is so often quoted it's not funny - but yes, that music is considered Heavy Metal by some - and who is to say they're wrong?
 
Before Steppenwolf released that song, there was an album released in 1967, which featured one of the heaviest bands of the time, Art, who later became Spooky Tooth, who created stuff that sounds like Deep Purple, Led Zeppelin and Black Sabbath (who used one of Spooky Tooth's 1968 riffs on "Master of Reality", IIRC), before those bands released anything. A song from that same album was covered by Judas Priest - famously, as it got them into trouble. There is no question that Judas Priest are Heavy Metal, yet they did not change the song (apart from allegedly hiding messages in it... Wink).
 
 
The album I refer to is called Hapshash and the Coloured Coat, featuring the Human Host and the Heavy Metal Kids (Art). Heavy Metal refers to the music they played, and is the first reference I know of in popular music. 
 
It's also true to say, as I pointed out in my "What is Prog?" blog, that the first released album to refer to the music contained on it as "Progressive Rock" is Eclection's self-titled debut - yet who else has even heard of that, let alone heard it?
 
 
This discussion has changed to "What is Heavy Metal?" - and I feel another blog coming on (as if I didn't have enough in progress...).
 
If you're going to classify, you need to identify more explicit ways of identifying it, rather than succumbing to pressure from what is felt to be "popular" opinion.
 
Imagine if popular opinion was that humans couldn't possibly be related to apes... would scientists agree?


Edited by Certif1ed - June 19 2008 at 07:55
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Direct Link To This Post Posted: June 19 2008 at 07:25
Originally posted by CCVP CCVP wrote:

What the?

As far as i know and as far as anyone that i know who is old enough to have lived that period Rush was NOT a progressive rock band neither a progressive metal one (what the hell?), just a terrific HARD ROCK band. It just happens that people who lived when history is in the making don't know the exact outcome of things and, about Rush, that was what happened. some years later (i think on the early 90's, already in internet chat things) Rush's classification changed widely to progressive rock wile it was still a hard rock band, which was quite reasonable since they for sure had some of the progressive rock elements.

Nowadays its classification is changing again to progressive metal. People, we HAVE to remember that, if we are going to change Rush's classification we'd better change also Deep Purple's and Led Zeppelin's to metal and also keep in mind that the measuring stick for old school metal is Black Sabbath. Come on, think about it: if Rush indeed was a progressive metal band, they would not had only invented progressive metal, but also they would be one of the inventors of metal itself.



I'm to young to know first hand, but from the various discussions I gather that there are two major theories: One defines that everything as heavy as Steppenwolf's Born to be Wild is metal (consider the line "heavy metal thunder" ...). The other one defines this type of music as "hard rock". I belong to the latter (obviously), and generally the younger people are, the more they'll tend to choose "hard rock" as a label for those bands since they grew up with modern metal of the 1980s.

Of course there's a third alternative: Instead of "hard rock" you could say "classic metal", or "heavy metal". But it's all a bit ambiguous no matter how you put it.
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Direct Link To This Post Posted: June 19 2008 at 07:16
What the?

As far as i know and as far as anyone that i know who is old enough to have lived that period Rush was NOT a progressive rock band neither a progressive metal one (what the hell?), just a terrific HARD ROCK band. It just happens that people who lived when history is in the making don't know the exact outcome of things and, about Rush, that was what happened. some years later (i think on the early 90's, already in internet chat things) Rush's classification changed widely to progressive rock wile it was still a hard rock band, which was quite reasonable since they for sure had some of the progressive rock elements.

Nowadays its classification is changing again to progressive metal. People, we HAVE to remember that, if we are going to change Rush's classification we'd better change also Deep Purple's and Led Zeppelin's to metal and also keep in mind that the measuring stick for old school metal is Black Sabbath. Come on, think about it: if Rush indeed was a progressive metal band, they would not had only invented progressive metal, but also they would be one of the inventors of metal itself.

Originally posted by Atavachron Atavachron wrote:

It reminds me a little of the dilemma Bruce Lee's followers had after he died.  The form of martial art he developed and taught, Jeet Kune Do, was designed to be always evolving, fluid, and able to adapt to any opponent or situation.. essentially a progressive fighting style, a 'way of no way' as he put it.  But over the years as his approach was taught to others, it became a rigid system with rules and techniques never meant to be adhered to.  Sorry, had to slip in the martial arts analogy Smile


i wish i could have thought that, since it falls right into what i just said: some classifications are just forced, like putting Rush in the prog metal genre. Just let it be where it belongs: the hard rock session (and occasionally on the prog rock Tongue).
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Direct Link To This Post Posted: June 19 2008 at 00:05
Originally posted by micky micky wrote:

Originally posted by Atavachron Atavachron wrote:

It reminds me a little of the dilemma Bruce Lee's followers had after he died.  The form of martial art he developed and taught, Jeet Kune Do, was designed to be always evolving, fluid, and able to adapt to any opponent or situation.. essentially a progressive fighting style, a 'way of no way' as he put it.  But over the years as his approach was taught to others, it became a rigid system with rules and techniques never meant to be adhered to.  Sorry, had to slip in the martial arts analogy Smile

 


hhahha...  f**king A....

post of the week right there.... anyone who can work a Bruce Lee analogy into a Prog Metal thread.... is truly God on Earth for the week ClapLOL
 
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Direct Link To This Post Posted: June 18 2008 at 23:22
Originally posted by micky micky wrote:

Originally posted by Atavachron Atavachron wrote:

It reminds me a little of the dilemma Bruce Lee's followers had after he died.  The form of martial art he developed and taught, Jeet Kune Do, was designed to be always evolving, fluid, and able to adapt to any opponent or situation.. essentially a progressive fighting style, a 'way of no way' as he put it.  But over the years as his approach was taught to others, it became a rigid system with rules and techniques never meant to be adhered to.  Sorry, had to slip in the martial arts analogy Smile

 


hhahha...  f**king A....

post of the week right there.... anyone who can work a Bruce Lee analogy into a Prog Metal thread.... is truly God on Earth for the week ClapLOL


Agreed Big%20smile
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Direct Link To This Post Posted: June 18 2008 at 22:01
Originally posted by Atavachron Atavachron wrote:

It reminds me a little of the dilemma Bruce Lee's followers had after he died.  The form of martial art he developed and taught, Jeet Kune Do, was designed to be always evolving, fluid, and able to adapt to any opponent or situation.. essentially a progressive fighting style, a 'way of no way' as he put it.  But over the years as his approach was taught to others, it became a rigid system with rules and techniques never meant to be adhered to.  Sorry, had to slip in the martial arts analogy Smile

 


hhahha...  f**king A....

post of the week right there.... anyone who can work a Bruce Lee analogy into a Prog Metal thread.... is truly God on Earth for the week ClapLOL
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Direct Link To This Post Posted: June 18 2008 at 21:35
Originally posted by debrewguy debrewguy wrote:

A few comments here
First, that quote from Emmerson - Does that mean we eliminate Krautrock from PA ? Oh, wait, that music is not repetitive, it is "droning". Or as they say in some quarters - prog music means not having to make up your mind as to what song you're playing (now you hear it, now you don't!)
 
I believe you're making a generalization about Krautrock that denies it's essence, Krautrock started as German Psyche, and for that reason exploring foreign influences rarely used in Rock before.
 
Yes, they have repetitive rhythm, but the exploration of the posibilities is in other point, they were the first to really use the heavy atmospheres and the spacey sounds, so they explored the posibilities as Emerson said, not my cup of tea, but they really deserve the name of Prog.

Second, prog metal is doomed because it is associated with metal. Metal is associated with noise. Noise is associated with RIO/Avant-Garde and Krautrock, therefore Prog Metal is not prog.
 
That's called reduction to absurd, and would only work if the screams and noise were an exclusive characteristic of a non Prog genre, but it's not, you have noise in early Psyche if not listen Careful with that Axe Eugene also with early Hard Prog, you can listen Uriah Heep or Deep Purple or even the distorted noises that King Crimson used and Uriah Heep, or the noises inclueded in early space Pink Flyd albums .
 
Noise can be found anywhere.

Third - Prog Metal can't be prog 'cause there are loud guitars and screaming singers.
 
Loud guitars: Marillion, Heep, Deep Purple, Kansas, Genesis (Listen Giant Hogweed), Rush,
 
Screams: Have you ever listened the Musical Box Final section, or Giant Hogweed or Supper's Ready? Of course if you don't want to mention David Byron, David Surkamp, Geddy Lee, etc and even the ballad oriented Greg Lake singing 21st Century Schizoid Man with heavy distorted guitars.
 
There are screams everywhere.
 
Fourth - Keyboards are necessary for a band to be considered prog ?
 
I don't believe so, instruments don't make the music, musicians make the music.

Fifth - No , really , keyboards are necessary for a band to be prog ?
 
Honestly, I believe not.

Sixth - Can someone stop that ringing ?///}
 
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Edited by Ivan_Melgar_M - June 18 2008 at 21:40
            
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Direct Link To This Post Posted: June 18 2008 at 20:27
A few comments here
First, that quote from Emmerson - Does that mean we eliminate Krautrock from PA ? Oh, wait, that music is not repetitive, it is "droning". Or as they say in some quarters - prog music means not having to make up your mind as to what song you're playing (now you hear it, now you don't!)
Second, prog metal is doomed because it is associated with metal. Metal is associated with noise. Noise is associated with RIO/Avant-Garde and Krautrock, therefore Prog Metal is not prog.
Third - Prog Metal can't be prog 'cause there are loud guitars and screaming singers.
Fourth - Keyboards are necessary for a band to be considered prog ?
Fifth - No , really , keyboards are necessary for a band to be prog ?
Sixth - Can someone stop that ringing ?///}
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Direct Link To This Post Posted: June 18 2008 at 06:43
Originally posted by Atavachron Atavachron wrote:

It reminds me a little of the dilemma Bruce Lee's followers had after he died.  The form of martial art he developed and taught, Jeet Kune Do, was designed to be always evolving, fluid, and able to adapt to any opponent or situation.. essentially a progressive fighting style, a 'way of no way' as he put it.  But over the years as his approach was taught to others, it became a rigid system with rules and techniques never meant to be adhered to.  Sorry, had to slip in the martial arts analogy Smile

 


That's actually a very nice analogy. There are essentially two aspects colliding: The style and the approach. Followers can either copy the original style, or develop new styles using the approach of the original artists. The former is more easily recognisable as being similar to the original, especially by people without a musical background. The latter is more interesting and rewarding to check out, but also much harder to recognize or identify since it requires in-depth knowledge. It's surely quite difficult for someone who has never played an instrument or studied music theory to indentify concepts like Counter-Point or modal scales, cadenzas etc. in a piece of music, let alone the intricate form/structure required by Certif1ed's definition. In effect, his definition is quite radical, and something with which I sympathize, but it would also alienate many "progheads" which are more used to comparing styles and simple elements. In a nutshell by his definition Dream Theater would be replaced with Metallica ... Big%20smile


Edited by MikeEnRegalia - June 19 2008 at 02:53
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Direct Link To This Post Posted: June 18 2008 at 06:34
Originally posted by Certif1ed Certif1ed wrote:

Originally posted by MikeEnRegalia MikeEnRegalia wrote:



Rush are not prog metal ... not even close.
 
 
That is what we called them back in 1979 - and we called Rush Prog Metal first, so that gives us a fair claim to the title Tongue
 
Not everyone did, for sure (ie people not familiar with their music, or didn't care, etc.) - but Rush were lumped in with Yes and Genesis et al as Progressive Music, but it was recognised that their music was more metal than rock, and clearly different to Prog Rock, because of the riffs so Progressive Metal it was.
 
 
I agree with Dick Heath - the kiddies are rewriting history again...
 
 

Obviously that label did not "stick", otherwise a different one would have been chosen for the bands which now carry it, since it would have already been "taken".

I don't think that anyone was rewriting history ... the label simply wasn't used widely enough for bands like Rush to *become* history.

Originally posted by Certif1ed Certif1ed wrote:


 
 
Originally posted by MikeEnRegalia MikeEnRegalia wrote:



Yes, they did re-invent music in their own way. Their albums sound unlike anything that was recorded before. Of course if you completely ignore the technical mastery, time signature changes, long-drawn episodic songwriting etc. then I can understand your problems with accepting them as something unique ... but IMO you have to look at the whole picture and not conveniently leave out aspects which interfere with your theory.
 
Everyone has their own perspective - but I think the difference between elemental differences and fundamental differences in musical style has been made clear now.
 
I acknowledge Dream Theater's technical mastery of their instruments.
 
Time signature changes are incidental - and elemental too. Not every piece of Prog has multiple time changes - it's just not that important. It does happen more often in Prog, that is true - but this is just a way of describing the music, not identifying it.

 
I disagree. Of course you could rewrite a piece which is in 7/4 to be in 4/4 instead. But it would not be the same piece anymore. Whether the time signature (or change of it) is an important element or superficial - or in other words: how much it adds to the substance of the piece - can only be determined individually, looking at the whole track as a piece of art.

Obvious example: Take 5. Take away the 5/4 ... of course it would work, but it wouldn't be the same anymore. Or consider Pink Floyd - Money. Take Steve Vai's highly energetic track "Kill the Guy with the Ball" ... it has a passage where the drummer deliberately gets out of sync with the band by one 16th note for each bar for like 4 bars until they get in sync again (if I remember it correctly). You absolutely can't take that away from the track, since it symbolises the chase (of the guy with the ball). It's essential.

Originally posted by Certif1ed Certif1ed wrote:


 
Long-drawn episodic songwriting is also a characteristic - it simply does not happen 100% of the time in Prog and does not define it any more than it defines psychedelia or Classical music, in which it also happens a lot.
 
 
 
Hold on - technical mastery, long, episodic songs, tempo changes - sounds a LOT like Rush to me.


Who are considered to be a progressive band.Big%20smile

Originally posted by Certif1ed Certif1ed wrote:



The confusion I was referring to in my initial blog is caused by looking at the building blocks in this way, and is why it is a nonsense to consider Dream Theater a Prog Metal band, but not Metallica or Rush.


Now you're throwing everything together. Dream Theater vs. Rush is not a case of Prog vs. Non-Prog, but of Metal vs. Hard Rock. You're also welcome to calling Rush "Prog Metal" if you feel that "Metal" should include every style between Steppenwolf and Sepultura ... I simply think that in the context of what's commonly called "Prog Metal" we're talking about Post-NWOBHM.

And for the record: In my book Metallica are progressive (as you must know by now) ... it's just their *style* which is very different from the typical Prog Metal bands. But on an album per album base Master of Puppets definitely deserves to be called "Prog Metal" IMHO.

Originally posted by Certif1ed Certif1ed wrote:



Dream Theater's importance lies in reawakening people to Prog Metal - and full kudos to them for doing that - but not in inventing it.
 
 
You're not going to get a good or focussed picture if you use poorly-defined building blocks - garbage in, garbage out.
 
 

"Prog" is difficult to grasp. It's something which you can't easily define. Your approach at defining it is certainly valid, in my opinion it's simply not complete. It doesn't cover all the bands which are commonly called "Prog". One fact we know is that Dream Theater are Prog. Now, maybe I'll take the time to define how Dream Theater are different from "normal" metal bands, and these differences might then be used as an indication that something might be Prog.

Of course you can fling insults at me - intentional or not, words like "poor" or "garbage" don't exactly sound friendly - but whatever you do, Dream Theater are Prog. It's as simple as that ... if you disagree, you'll have to find another label to reference what you mean by "Prog".

Originally posted by Certif1ed Certif1ed wrote:



Originally posted by MikeEnRegalia MikeEnRegalia wrote:

 
 
Originally posted by Certif1ed Certif1ed wrote:


This is really repeating the fact that everyone has their own idea of bands that define it, but no-one seems to have a working definition of what it is. It often seems it can be anything you like as long as it includes your favourite heavy metal bands who play stuff that you find difficult to play.


Now come on, a few posts ago you said yourself that progressive music is often difficult to play. It doesn't have to be, but it simply often is.
 
Er...
 
...not sure what you're accusing me of here, but it looks like you're accusing me of saying the same thing twice - for which crime I apologise.
 
One should never repeat oneself in public... Embarrassed


That's a misunderstanding. I simply meant that we should be able to mention that something is difficult to play without others deducing that that alone is sufficient for us to call something Prog. It is a strong factor, but it needs to be accompanied by other elements/trademarks. For example, especially in genres like Thrash or Death the level of difficulty is generally high. If then other elements are added, like concept, jazz elements, epic structures, experimentality/avant-garde (weird things) etc. ... then something *might* be prog, but there are no definitive rules, there is no "prog formula".
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Direct Link To This Post Posted: June 18 2008 at 04:18
It reminds me a little of the dilemma Bruce Lee's followers had after he died.  The form of martial art he developed and taught, Jeet Kune Do, was designed to be always evolving, fluid, and able to adapt to any opponent or situation.. essentially a progressive fighting style, a 'way of no way' as he put it.  But over the years as his approach was taught to others, it became a rigid system with rules and techniques never meant to be adhered to.  Sorry, had to slip in the martial arts analogy Smile

 
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Direct Link To This Post Posted: June 18 2008 at 04:04
Originally posted by MikeEnRegalia MikeEnRegalia wrote:



Rush are not prog metal ... not even close.
 
 
That is what we called them back in 1979 - and we called Rush Prog Metal first, so that gives us a fair claim to the title Tongue
 
Not everyone did, for sure (ie people not familiar with their music, or didn't care, etc.) - but Rush were lumped in with Yes and Genesis et al as Progressive Music, but it was recognised that their music was more metal than rock, and clearly different to Prog Rock, because of the riffs so Progressive Metal it was.
 
 
I agree with Dick Heath - the kiddies are rewriting history again...
 
 
 
 
 
 
Originally posted by MikeEnRegalia MikeEnRegalia wrote:



Yes, they did re-invent music in their own way. Their albums sound unlike anything that was recorded before. Of course if you completely ignore the technical mastery, time signature changes, long-drawn episodic songwriting etc. then I can understand your problems with accepting them as something unique ... but IMO you have to look at the whole picture and not conveniently leave out aspects which interfere with your theory.
 
Everyone has their own perspective - but I think the difference between elemental differences and fundamental differences in musical style has been made clear now.
 
I acknowledge Dream Theater's technical mastery of their instruments.
 
Time signature changes are incidental - and elemental too. Not every piece of Prog has multiple time changes - it's just not that important. It does happen more often in Prog, that is true - but this is just a way of describing the music, not identifying it.
 
Long-drawn episodic songwriting is also a characteristic - it simply does not happen 100% of the time in Prog and does not define it any more than it defines psychedelia or Classical music, in which it also happens a lot.
 
 
 
Hold on - technical mastery, long, episodic songs, tempo changes - sounds a LOT like Rush to me.
 
 
 
The confusion I was referring to in my initial blog is caused by looking at the building blocks in this way, and is why it is a nonsense to consider Dream Theater a Prog Metal band, but not Metallica or Rush.
 
Dream Theater's importance lies in reawakening people to Prog Metal - and full kudos to them for doing that - but not in inventing it.
 
 
You're not going to get a good or focussed picture if you use poorly-defined building blocks - garbage in, garbage out.
 
 
Originally posted by MikeEnRegalia MikeEnRegalia wrote:

 
 
Originally posted by Certif1ed Certif1ed wrote:


This is really repeating the fact that everyone has their own idea of bands that define it, but no-one seems to have a working definition of what it is. It often seems it can be anything you like as long as it includes your favourite heavy metal bands who play stuff that you find difficult to play.


Now come on, a few posts ago you said yourself that progressive music is often difficult to play. It doesn't have to be, but it simply often is.
 
Er...
 
...not sure what you're accusing me of here, but it looks like you're accusing me of saying the same thing twice - for which crime I apologise.
 
One should never repeat oneself in public... Embarrassed


Edited by Certif1ed - June 18 2008 at 04:21
The important thing is not to stop questioning.
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Direct Link To This Post Posted: June 18 2008 at 03:22
Originally posted by Certif1ed Certif1ed wrote:


I must admit I found it hard to swallow, except in the absolutely literal sense of the word "Progressive" - ie, something different enough to sound new and exciting. Dream Theater simply added a keyboard and a sheen of technical mastery to a style of music that had been there for at least a decade - they did not re-invent the music in the same dramatic way that Rush or Diamond Head did. Or Iron Maiden or Metallica, come to that.


Yes, they did re-invent music in their own way. Their albums sound unlike anything that was recorded before. Of course if you completely ignore the technical mastery, time signature changes, long-drawn episodic songwriting etc. then I can understand your problems with accepting them as something unique ... but IMO you have to look at the whole picture and not conveniently leave out aspects which interfere with your theory.
 
Originally posted by Certif1ed Certif1ed wrote:


This is really repeating the fact that everyone has their own idea of bands that define it, but no-one seems to have a working definition of what it is. It often seems it can be anything you like as long as it includes your favourite heavy metal bands who play stuff that you find difficult to play.


Now come on, a few posts ago you said yourself that progressive music is often difficult to play. It doesn't have to be, but it simply often is.
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Direct Link To This Post Posted: June 17 2008 at 16:42
Originally posted by Certif1ed Certif1ed wrote:

Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

A Prog Icon gave us the perfect definition of Prog:

 
Quote

What is progressive rock ?


"It is music that does progress. It takes an idea and developes it, rather than just repeat it. Pop songs are about repetition and riffs and simplicity. Progressive music takes a riff, turns it inside out, plays it upside down and the other way around, and explores its potential."

Keith Emerson

 
Apply this to Prog Metal, and you will get an easy answer.
 
Iván
 
A very idealistic way of looking at it - the same ideal that I was exploring in my "What is Prog" blog. In principle, I completely agree with this - although recognise that even the best Prog does not achieve this 100% of the time.
 
Of course no definition is 100% accurate, but it got the basic issues:
 
  1. Development of the work
  2. Not linear (As you know better than I do, Pop has mainly an AbAb structure, maybe with a short intro even when normaly POP stats with the chorus directly, sometimes an instrumental break that foolws the verse or the Chorus and other times a coda (Normally not the last one), and that's all, the idea of Prog is exploring and expanding this structires.

But as you know even in Orchestal Instrumental Music (Hate the generic term Classical, it's not accirate) nothing is perfect, take a look at the Romantic era and then check the Russian Nationalist Miobvement, it's chronologically Romantic, as a fact the Nationalisyt Mvement is considered Romantic, but lately it's been called Pos Romantic and some even call it early Modern, because they broke with the solid structures of French Romanticism.

Te same goes with ciontemporary popular genres, you see Rock's structure is also very simple, but take Jim Steinman's compositions for MMeatloaf, it's full of brdges, with Intro, coda everything extremely different to classic Rock, but it's classic Rock with Metal leanings,
 
Emersons guives us the ideal search of Prog, many won't achieve it, but the goal is that. 
 
It is, however, THE guiding principle, and is why I specifically mentioned Spastic Ink in this blog.
 
You can find it in Prog Metal - but it seems to be sadly lacking in the groups that stand out as "defining" the genre.
 
I put defining in quotes, because, back in the days of the NWoBHM, bands like Rush and Diamond Head were viewed as Progressive Metal in my circles - Diamond Head particularly got credit for "inventing" it in some of the magazines I read - but groups like Iron Maiden were not considered Progressive Metal as they were in some parts of the US, for example.
 
The problem of Iron Maiden is the lack of keyboiards, many people can't accept a Prog band from whatever sub-genre without keys, but in the case of Maiden, the combination of guitars is replacing the keys, while one makes the usual Metal sound, the other plays the background and creates atmospheres.
 
I must admit I found it hard to swallow, except in the absolutely literal sense of the word "Progressive" - ie, something different enough to sound new and exciting. Dream Theater simply added a keyboard and a sheen of technical mastery to a style of music that had been there for at least a decade - they did not re-invent the music in the same dramatic way that Rush or Diamond Head did. Or Iron Maiden or Metallica, come to that.
 
It's no secret I'm not a DT fan, but I believe that they were a boom, with several talented musicians, they based their sound in virtuosism, but I can't find a solid structure no matter how hard I try, they are like in a contest trying to prove who's best, they priviledge soloing over structures, to be honest I ind Maiden and Sabbath more Prog than Iron Maiden.
 
I believe Octavarium was the beginning f the end, their formula became exhausted, they lost a lot of credibility after that, even among die hard fans.
 
This is really repeating the fact that everyone has their own idea of bands that define it, but no-one seems to have a working definition of what it is. It often seems it can be anything you like as long as it includes your favourite heavy metal bands who play stuff that you find difficult to play.
 
You just hit the nail in the head, DIFFICULTY, I remember readingthe most absurd comparisobn, a member well known for his hate against Genesis wrote "Howe is better than Hackett because I can play Hackett parts but I'm not able to play How parts"
 
For God's sake, I understand some people may like Howe more, his style is more direct, but difficulty is not everything, Clapton plays exctremely diifficult parts, not to talk about Malmsteen, but none of them is Prog.
 
On the oher hand Hackett plays atmospheres, maybe not as complex, but a musician finds what a band NEEDS and uses it in benefit of the structure. If Genesis would had required a Santana or a Hendrix wanabee, they had plenty candidates, Peter said it on an interview, "All the guitar players who auditioned for us tried to make flashes like Santana or Hendrix, Steve showed us we required a unique sound based in atmospheres where we were weak, after the dirst session we knew that's what we required."
 
Another one is Gilmour, normally he's extremely slow in his solos, seems as he works every in every possible way and gives adamn about speed, not precuisely the hardest guitar player to follow, but beyond any doubt one of the most elaborate and Prog guitar player.
 
In Metal it's worst, the fanbase always searches for the harder studff, if the guy can do what nobody can and plays at 500 miles per hour,. "Hey he must be the best".
 
Nobody stopped to listen carefully but the most evident Prog elements in Dream Theater are in Ruddess STYLE (Not the use of keyboard) because he adds a Symphonic structure and the way Myung supports the central spine of the band when he can be heard.
 
The guitar is great, nobody denies the talent of Petrucci, but he does very little to be diferent from traditional metal, faster, stronger and better than most, but Metal plain and simple. 
 
Iván
            
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Direct Link To This Post Posted: June 17 2008 at 10:23
Originally posted by Certif1ed Certif1ed wrote:

Originally posted by MikeEnRegalia MikeEnRegalia wrote:

Originally posted by Certif1ed Certif1ed wrote:

 
Along with Queensryche, Iron Maiden, Rush - who is it to be?



No - I meant that if you could name only *one* band which symbolises Prog Metal then it would definitely have to be Dream Theater. The only other band which I would consider are Fates Warning, but Dream Theater are the #1 Prog Metal band.

 
Yes, but those other bands are also Prog Metal, and they preceeded them historically, is what I meant.
 
You can't define a genre from a band that came to it, say, 15 years too late (if we assume that Rush were first with 2112).



Rush are not prog metal ... not even close.

In my book it all started to take form around 1988/1989, with the Dream Theater debut and Fates Warning - Perfect Symmetry. Of course you don't have to agree ... but IMO those albums are for Prog Metal what Genesis - Foxtrot and Yes - CttE are for Prog Rock!

Originally posted by Certif1ed Certif1ed wrote:


Originally posted by MikeEnRegalia MikeEnRegalia wrote:

I think there's a big grey zone here ... things aren't either totally unique or totally derivative, but always something in between. Whether it's worth listening to always depends on the listener. If they haven't heard the original, then it might seem totally unique to them even if it's a total rip-off.
 
...so anything could be something as long as someone says it is, is that what you're saying?

No, not really ... I don't get the connection to my statement you quoted.
 
"Totally Unique" and "Non-Derivative" are, of course, impossible - I carefully and deliberately chose the phrase "distinctly different" to contrast with the equally impossible "completely different" and "utterly identical", and to avoid confusion with "somewhat different" or "blatant rip-off".
 
 
I'm going to look into Progressive Blues and Jazz to see if the same principles apply - I'll probably ignore Progressive House, Trance, etc, as my understanding is that the "Progressive" in that context literally means that the music progressively changes in a minimalist fashion, rather than there is anything inherently Progressive about it.
 
With the latter, musicians aren't trying to push the music further into terra incognita, rather they are trying to make terra cognita a little different.
 
 
It's the difference between putting new pictures on your bedroom wall, or redecorating the sitting room, and rebuilding the house.
 
Imagine a very boring, dull house. Then someone comes along and rebuilds it, and all of  a sudden it's inventive, imaginative and full of surprises. Then someone else comes along, takes this improved house and puts new pictures on the bedroom wall, changes the color, adds a car port etc. . Now: If someone came along and would be asked to categorize the houses, wouldn't he put the improved houses in the same category?
 
The point I'm trying to make both here and my "What is Prog" blog is that there is a way to identify Prog in music - and Ivan's post nicely underlines it. If my understanding of Prog that has come about through systematic analysis is that close to Keith Emerson's, then I think I'm probably onto something.

Fine ... so you'll redefine "Prog" so that it doesn't include artists like Spock's Beard or The Flower Kings. Am I the only one who sees a problem there?

Wouldn't it be better to acknowledge that "Prog" contains both original/deep and derivative/shallow artists (with all that's in between) and then to point out for each artist/album how original/deep it is? In essence it boils down to defining a subset "Truly Prog" within "Prog".
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