Two electronic albums - part 1

 each to his own and there is no accounting for taste. To my ears it's simplistic, repetitive and has some well-timed synth sci-fi effect noises all over it, but it is completely devoid of any soul, emotion or passion - even Tomita managed to squeeze more emotion out of electronic music than this. It certainly does not conjure feeling of fear, panic, anticipation or any other emotion that you'd expect on Turkish battlefield in WWI. So I think you maybe influenced by the visual more than the aural in that - maybe that works "brilliantly" for you but for me that was a most incongruous piece of film scoring. Sometimes incongruent film-scoring really does work brilliantly, A Clockwork Orange being a prime example, but not in this case, I half expected to see Empire Stormtroopers to come marching over the hill firing laser-rifles "pew-pew, pew, pew-pew-pew, pew, pew". 

I don't, I use it when I don't understand someone's opinion or comment. 

Like minimalist music, most good electronic music is not repetitive, that's the most misunderstood and misrepresented characteristic of it - the repeated motifs change. Similarly I don't find that virtually all electronic music is devoid of emotion, quite the opposite - the music of Vangelis and Froese can be very evocative for me. Due to the lack of touch-sensitivity on early synthesiser keyboards some of it lacks expression then so does some harpsichord music for the same reason, but that does not imply there is no emotion in it.