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micky
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Topic: 2nd Round Classics: Crime of the 1st Round v. The Posted: July 25 2015 at 08:56 |
next up... Supertramp ![Clap Clap](smileys/smiley32.gif) Reviewed glowing by Dean ![Clap Clap](smileys/smiley32.gif)
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Crossover Prog
4.34 | 1188 ratings
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From Progarchives.com, the ultimate progressive rock music website
Dean
Special Collaborator Retired Admin and Amateur Layabout
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![5 stars 5 stars](http://www.progarchives.com/static-images/5stars.gif)
Crime of the Century is a rare album in my collection, rare in the sense
that it is only one (out of a couple of thousand) that I did
not buy myself or have bought on my behalf with my prior knowledge. It
was given to me by someone who just thought I
might like it, without knowing whether I liked Supertramp or even if I
wanted it and if they had asked beforehand, I would have
probably said no on both counts. It was 1974, I was 17 and I was like
that then. To say I looked perplexed would just about sum
up the embarrassing wordless moment as I tore the gift-wrap from album
and stared at the sleeve. What? A pop record? They
even had a single in the charts, Dreamer, right? .Crestfallen is another
word. The giver looked upset, the receiver smiled
unconvincingly; there was mumbling, more embarrassment, averted eyes,
another uncomfortable smile and a polite,
mumbled 'thank you'. It wasn't even my birthday. Later, at home,
I fell in love at the precise moment the stylus hit the groove, life is
like that at times, rare, special times. That
plaintive harmonica wail, like a warning in the fog; a shiver down my
spine as the real music begins: a Wurlitzer piano, a subtle
clarinet, a guitar, some children in a playground - a girl screams as
the rhythm section enters and now it's popping, is that a
chorus? Then slow again, haunting, taunting. I had left school the year
before, was it like that? 'Yeah, right, you're bloody well
right'. Too late, I was sucked in, suckered in, engrossed and
enthralled, headphones on, lyric sheet in hand. This was Dark Side
of the Moon part 2, and this time it was personal. Hide In Your
Shell? Don't we all? But this was different, not introspective, it's
reaching out a friendly hand; 'if I can help you just
let me know.' and the lyrics are reaching out with the music as the
tempo builds - 'Love me, love you, loving is the way to help
me, help you.' (There was a click deep within my brain at that moment,
not that I needed help, but. a gift and it wasn't my
birthday. d'oh!) '.Oh we're such damn fools', but now you come to
mention it, 'don't arrange to have me sent to no Asylum. I'm
just as sane as anyone', it's true, don't get mad, just get even. This
one builds and grows, slow-fast, soft-hard, another
poignant mini-epic: strings, tubular bells, acoustic piano, saxophone,
guitar, the kitchen sink. The side ends. Emotionally
exhausted. Side two and a sharp intake of breath: Dreamer doesn't
seem so poppish now, in context, where it belongs, it's just an
observation, a comment, not a game of Simon Says 'Well, can you put your
hands on your head, oh no!' There's a depth, the
electric piano has a crunch that doesn't come across on the radio, and
the helium vocals don't seem so high after all, the chukka-
wah guitar not so funk as funky, 'far out, what a day, a year, a life
it's been'. Far out indeed. Then there are some call and
response vocals that blend into harmony over the insistent thrum of the
bass as it kicks life into the final chorus that crescendos
to a grand (piano) finale. Another epic, in just over three minutes, a
micro-epic if you will and still a radio-friendly song that here
is a preamble to the centre point of the album: and 'Rudy's on a train
to nowhere, halfway on down the line'. The conceptual
concept amid a sea of other concepts: alienation, depression, isolation,
anger, a life lacking direction heads towards the big city.
(Did I mention this is a concept album? I did not and it probably isn't,
but it can be if you wish, so it probably is if you want it to
be. I do). Paddington station. The realisation that Rudy's running away.
but no not to 'cardboard city' of the destitute under
Waterloo Bridge, only to the cinema - celluloid escapism perhaps, but
possibly just time to brood and reflect. 'Sad but in a while
he'll soon be back on his train'. And home. If Everyone Was
Listening arrives like an monologue, a Shakespearian aside to the
audience in stage-whisper - it's okay, it's only
a story; however it's also a plea for the show to go on, for the story
to finish. 'Who'll be the last clown to bring the house down?'
But is this the narrative, the story within the story, the concept
within the non-existent concept or is this real life as a play, all
the world is a stage and Rudy merely a player? And if so, then he's only
on Act II, a long way from the final scene, but when
you're Rudy's age... 'And then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school.' (Shakespeare - As You Like It) At
the end of this record Supertramp sang of planning the Crime of the
Century ('well what will it be?'), the crime was that they
were to become more famous, richer and more popular, but never to be as
innovative, never to touch upon the musical alchemy
of the philosopher's stone that would blend the perfect proportions of
progressive rock and popular music again. It is not even
greater than the sum of the parts - it is the total sum of the parts, it
is the precise summation that makes this a complete whole:
every instrument, every note, every beat; every word, sentence and
phrase exactly in the right place at the right time that
makes this work - communicating and harmonising, counterpoint and
balance. They had the ingredients before and after, but the
cake would never be the same: either too sweet or too dry, the wrong
flavourings or too much icing all spoilt the end products.
But not here, because Crime of the Century was transitional, a
way-station on route from progressive rock to radio-friendly pop,
created at the precise conjunction of the two styles so that it was
simply a product of the journey. Perhaps just maybe all great
crossover albums are like that and eventhough Crime may not be the
essential masterpiece of progressive music it is, without a
shadow of doubt, the essential masterpiece of crossover prog. An
unreserved 5-stars.
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in the other corner.. some neo album
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Neo-Prog
3.78 | 452 ratings
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From Progarchives.com, the ultimate progressive rock music website
The Prognaut
Prog Reviewer
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![3 stars 3 stars](http://www.progarchives.com/static-images/3stars.gif)
Not bad for being born in the reckless mid-eighties. Even though it's not one of the best productions by
IQ over the years to me, I have to admit it's one out of their entire discography that gives the band
recognition. Up to "The Wake" the sound was still quite appealing to MARILLION's and very poor in
elaboration in spite of the marvelous execution of good old Martin ORFORD on keyboards. I think of this
record as a determinant transition for IQ to jump right on a very unique seal that landed steady on the
years to come in order to consider this English band as promising. The musical resources applied in here are very reliable and enjoyable most of all. It was the time
where Peter NICHOLLS still covered up his face in make-up a la GENESIS and where the performance
overshadowed the presence on stage. Still, great songs were arranged and released in "The Wake",
just like the self-named song and "Widow's Peak", that happen to be some of the Neo-Prog tracks I
enjoy listening to the most. Other long pieces were included as well but weren't that convincing to me out of first listen like they're
now. Take "The Magic Roundabout" for instance, the track was intended to be impressive and
elaborated somehow, but I feel no remorse by saying it's anything out of this world. If not lousy, it isn't
a jewel either. On the other hand, "Corners" is so extremely experimental that it provokes no surprise
at all and thus, it brings nothing to the table by being plain and merely poor. Regarding one of the most important elements on any fine production, I'm talking about the lyrics
here; "The Wake" is a bit disappointing on that issue yet very less proposing and quite corny to tell the
story of a dead man in sequels. Such finger pointing nark goes especially to "The Thousand Days"
and "Headlong". There are still some pop-rock elements that outshine the progressive effort
whatsoever. I'm reviewing The Wake based upon the 2006 re-issue released by INSIDE-OUT label which includes
an outstanding bonus track. "Dans Le Parc Du Chateau Noir" is a brilliant turning point that under my
own perspective, it should've been added on the first edition. It's just like this piece belonged to a
whole different album. The elements are linked superbly, this is fair ground alright. So as usual, I'll give you a piece of my mind of the album. Good, but not essential. A remarkable effort
but far from being amazing. It's quite a keeper though, but don't let your hopes get that high when
lending ears to it. Deservedly, three out of five ranking stars.
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The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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Meltdowner
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Posted: July 25 2015 at 09:07 |
Easily Supertramp.
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zravkapt
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Posted: July 25 2015 at 09:10 |
Well, I'm not voting for The Wake...
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Magma America Great Make Again
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rogerthat
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Posted: July 25 2015 at 09:46 |
Micky, you are gonna help compound the crime of the 1st round by pitting it against Wake. Wake is a pretty good album but it has no chance against Crime imo. Crime is just near-perfect song writing, such an effective use of contrasting emotions, so masterfully building up drama in song after accessible song. As you can tell, I am as sold on it as Dean.
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Mellotron Storm
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Posted: July 25 2015 at 10:03 |
I almost made it to the end before the error sign popped up. Count a vote for Supertramp Mick.
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"The wind is slowly tearing her apart"
"Sad Rain" ANEKDOTEN
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micky
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Posted: July 25 2015 at 10:06 |
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The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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micky
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Posted: July 25 2015 at 10:07 |
abstaining out of principal here... Supertramp is obviously the superior album.. but it is on my sh*tlist...
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The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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Michael678
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Posted: July 25 2015 at 10:23 |
Crime of the Century is one of the best albums ever made, so that gets my vote.
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Progrockdude
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GKR
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Posted: July 25 2015 at 10:30 |
Not that I think that Crime of the Century is such a masterpiece, I guess it is a bit overrated, but I'am going with them.
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- From each according to his ability, to each according to his need.
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micky
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Posted: July 25 2015 at 10:33 |
GKR wrote:
Not that I think that Crime of the Century is such a masterpiece, I guess it is a bit overrated, but I'am going with them.
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a bit? ![Wink Wink](smileys/smiley2.gif) It isn't half the album Sulle Corde di Aries is
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The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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sleeper
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Posted: July 25 2015 at 10:34 |
I'd vote for most things over Supertramp, the fact that The Wake is a good album certainly doesn't hurt.
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Spending more than I should on Prog since 2005
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LearsFool
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Posted: July 25 2015 at 10:43 |
Supertramp
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GKR
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Posted: July 25 2015 at 10:48 |
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- From each according to his ability, to each according to his need.
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The Bearded Bard
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Posted: July 25 2015 at 11:13 |
zravkapt wrote:
Well, I'm not voting for The Wake... |
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micky
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Posted: July 25 2015 at 11:14 |
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The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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The-time-is-now
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Posted: July 25 2015 at 11:32 |
Crime of the century.
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![](https://31.media.tumblr.com/tumblr_mb53a40Wpt1rwq9jho1_500.gif) One of my best achievements in life was to find this picture :D
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dr wu23
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Posted: July 25 2015 at 11:38 |
Not my favorite Tramp album but I'll go with Crime over Wake.....always thought that Tramp album was somewhat overrated .
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One does nothing yet nothing is left undone. Haquin
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aglasshouse
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Posted: July 25 2015 at 11:42 |
Supertramp "tramps" them all.
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http://fryingpanmedia.com
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b_olariu
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Posted: July 25 2015 at 13:15 |
The Wake (1985) - IQ by far for me
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Moogtron III
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Posted: July 25 2015 at 13:16 |
I like Tramp's album a lot, but this has to be The Wake, one of the best neo albums ever made.
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