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Tholomyes View Drop Down
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Direct Link To This Post Posted: January 04 2006 at 13:31

Originally posted by FragileDT FragileDT wrote:

I love Omar Rodriguez's style for what it is. His style of playing reminds me a
lot of Fripp except that I feel Fripp is a much more versatile player. Fripp can
play the randomness style of Omar (though not jamming, he knows why he's
playing each note and in what key the notes correspond.) Fripp can also play
melody in major keys very well (Perfect example: Starless.) Fripp can also
play blues VERY well and can play a very impressive blues solo (see Peter
Gabriel 1: Waiting for the Big One.)

Omar is a great guitarist and could even be very versatile but just holds off
on playing those styles to maintain the style and sound of TMV.

So i recommed his A Manual Dexterity Vol I. where he experiments with acoustic guitars, afrocuban styles, soundscapes and many more.

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Direct Link To This Post Posted: January 04 2006 at 13:33
Originally posted by Tholomyes Tholomyes wrote:

Originally posted by FragileDT FragileDT wrote:

I love Omar Rodriguez's style
for what it is. His style of playing reminds me a lot of Fripp except that I
feel Fripp is a much more versatile player. Fripp can play the randomness
style of Omar (though not jamming, he knows why he's playing each note
and in what key the notes correspond.) Fripp can also play melody in
major keys very well (Perfect example: Starless.) Fripp can also play blues
VERY well and can play a very impressive blues solo (see Peter Gabriel 1:
Waiting for the Big One.) Omar is a great guitarist and could even be very
versatile but just holds off on playing those styles to maintain the style
and sound of TMV.


So i recommed his A Manual Dexterity Vol I. where he experiments with
acoustic guitars, afrocuban styles, soundscapes and many more.




That's good to hear. I'm definitely going to check that out one of these
days. I like Omar's playing a lot so I'm sure I would like to hear other
styles and see how he manages them.
One likes to believe
In the freedom of music
But glittering prizes
And endless Compromises
Shatter the illusion
Of integrity
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Direct Link To This Post Posted: January 04 2006 at 13:35
latin salsa folk blues hard rock jam  pshycadellic seems like a versatile guitarist to me 

listen to Hella
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Direct Link To This Post Posted: January 04 2006 at 13:49
Originally posted by Rashikal Rashikal wrote:

latin salsa folk blues hard rock jam  pshycadellic seems
like a versatile guitarist to me 


EDIT: I'll take back my statement. He does ONCE in a while play a blues type
scale but he hasn't mastered a blues style by any means.

Edited by FragileDT
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Direct Link To This Post Posted: January 04 2006 at 13:52
yeah i meant that those are the genres he plays in, not that he has mastered them.

nice spirit of radio quote btw

listen to Hella
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Tholomyes View Drop Down
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Direct Link To This Post Posted: January 04 2006 at 14:29
Originally posted by FragileDT FragileDT wrote:

Originally posted by Tholomyes Tholomyes wrote:

Originally posted by FragileDT FragileDT wrote:

I love Omar Rodriguez's style
for what it is. His style of playing reminds me a lot of Fripp except that I
feel Fripp is a much more versatile player. Fripp can play the randomness
style of Omar (though not jamming, he knows why he's playing each note
and in what key the notes correspond.) Fripp can also play melody in
major keys very well (Perfect example: Starless.) Fripp can also play blues
VERY well and can play a very impressive blues solo (see Peter Gabriel 1:
Waiting for the Big One.) Omar is a great guitarist and could even be very
versatile but just holds off on playing those styles to maintain the style
and sound of TMV.


So i recommed his A Manual Dexterity Vol I. where he experiments with
acoustic guitars, afrocuban styles, soundscapes and many more.




That's good to hear. I'm definitely going to check that out one of these
days. I like Omar's playing a lot so I'm sure I would like to hear other
styles and see how he manages them.

But there are 3 tracks aprox. that are only noise, improv and soundscape. Then the last track Cedric sings and you could say it's a mars volta song, but not.

 

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FragileDT View Drop Down
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Direct Link To This Post Posted: January 04 2006 at 14:37
Originally posted by Rashikal Rashikal wrote:

yeah i meant that those are the genres he plays in, not
that he has mastered them.

nice spirit of radio quote btw



Yeah I wasn't sure what you meant.

As for the Spirit of Radio quote: Thanks, I love the lyrics to Spirit of Radio
and think that quote can be applied to most music that is heard on the
radio. It's why I like it so much.
One likes to believe
In the freedom of music
But glittering prizes
And endless Compromises
Shatter the illusion
Of integrity
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Direct Link To This Post Posted: January 04 2006 at 14:38
Originally posted by Tholomyes Tholomyes wrote:

Originally posted by FragileDT FragileDT wrote:

Originally posted by Tholomyes Tholomyes wrote:


Originally posted by FragileDT FragileDT wrote:

I love Omar Rodriguez's style for what it is. His style
of playing reminds me a lot of Fripp except that I feel Fripp is a much
more versatile player. Fripp can play the randomness style of Omar
(though not jamming, he knows why he's playing each note and in what
key the notes correspond.) Fripp can also play melody in major keys very
well (Perfect example: Starless.) Fripp can also play blues VERY well and
can play a very impressive blues solo (see Peter Gabriel 1: Waiting for the
Big One.) Omar is a great guitarist and could even be very versatile but
just holds off on playing those styles to maintain the style and sound of
TMV.


So i recommed his A Manual Dexterity Vol I. where he experiments with
acoustic guitars, afrocuban styles, soundscapes and many more.


That's good to hear. I'm definitely going to check that out
one of these days. I like Omar's playing a lot so I'm sure I would like to
hear other styles and see how he manages them.


But there are 3 tracks aprox. that are only noise, improv and
soundscape. Then the last track Cedric sings and you could say it's a
mars volta song, but not.


 



So are there only 4 tracks on the album?
One likes to believe
In the freedom of music
But glittering prizes
And endless Compromises
Shatter the illusion
Of integrity
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Tholomyes View Drop Down
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Direct Link To This Post Posted: January 04 2006 at 14:49
Originally posted by FragileDT FragileDT wrote:

Originally posted by Tholomyes Tholomyes wrote:

Originally posted by FragileDT FragileDT wrote:

Originally posted by Tholomyes Tholomyes wrote:


Originally posted by FragileDT FragileDT wrote:

I love Omar Rodriguez's style for what it is. His style
of playing reminds me a lot of Fripp except that I feel Fripp is a much
more versatile player. Fripp can play the randomness style of Omar
(though not jamming, he knows why he's playing each note and in what
key the notes correspond.) Fripp can also play melody in major keys very
well (Perfect example: Starless.) Fripp can also play blues VERY well and
can play a very impressive blues solo (see Peter Gabriel 1: Waiting for the
Big One.) Omar is a great guitarist and could even be very versatile but
just holds off on playing those styles to maintain the style and sound of
TMV.


So i recommed his A Manual Dexterity Vol I. where he experiments with
acoustic guitars, afrocuban styles, soundscapes and many more.


That's good to hear. I'm definitely going to check that out
one of these days. I like Omar's playing a lot so I'm sure I would like to
hear other styles and see how he manages them.


But there are 3 tracks aprox. that are only noise, improv and
soundscape. Then the last track Cedric sings and you could say it's a
mars volta song, but not.


 



So are there only 4 tracks on the album?

No.

There are 10 tracks, and only 3 aprox of them are a mix of improv, noise, etc. The 10th track is where Cedric sings, because the rest is without vocals.

 

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