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Wilcey View Drop Down
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Direct Link To This Post Topic: News from Nick Barrett (Pendragon)
    Posted: May 15 2007 at 03:41
I thought as some insight into the effect of downloading you might be interested in the following:

What I can tell you is we are hurtin' because of the overall effect of
downloads. In 2004/05 we made a financial loss as we were busy writing, recording, resurrecting the record label, organising the tour/merchandise etc and generally getting into a lot of debt just 'living'.
Our end of year profit for year ended
2006 [Believe release financial year] was £30,000. 2007 also looks set to make a loss after high touring costs. So that's £30,000 total that Pendragon grossed, over 4 years which is £7,500 a year before tax, royalties to the rest of the band, council tax and I have 3 children and a mortgage......4 years that have see-sawed through terrible
debt for me personally and the band in the vague hope that "when
the next album comes out we'll be able to clear what we owe"....this is the only income I have. To run Pendragon is a full time job.

Just as a small sample, on Komodo alone , over 200 people potentially [we cannot be sure because they don't all "thank" the "releaser"...which is a joke in itself, like these guys wrote and recorded the frikkin album!] downloaded the soundtrack last weekend of our
new DVD Past And Presence as opposed to the 10 people who bought it from our
site, this weekend from our site we sold 2.
300 people have downloaded a sort of "10 album Pendragon package" from Pirate Bay which is a loss for us of between £15,000 and £25,000![depending on whether they would have been retail sales or from a wholesaler] And this is from this one site alone!

We are in a transitional period for this new epoch of downloading, and can
only hope that over time people will realise the damage being done to the
musicians. We accept that it's slow, but we are utterly at the mercy of
the goodwill of YOU the individual, if we are seen to antagonise this we
have heard of people who, in their indignance have gone and downloaded even
more just out of spite.......this, put simply is just bad behaviour, probably a throw back to childhood.."I want my toys, and I want your toys, I want I want....my rights.." utterly selfish f***ing behaviour!

On another forum there was one
guy who said he had downloaded one album and then gone out to buy 80 items
related to that artist.......GREAT, I wish we had 20,000 fans like that, I
am not gonna split hairs over downloading one album, today, tomorrow , 5
years ago or whatever, all we can do is hope that YOU will be responsible and respectful with something we have put our hearts and souls into....and got into shed loads of debt to make!

I hear a lot of psychobable about we need to change our 'business
model', we need to do this, we need to do that...everyone's an expert when it comes to other people's problems, [but usually total imbeciles with their own!]
Let's not forget Pendragon have survived
for 30 years [as a non household name!], if there is any way we can keep
surviving you can bet we've already thought of it!


It is very hard to keep going through this neverending cycle of yo-yoing debt, and play the 'will they, won't they get out of debt with the next album' game.

There is also a creeping new way of thinking, which goes along the lines of, "I download it, if it doesn't instantly entertain me/thrill me, I don't buy it". With this new "MacDonalds" mentality that people are starting to adopt, I am now wondering if I am part of a business I don't want to be involved with.
Some people are saying if a meal was not cooked in restaurant to their satisfaction they wouldn't have to pay for it, well actually they would if there was nothing "wrong" with it...particularly if you'd already eaten it!
This is just git mentality.
Music is not a commodity like buying a grey stark insurance policy, it is supposed to bring some colour into our lives, it raises questions/debate and inspires us, it just so happens that it costs us something to make for which we ask for some reasonable recompense.

Well, The Lamb Lies Down, Tony Banks Curious Feeling and Tears For Fears Seeds Of Love were all albums I loathed when I first heard them, but they were a challenge and I worked with them, listening to them often and carefully over the weeks, I remember where I bought them, when I bought them and they slowly became like precious stones , brilliant and bringing a quality to my life that I will never forget. To see the real value of something you must look much much deeper than you think, trouble is we are lazy.....and we're getting lazier, more selfish and want to make as little effort , sacrifice and cost to ourselves as possible with everything....the world cannot sustain that!

The trouble is, I might get lazy. Will the next Pendragon album be the last one? It's up to you.
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Direct Link To This Post Posted: May 15 2007 at 03:45
good post, prog-chick, it illustrates the reality of it

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Direct Link To This Post Posted: May 15 2007 at 03:51

Indeed- I have some 5 Pendragon albums and I have bought them all, you'd be pleased to know. I came across 'As Good As Gold' and 'Paintbox' via this site and 'The Masquerade Overture' remains one of my fave prog albums. I would buy a new album as imho, 'Believe' gave them a new lease of life.

Hope Nick decides to stick it out- I saw that Channel 4 documentary with Pendragon and he seemed like a genuine person, far removed from those cold automatons that were instructing him to change his way of doing things.

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Direct Link To This Post Posted: May 15 2007 at 04:15
The Channel 4 documentary certainly highlighted that the business side of things was seen as a necessary inconvenience by the band. Although the "automons" suggestions seemed distasteful, they did highlight the cold reality of the situation. Throughout the programme, the band put their musical priorities ahead of their financial ones. From a fan's perspective this may seem noble, but in the end food has to be put on the table.
 
It's probably not constructive for this thread to turn into another debate about illegal downloading, Nick's message sums up the way it affects a band well.
 
One thing I did note though was the "McDonald's" comment. People have been listening to music in this way for many years, it's not a new thing. Since the 50's, record shops have had listening posts, people have borrowed records from friends, radio stations have featured albums, etc.  The fact is that different people listen to music on different levels. Some are simply looking for a simple melody, a sing-a-long chorus, a good beat etc. If they don't hear that on first listen, they are not interested. I think it would be unreasonable to expect people to buy albums totally blind, in the hope that they might enjoy them.
 
 
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Direct Link To This Post Posted: May 15 2007 at 07:03
The CH4 documentry was in fact a joke, the advice (given on screen by 19 yr old "gurus" but infact dreamt up by the TV crew) was to start a different business ie a music school, also they suggested charging kids £20 per hour for this. There is a FANTASTIC music school in Swindon....... £50 a term.
They were making TV........ unforutnately they were not making sense.

Listening posts in '50's Britain are NOT the equivilent of the download gerneration and I think we are all smart enough here to know it.

I understand why polls and threads get closed and deleted, I understand that this is a volatile subject....... but it's not going away.


Decent music will go away though.
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Direct Link To This Post Posted: May 15 2007 at 07:42
I actually find it quite shocking that a great band like Pendragon have to exist so close to the breadline.
 
"300 people have downloaded a sort of "10 album Pendragon package" from Pirate Bay which is a loss for us of between £15,000 and £25,000"
 
That information alone should be enough for us to make sure we support bands like this by not using illegal download sites.
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Direct Link To This Post Posted: May 15 2007 at 07:53
^Yes, I totally agree. One thing I do think is a good idea though is the set-up we have here- a sample track- or like on MySpace or most band's own websites these days. Like I said, this is how I discovered Pendragon but also bands like IQ and The Flower Kings too. The track can often entice fans to try out more- I've rarely been disappointed by these myself (though Spock's Beard's last album I bought after hearing samples in this way and it wasn't really what I had expected...there is always that risk).
 
Has Nick ever seen the way Marillion do things? Not sure about the ins and outs but their business methods seem to have been a huge success for Marillion- remember that big article in the Times a few weeks ago which cited them as pioneers...Marillion don't seem (at least not if I understand it properly) to have to answer to the conventional music industry problems at all.


Edited by salmacis - May 15 2007 at 08:09
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Direct Link To This Post Posted: May 15 2007 at 08:24
I agree on the fact that if we love a band or an album, we should not download it, but buy it immediately.
I knew Pendragon from PA and after 1 month I had all their CDs in my collection (all bought).
What I dont understand is why many bands websites, sell their records or DVD at much higher price that what you can easily find on ebay for new CDs on sale..
For Pendragon I bought all Cds new on Ebay and just one DVD on the bands website (which costed me much more than what  I could find on ebay anyway).

I believe, keeping prog alive is a goal which should be followed not only by musicians but also by people who love prog, and the only way is supporting bands like Pendragon avoiding downloading their music.

Long live to Nick and Pendragon...we all appreciate your efforts!Thumbs%20Up
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Direct Link To This Post Posted: May 15 2007 at 08:30
I've met Nick myself and he definitely is a genuine guy.
 
I fully agree with your sentiments, Nick.  If a back-catalogue is available for a band, I'll do my best to purchase as many of them as possible.
 
The one problem I find is with defunct (and even extant) bands whose albums have disappeared into the ether.  It's very difficult to find vinyl/CD copies of many of these rare albums, so in this situation a download may suffice, until a genuine copy is sought.  Many prog bands I like, fit into the above category.  Taal, Ensemble Nimbus, Anglagard and some others... all are 1990s bands and their albums are almost impossible to find (and when they do turn up, they're pricey).
 
If I like a band (infact, I don't necessarily have to like them), I'll buy an album if and when I see it.  Many albums I own on CD have been purchased online through American vendors.  Not everyone likes using credit/debit cards online (and under 18s generally don't have one anyhow), so it's often difficult to buy an album when you cannot find it in the shops.  I don't believe I've ever seen a Pendragon album in the shops in Swindon (I could be wrong though, so tell me if this is the case or not) and infact, both H.M.V. and Virgin Megastore in the town, are very poorly stocked with non-commercial music (especially prog).  Of course, this is not the fault of the bands, but the buying public.  I wish there was a more specialist music shop in Swindon (or even in close proximity).  They want popular music, so the music shops stock the popular music.
 
I just wish distribution of less-popular music could be better distributed (I don't mean electronically, of course).  I am definitely happy to support bands by purchasing their albums.
 
It's food for thought, that's for sure.
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Direct Link To This Post Posted: May 15 2007 at 09:22
I'm not suggesting the C4 programme had all the right answers PC, but the fact that Nick sought advice via the programme indicates that there is a recognition that financial acumen is perhaps not his longest suit. He seemd to say as much in the broadcast. That is not to belittle the major challenges band ssuch as Pendragon face though in today's environment.
 
As far as the listening posts/try before you buy comment is concerned, I was responding there to Nick's observation:
 
"There is also a creeping new way of thinking, which goes along the lines of, "I download it, if it doesn't instantly entertain me/thrill me, I don't buy it". With this new "MacDonalds" mentality that people are starting to adopt, I am now wondering if I am part of a business I don't want to be involved with." 
 
His comment there does not seem to be specifically about downloading, but about previewing the music before deciding whether to buy it. The point I was making was that most people would wish to do so both now, and historically. This is a different issue of course to retaining the preview instead of buying the album, which has been a bone of contention since the invention of the cassette recorder.
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Direct Link To This Post Posted: May 15 2007 at 09:55

Perhaps Pendragon should give the upcoming Peter Gabriel-backed WE7 download site a go - I'm not sure how much artists will make from this, but it has to be better than having 300 people downloading 10 albums for nothing.

"Thru the darkest age we can surely fly, thru the darkest age with the Fist of Fire"
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Direct Link To This Post Posted: May 15 2007 at 10:05
This really is shocking news from Nick, and I have to confess that after 30 years of buying music in many forms, that I had no idea of how close to the edge in terms of the profit made that some of my favourite bands are. I for one would like to apologise to Nick for being so ignorant of the situation.
Smugly I can say I have never downloaded anything & that I have always bought straightaway, &  I will always think twice before ever sanctioning that sort of action if the opportunity arose.
I sincerely hope that Nick and the guys do make another Pendragon album soon, and I'm sure it will be a magnum opus. It's on my most wanted list now.Big%20smile
Best wishes to Nick & Pendragon.
 
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Direct Link To This Post Posted: May 15 2007 at 10:22
I totally love Pendragon, and Nick seems like a very nice and friendly man, so everybody start buying Pendragon goodies.
 
The first thing that always springs to mind when reading and hearing Nick Barret's take on dowloading and that sort of thing, is how Marillion did it, somehow they turned the internet to a Marillion-friendly place, attracting customers and creating both desire as deliverance of Marillion  stuff.
 
Personally i see the internet and even the possibility of downloading as a big chance for stable bands with a reasonable fanbase, but it requires good knowledge of your customers, close contact with the fans and includes a lot of work maintaining the fanbase.
 
unfortunatly for Nick, the current situation will eventually lead to music being totally free of charge, it's not good or bad, it's just the future of music, so income will have to come from other sources, pre-selling the album like Marillion does is an exciting alternative, I don't know if that's a step Pendragon can take.
 
anyway I hope Nick will be able to keep making music, for that's what he does best.
 
Got to love PendragonHeart
I'm always almost unlucky _ _ _ _ _ _ _ _ Id5ZcnjXSZaSMFMC Id5LM2q2jfqz3YxT
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Direct Link To This Post Posted: May 15 2007 at 10:54
Well, it's an impressive comment by mr. Nick Barrett!
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Direct Link To This Post Posted: May 15 2007 at 13:06
Most bands output are accessible through the high street, though at times a little investigation and inquiry helps. I purchased both Knight Areas albums through Woolworths and paid what I felt was a reasonable price (£9.99), their delivery times though forecast as long were in fact prompt. I state the above in response to Gecko and his Swindon problem, it is the same here in Shrewsbury...
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Direct Link To This Post Posted: May 15 2007 at 13:16

Some fault must lie within the music business itself. Whether it be retailers, reviewers, DJs or someone from the record company - somebody is leaking albums onto the internet before their official release date.

I read a story that an un-named UK music journalist is being prosecuted by Atlantic for leaking the new Rush album. Strangely I was offered an advance review copy of Snakes and Arrows by their US publicity group but only received it in the post yesterday (album released 15 days ago....) so I must be deemed totally untrustworthy unlike the journo...however despite the leak Rush's album reached #3 on the Billboard Album Chart.


Edited by Tony R - May 15 2007 at 13:18
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Direct Link To This Post Posted: May 15 2007 at 13:33
Originally posted by tuxon tuxon wrote:

... the current situation will eventually lead to music being totally free of charge, it's not good or bad, it's just the future of music


Hence CDs, live shows and studio time will be for free too? It'll be great, but it's a one-way street - the artist hires a studio, records an album, makes a tour and ... eats air - because tickets are free and album is already in the net. I wonder how indie labels survive - they have both lack of public and artists...
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Direct Link To This Post Posted: May 15 2007 at 14:14
Originally posted by huge huge wrote:

Most bands output are accessible through the high street, though at times a little investigation and inquiry helps. I purchased both Knight Areas albums through Woolworths and paid what I felt was a reasonable price (£9.99), their delivery times though forecast as long were in fact prompt. I state the above in response to Gecko and his Swindon problem, it is the same here in Shrewsbury...


The popular stuff can be found (I've found a UK outlet online who can get a lot of prog for me, some of which is quite hard to get elsewhere), but a lot of rare stuff I cannot find anywhere (legally), because they were only brought out on vinyl, didn't get the coverage they deserved and never got re-issued on CD.  Of course, many of these bands weren't amazing, but many released solid albums that deserve to be re-released.  I can only hope eventually a lot of my favourite music is re-released.  When I do find them, I'll obviously try and purchase them.  I prefer CDs over Digital copies anyhow.  I've always preferred it that way.

By the way, I actually know a guy who doesn't buy CDs any more, he downloads everything.  He's not into prog and is mainly into more mainstream metal, but he's still not helping the system.  It doesn't matter if the band or artists are millionaires, it's still not a good thing to do.

I've been guilty of downloading leaked albums before now, I'll freely admit it, but I do not plan to download leaks again.  Infact, I don't want to download brand new releases at all if I can.  I've deliberately held back on purchasing the new Alamaailman Vasarat and Anekdoten albums (even though I could download them if I wanted to), because I want them on CD.  I also pretty well know I'll enjoy them both (I've heard samples for the new AV album on their MySpace account).  I'm waiting for my source to get them in stock, then I can purchase them legally.

Therefore, I'm very pro-CD/Vinyl release.


Edited by Geck0 - May 15 2007 at 14:38
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Direct Link To This Post Posted: May 15 2007 at 14:49
What's disappointing is that a very recent poll on PA, since deleted, showed that around half of the people who took part in the poll regularly download illegally.

Edited by Glueman - May 15 2007 at 15:20
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Direct Link To This Post Posted: May 15 2007 at 18:02
yeah....too right, where is the poll , is the heat gettin too much in the kitchen boys?

fanks for the other support messages!

Luv

NB
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