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Topic ClosedThe most musically complex prog band(s)?

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BaldJean View Drop Down
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Direct Link To This Post Posted: May 24 2008 at 21:34
Gryphon were pretty complex too, by the way


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Direct Link To This Post Posted: May 24 2008 at 21:16
PFM (Chocolate Kings is one of the most complex, intense prog albums of all time)
Gentle Giant
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Direct Link To This Post Posted: May 23 2008 at 11:13
Van der Graaf Generator are a lot more complex than people usually realize. Some passages on "Pawn Hearts" (for example the "Maelstrom" part of "A Plague of Lighthouse Keepers") are about the most complex I have ever heard. A specialty of VdGG is to play a slow riff and a fast riff that appear in different parts of a song at the same time in another part of it. Examples: The End of "Man-Erg", the live version of "Pioneers over c" on "Vital", the end of "Scorched Earth".


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Direct Link To This Post Posted: May 23 2008 at 06:36
As far as prog is concerned Hella is absolutely crazy complex. Listen to those insane drum patterns. 

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Direct Link To This Post Posted: May 23 2008 at 06:09
Gentle Giant, Magma, Zappa, Crimson.
 
"Radio Gnome" Gong were no sluggards either.
The important thing is not to stop questioning.
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Direct Link To This Post Posted: May 22 2008 at 23:49
Originally posted by magnus magnus wrote:

In my eyes, Gentle Giant are(were) the most complex prog band
 
Steve Howe said the same thing.
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Direct Link To This Post Posted: May 22 2008 at 17:27
Based on my experience so far, Meshuggah are definitely the most complex RHYTHMICALLY. I feel they have explored rhythm further than anyone else I have heard, but rhythm is just one aspect of music. I'm not sure who stands out in terms of other types of complexity. This is partly because my knowledge of music theory is not fantastic. If there is someone who somehow blends the rhythmic complexity of Meshuggah with melodic and harmonic complexity, then WOW. Please inform me if you know!
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Direct Link To This Post Posted: March 09 2008 at 16:42
There was also an obscure Italian band Stormy Six... That was complexity for complexity's sake: Kobaian brass and strings, clear Henry Cow + Il Balletto di Bronze influences. Worth a try

Edited by Jabberwocky - March 09 2008 at 16:43
The only ****ing way out of here is through the rooftop (c) Dolph Lundgren
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Direct Link To This Post Posted: March 09 2008 at 16:34
Originally posted by One-Eyed Joker One-Eyed Joker wrote:

NEVER GIVE UP ON A BAND!  If you don't understand them at first, dont stop listening to it.  In due time, you will probably begin to enjoy it.  In my early prog days, i hated Gentle Giant and Van Der Graaf Generator, but now they're some of my favorite bands (im sure every proghead says that).  It makes me sad to think that i would have missed such incredible music if i had given up on it.


You either like something or you don't. I first heard GG, VdGG and Nektar years ago, and I'm not into them. There's no need to 'force' anything.
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Direct Link To This Post Posted: March 06 2008 at 10:58
Fuxi wrote :
 
Thanks, Omri. If you like Canterbury bands (especially National Health), Bruford (with Dave Stewart, Jeff Berlin and Allan Holdsworth), Brand X and Steve Hackett's better solo albums, you're bound to enjoy Kenso as well. By the way, doesn't Amazon do deliveries to Israel?
 
Well, from all you mentioned I only have Nationa health self titled and it is good but a bit too nice for me. I do'nt buy in Amazon cause I go to a real store where the owner is somebody who loves prog and I order from him. It is a chance to talk face to face with a guy who shares my love to the music and that is something quite rare here. More than that, In Israel at least, there were many problems with giving your credit card in the net so I try to avoid that.
 
Back to discusion - I realy think as Cylly cat wrote that we must explain what we mean by saying complex otherwise it's a dialoge between death people. For example - I have 5 GG albums and realy enjoy them but none of them (Debut. ATT, Octopus, Free hand, IAGH) sounds that complex to me. Maybe I'll agree if you'll explain it to me.
omri
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Direct Link To This Post Posted: March 06 2008 at 09:25
you rock.
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Direct Link To This Post Posted: March 06 2008 at 05:09
oops, I noted I forgot to post the link to the video I mentioned: here it is:
http://www.youtube.com/watch?v=aQuD1DSkk8U
the passages I meant start at 2:05 and 6:13
by the way, at least parts of the video were shot in Cologne, where Friede and I live; you can see Katja and Mireille Labeque exiting from a subway station and get a good view of the Cologne cathedral there, an unmistakable building (which, by the way, was the highest building in the world before the Eiffeltower was built)


Edited by BaldJean - March 06 2008 at 05:16


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Direct Link To This Post Posted: March 06 2008 at 04:58
Originally posted by BaldJean BaldJean wrote:

Originally posted by keiser willhelm keiser willhelm wrote:

meshuggah. i dont, and probably will never be able to understand how they play those ployrythms in those insane time sigs with such mindblowing ease. they are always dead on!! surely they much lose count or rhythm sometime durring a live show? and yet, they dont. their song/EP "I' is incredibly complex.
And  big nod to Behold. . . The Arctopus.

it is simply a matter of counting. when you study Indian percussion the first thing you learn is counting. in this video at about 2:05 and again at 6:13 Trilok Gurtu demonstrates the counting technique (though he keeps it simple there).
the Indian school of rhythms, the so-called "tala tarangini" is very complex; the basics of it are explained on the cover of the Embryo album "Life with the Karnataka College of Percussion" (which has an incredibly low rating, probably because the only 2 people rating it so far did not understand it at all; I have to review it), the technique can be heard in great detail on that album; the Karnataka College of percussion demonstrates it in all its complexity

 
I have had some experience of South Indian music (I took dancing classes some 20 years ago), and on the basis of that experience I agree 100% with what Jean said in her post. The rhythms can be incredibly complex to Western ears, and this is probably the reason for the low rating of the Embryo album.
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Direct Link To This Post Posted: March 06 2008 at 04:15
Originally posted by keiser willhelm keiser willhelm wrote:

meshuggah. i dont, and probably will never be able to understand how they play those ployrythms in those insane time sigs with such mindblowing ease. they are always dead on!! surely they much lose count or rhythm sometime durring a live show? and yet, they dont. their song/EP "I' is incredibly complex.
And  big nod to Behold. . . The Arctopus.

it is simply a matter of counting. when you study Indian percussion the first thing you learn is counting. in this video at about 2:05 and again at 6:13 Trilok Gurtu demonstrates the counting technique (though he keeps it simple there).
the Indian school of rhythms, the so-called "tala tarangini" is very complex; the basics of it are explained on the cover of the Embryo album "Life with the Karnataka College of Percussion" (which has an incredibly low rating, probably because the only 2 people rating it so far did not understand it at all; I have to review it), the technique can be heard in great detail on that album; the Karnataka College of percussion demonstrates it in all its complexity



Edited by BaldJean - March 06 2008 at 04:20


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Direct Link To This Post Posted: March 06 2008 at 02:16
meshuggah. i dont, and probably will never be able to understand how they play those ployrythms in those insane time sigs with such mindblowing ease. they are always dead on!! surely they much lose count or rhythm sometime durring a live show? and yet, they dont. their song/EP "I' is incredibly complex.
And  big nod to Behold. . . The Arctopus.
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Direct Link To This Post Posted: March 05 2008 at 22:55
Originally posted by micky micky wrote:

Or by listening to On the Third Day .. or Face the Music.

ELO? Their music is very layered in the studio, but as far as the music itself, not really.
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Direct Link To This Post Posted: March 05 2008 at 20:56
NEVER GIVE UP ON A BAND!  If you don't understand them at first, dont stop listening to it.  In due time, you will probably begin to enjoy it.  In my early prog days, i hated Gentle Giant and Van Der Graaf Generator, but now they're some of my favorite bands (im sure every proghead says that).  It makes me sad to think that i would have missed such incredible music if i had given up on it.
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Direct Link To This Post Posted: March 05 2008 at 19:40
Well the most complex bands that I like (i know there are some metal bands out there that are pretty insane, but i dont listen to them!) would be any of the following:
 
Gentle Giant
Al Di Meola (elegant gypsy?)
Jean-Luc Ponty
and some ELP (tarkus?)
and ofcourse; Mahavishnu Orchestra!!!
 
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Direct Link To This Post Posted: March 05 2008 at 19:21
Clown Okay, so this probably isn't the thread to offer up Lawrence Welk, Boxcar Willie, Slim Whitman, or the Sex Pistols for consideration?Wink

Sheesh!!! How elitist of us!!!LOL

There are so many technically brilliant bands...
But by complex, does it have to mean "busy"?
Is this a question of notes per second, movements within a song, polyrhythms, changing keys or time signatures, non-western tuning systems....  All of the above?

Underlying shades and tones like maybe "Awaken" or "Turn of the Century" by Yes, or "The Accolade" by Symphony X seem very complex...
Dream Theater's "Dance of Eternity" is busy and complex.
Allan Holdsworth is always full of complex subtleties...
Some of David Sylvian's music is very subtly complex...
It's funny, I've been a pro musician for 30 years, and sometimes these questions leave me at a loss.
I just don't know how to answer them.
Plus, I'm sure there are a whole host of bands that I've never even heard (yet!) that might qualify in "the most complex" of prog music...

Allow me to just shut up now before I embarrass myself further...



Edited by Cylli Kat - March 05 2008 at 19:24
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Direct Link To This Post Posted: March 05 2008 at 18:24
Originally posted by Shakespeare Shakespeare wrote:

Japa-zeuhl is über complex. 
 
Agreed, but for sheer mind shredding complexity I think Science Group would probably beat all comers on this site, with the possible exception of Zappa's Yellow Shark.
 
 
'Like so many of you
I've got my doubts about how much to contribute
to the already rich among us...'

Robert Wyatt, Gloria Gloom


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