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Guillermo View Drop Down
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Direct Link To This Post Posted: April 16 2006 at 16:46

I agree. Phil Collins (like Trevor Rabin in YES) is the favourite "scapegoat" for blaming someone of Prog bands becoming Pop bands in the 80s, but he and Rabin didn`t have total contol of the bands. The other members of the bands also wanted the change in musical direction. But Collins is even more "hated" than Rabin, and I still don`t understand why he is very hated  .



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Direct Link To This Post Posted: April 16 2006 at 17:27
Originally posted by Guillermo Guillermo wrote:

I agree. Phil Collins (like Trevor Rabin in YES) is the favourite "scapegoat" for blaming someone of Prog bands becoming Pop bands in the 80s, but he and Rabin didn`t have total contol of the bands. The other members of the bands also wanted the change in musical direction. But Collins is even more "hated" than Rabin, and I still don`t understand why he is very hated  .

Because Rabin was an outsider, that left the band and Yes returned to Prog, even during the Rabin years, Yes tours kept being mainly Prog, and Rabin never said anything nasty about early Yes or Prog.

Phil Collins was a Genesis man, and you have to recognize it, he spoke too much against early Genesis and threw crap with electric fan to Prog icons like Pink Floyd, Yes, ELP, etc. And to make it worst, Genesis never returned to Prog.

Iván

 



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Direct Link To This Post Posted: April 16 2006 at 18:10
I am a big fan of Phil Collins performing live with Genesis. And the tamborine dance on I Know What I Like is just spectacular . Seconds Out and Three Sides Live are both great, Seconds Out more so than the latter.
I also have one question. At the end of Seconds Out and Three Sides Live, you can hear the same song being played in the background as Genesis is leaving the stage. What is this song and did they always use it as exit music?
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Direct Link To This Post Posted: April 16 2006 at 18:41

Originally posted by amprog91 amprog91 wrote:

I think he was at his peak when he did those songs for Tarzan...

 

When the world is sick
Can't no one be well
But I dreamt we were all
beautiful and strong

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Direct Link To This Post Posted: April 17 2006 at 02:28
I liked the songs in Tarzan, he even sang in Spanish!
"Tis your birth and faith that wrong you...not I."
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Direct Link To This Post Posted: April 18 2006 at 14:24

Originally posted by MattNYR MattNYR wrote:

I am a big fan of Phil Collins performing live with Genesis. And the tamborine dance on I Know What I Like is just spectacular . Seconds Out and Three Sides Live are both great, Seconds Out more so than the latter.
I also have one question. At the end of Seconds Out and Three Sides Live, you can hear the same song being played in the background as Genesis is leaving the stage. What is this song and did they always use it as exit music?

It is a song called "There`s no Business like Show Business" which *was originally  sung by a singer called Ethel Merman . *It is a song from a Broadway production called "Annie Get Your Gun". I have this song in a CD called "Post Card" from a singer called Mary Hopkin, produced by Paul McCartney for Apple Records. It is the same song.  I don`t know if Genesis used this song at the end of their concerts, but maybe they used it for their 1976 and 1977 tours, as it can be listened in "Seconds Out" (mainly recorded in 1977) and in "Three Sides Live" after the "It/Watcher of the Skies" song (rec. in 1976) included in that album. I have a bootleg called "Follow you Follow Me" recored during their 1978 tour (a full concert), and it wasn`t included at the end of the concert. Maybe it was edited out, but I really don`t know.

*The booklet notes of this CD say that.

By the way, I don`t like Broadway productions.It doesn`t mean that I don`t like "The Lamb Lies Down on Broadway"



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Direct Link To This Post Posted: April 18 2006 at 14:39
Originally posted by Ivan_Melgar_M Ivan_Melgar_M wrote:

Originally posted by Guillermo Guillermo wrote:

I agree. Phil Collins (like Trevor Rabin in YES) is the favourite "scapegoat" for blaming someone of Prog bands becoming Pop bands in the 80s, but he and Rabin didn`t have total contol of the bands. The other members of the bands also wanted the change in musical direction. But Collins is even more "hated" than Rabin, and I still don`t understand why he is very hated  .

Because Rabin was an outsider, that left the band and Yes returned to Prog, even during the Rabin years, Yes tours kept being mainly Prog, and Rabin never said anything nasty about early Yes or Prog.

Phil Collins was a Genesis man, and you have to recognize it, he spoke too much against early Genesis and threw crap with electric fan to Prog icons like Pink Floyd, Yes, ELP, etc. And to make it worst, Genesis never returned to Prog.

Iván

 

Maybe you`re right, but I also think that Genesis ballads sung by Collins were  like "too much sugar in a song" for old fans.

Another reason, IMO,  was that the success of Phil Collins as soloist coincided with the success of Genesis as a Pop Rock band in the 80s-90s. Many new listeners were confused by the similarities between the songs. Many people in the 80s-90s could not see a difference between a ballad recorded by Collins alone and a ballad recorded by Collins with Genesis.

I still think that Collins was bored with Prog Rock, so he criticized Prog Genesis and  other Prog bands. Maybe he changed his mind in recent years, but I can`t say that he changed his mind because he needs more money. But maybe he needs it more now than in the past, because it was announced recently that he is separated from his 3rd. wife. Maybe with two divorces and a probable 3rd. divorce, and having several sons and daughters  to support (and maybe the ex-wives too), he has to earn more more to pay the expenses of his new divorce.

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Direct Link To This Post Posted: April 18 2006 at 15:48
As soon as Peter Gabriel left Genesis it was certain the band would turn Pop.

You can watch the change from Psychedelic Badasses to Whimpering Puppies from 1969 to 1978; it all happened very fast. And a lot of people CORRECTLY IDENTIFY that Phil Collins is the reason Genesis went pop. Just look at his solo works; he ruined one hell of a band.

BTW, David Gilmour realized he was living his life wrong around 1975 and changed himself; in the last 30 years he's been a prominent philanthropist, donating countless hours and millions of dollars.

Roger Waters was too self-indulgent for the rest of the band and was practically FORCED to leave. They resented that he had kicked out Syd Barrett. I don't think they ever got over that. They loved having him around more than anything else.

Nick Mason is without a doubt the 'nice guy' of Pink Floyd. He's quiet and mysterious, but he's very witty and puts his family first.

And what else is there to say about Rick Wright? He is a LOT like Rick Wakeman from Yes. Silent but powerful... I think a lot of the time Roger Waters was envious of Rick's works.


RUSH? They're all great guys, they're all VERY intelligent. They're philanthopists too, but then they always were.
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Direct Link To This Post Posted: April 18 2006 at 16:12

I certainly don't hate Phil Collins in the slightest. I think there's been a lot of negative press about him, oddly based on his look and image. Why should what a person looks like affect anyone's judgement on their musical ability? For the record, I think Collins is a superb drummer and also, an excellent singer. His first album, 'Face Value', is a fine album imo- I wouldn't go out of my way to own it, and even less so the rest of his back catalogue, which I don't like at all, but the debut is sound enough.

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Direct Link To This Post Posted: April 18 2006 at 23:29

Originally posted by DeepPhreeze DeepPhreeze wrote:

As soon as Peter Gabriel left Genesis it was certain the band would turn Pop.

You can watch the change from Psychedelic Badasses to Whimpering Puppies from 1969 to 1978; it all happened very fast. And a lot of people CORRECTLY IDENTIFY that Phil Collins is the reason Genesis went pop. Just look at his solo works; he ruined one hell of a band.

BTW, David Gilmour realized he was living his life wrong around 1975 and changed himself; in the last 30 years he's been a prominent philanthropist, donating countless hours and millions of dollars.

Roger Waters was too self-indulgent for the rest of the band and was practically FORCED to leave. They resented that he had kicked out Syd Barrett. I don't think they ever got over that. They loved having him around more than anything else.

Nick Mason is without a doubt the 'nice guy' of Pink Floyd. He's quiet and mysterious, but he's very witty and puts his family first.

And what else is there to say about Rick Wright? He is a LOT like Rick Wakeman from Yes. Silent but powerful... I think a lot of the time Roger Waters was envious of Rick's works.


RUSH? They're all great guys, they're all VERY intelligent. They're philanthopists too, but then they always were.

Some last  commentaries about Genesis becoming a Pop band:

Their very underrated "...and then there were three..." album is an album on which most songs were composed by Banks and Rutherford. Collins was then with his attention more focused in his personal problems with his then wife. He contributed less to that album in comparison to Banks and Rutherford. This is for some people the album which indicated the change of musical direction to Pop Rock. The hit single "Folow You, Follow Me" was a song started by Rutherford in words and music, plus additional music by Banks and Collins. So, their change in musical direction was the responsibility of the three, and maybe more of Rutherford and Banks, as Collins didn`t contribute the same as the other two members in that album. See http://genesis-path.net/art82-03.html if you want more information.

About Pink Floyd asking Syd Barrett to leave the band*:

Waters was the one who talked with Barrett and with their managers about it, but Mason and Wright also said in interviews that they were tired of having Barrett in the band, because he couldn`t function in the band anymore. There were concerts in late 1967 when Barrett was on stage doing nothing or playing a chord in all songs while the other three members were trying to play their songs without him. After he was asked to leave, their managers went with him, and left Pink Floyd without managers because they could not imagine the band without Barrett. It was a decision took as a band. They also had Gilmour playing guitar with them in the last weeks Barrett was in the band in early 1968. They even wanted to have Barrett as a "Brian Wilson": as a composer who doesn`t play or record with them, but Barrett didn`t like the idea.

About the Waters/ Pink Floyd split*:

Waters said in December 1985 that he was leaving Pink Floyd, and that he wanted the band to split and not to use again the name of the band. Mason and Gilmour didn`t agree with him, because they still  had plans to record new albums as Pink Floyd. So, in 1986 a legal battle started with Waters to use the name of the band. Waters wasn`t forced to leave. He left the band and wanted to dissolve it.

*I read all this information in two books about Pink Floyd: one written by Miles (Omnibus Press, 1987), and another written by William Ruhlmann (Magna Books, 1994).



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Direct Link To This Post Posted: April 19 2006 at 00:23
Originally posted by Anguiad Anguiad wrote:

I liked the songs in Tarzan, he even sang in Spanish!


Haha no doubt, that soundtrack was killer. Phil Collins + N'Sync = awesome.
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Direct Link To This Post Posted: May 04 2006 at 18:47
oh, I did not know N sync were in the soundtrack. Ugh. That IS nasty. But I'm referring to the songs only, not the soundtrack.
"Tis your birth and faith that wrong you...not I."
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Direct Link To This Post Posted: May 04 2006 at 22:08
Originally posted by Zoso Zoso wrote:

Originally posted by Anguiad Anguiad wrote:

I liked the songs in Tarzan, he even sang in Spanish!


Haha no doubt, that soundtrack was killer. Phil Collins + N'Sync = awesome.
So awesome I can't handle myself thinking of it!Wink
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Direct Link To This Post Posted: May 05 2006 at 13:47
I never really thought about Phil being the one that changed the direction of Genesis until I saw the band perform in 1983.  During the concert, a member of the audience yelled out "Watcher of the Skies" to which the wonderful Mr Collins replied "We don't play that piece of sh*t"
 
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Direct Link To This Post Posted: May 06 2006 at 02:34
Originally posted by XTChuck XTChuck wrote:

I never really thought about Phil being the one that changed the direction of Genesis until I saw the band perform in 1983.  During the concert, a member of the audience yelled out "Watcher of the Skies" to which the wonderful Mr Collins replied "We don't play that piece of sh*t"
 
Angry
 
 
But today that this piece of sh!t is much more popular and remembered that all the wonderful and imaginative stuff that he did during the three men era (Being sarcastic just in case), the guy swears he always was a Prog fan that he loved Yes and that The Lamb Lies Down on Broadway is his Genesis favorite album.
 
It's also funny to remember that the same guy who said in Genesis a History that he would never allow Peter Gabriel back in Genesis, is the one that begs for a reunion only if Peter sings, couldn't it be that Peter is a respected and popular musician and Phiil is just a joke?
 
Now I would love to read what the defenders of shorty have to say against a person that witnesed this disgusting attack to the music that made him famous, because without Genesis he would probably be nobody, because during the Gabriel years he wrote almost nothing.
 
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Direct Link To This Post Posted: May 16 2006 at 21:21
   I never realised there was so much vitriol directed towards PC . I agree with the opinions expressed by PETER RIDEOUT< for what it's worth.
  The observations by GUILLERMO and others concerning the tour exit music in 76/77 are interesting. The irony is obvious--'There's No Business Like Show Business'. Musicians, actors, performers in general aren't just in it for their health. It's 'big' business driven by an ethos to succeed . Like sports stars ,these people invariably don't want to become role models or icons representative of other people's dreams. It is too hard to live up to. The vast majority do want success , fame and financial security, however, and the getting of it is generally not entirely within their control. IMO 'the business' of PC , GENESIS and progs development at that time should be viewed in this context. TH...TH....TH...THAT"S ALL FOLKS!
Looking still the same after all these years...
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Direct Link To This Post Posted: June 21 2006 at 12:03

Wow.  All this about Phil Collins.  This is not directly related to likeness of Collins, but here are some interesting things I figured out (and many of you probably have, since they are obvious), but I thought I would throw them into discussion.

1) I do despise Trevor Rabin slightly more than PC, but I digress.
 
2) Let's think about if PC remained only the drummer.  Originally he wasn't too enthralled with taking over the lead full-time, but he grew to enjoy the role...but even if he hated it, as mentioned, the entire band wanted to try poppier material.  It was Tony Banks behind the lyrics to "Anything She Does," a Genesis song that nerves me to no end, for example.  Listen to Mike & the Mechanics, then give an opinion on "Silent Running."  Even Gabriel, while his solo material is experimental and a darling for critics, he was the one who knocked his old band from the top of the charts with "Sledgehammer."  Yes, it was once Steve Hackett, possibly the most progressive in the band, left, but the collectively realized upon minor success that there was a chance to become big into the next decade.  In a TV interview, Phil summed up Genesis' music decisions like this: "we just thought, 'f**k it, let's sell out.' "  Hearing that cracked me up LOL Anyhow, they might have gone pop even if Phil remained behind the kit.
 
3) Phil did end his big band album with "Los Endos" then again, he was much less popular by now.
 
4) His solo star began because of his marriage, and he felt the need to write, and much of the material was the type that could be performed minus Genesis.  Also, I do like the debut Face Value.  Though I do consider "Sussudio" in 1985 to be a leading reason why the 80s were a bad time in music.
 
I can't decry PC, though he did say some comments which were partially "TO-like" (for you football fans out there).  I am part of the camp that just doesn't blame him entirely for the "sellout of Genesis."
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You missed the starting gun"
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