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NoEarthleyCon.
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Topic: Transition of Prog rock Posted: November 26 2008 at 18:27 |
This has always been a question that I have asked myself. I am a young prog rock fan that has grown up with parents that have been devoted fans of bands such as Yes and Genesis(gaberial years). I have always wonderd that in other forms of music during that time period have grown into forms of music that are very present in music scenes right now. Like how the Grateful Dead have basically created a entire genre of music that has followed up and continues to produce good music such as: THe string cheese incident, phish and widespread panic. I feel that with the complex instumental talents of bands such as Yes and Genesis that this would be able to push people to play this type of music. I understand that bands like transatlantic, spocks beard and the flower kings have produced amazing music, yet i feel there should be a more broad base of a prog movement. Another question I propose is also , why didnt a band like Yes play shows were they would play solos and "jam" like the grateful dead?
P.S. sorry for all of the grateful dead refrences, im not exactley a fan of there music, but more of there musicianship and there ablility to "jam" or produce such well played solos. thanks
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Bern
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Posted: November 26 2008 at 19:03 |
NoEarthleyCon. wrote:
why didnt a band like Yes play shows were they would play solos and "jam" like the grateful dead?
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Well, while Yes are certainly really skilled musicians, it doesn't mean they can jam and make it sound good. It's a totally different approach to music. Maybe it wasn't their cup of tea either or the image they wanted to show. Some bands love structure and embrace the idea of well-structured and perfectly played music. Jams are kinda the opposite of that. They can turn bad, are not structured and, often, musicianship mistakes appear in the process. That's exactly what I like about jams but it's certainly not for everyone. This is just hypothetical. Maybe Yes could jam really well and maybe they liked it. It's just an attempt at explaining it. Welcome to Progarchives by the way! 
Edited by Bern - November 26 2008 at 19:04
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RIP in bossa nova heaven.
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Atavachron
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Posted: November 26 2008 at 19:07 |
you heard any of King Crimsons spontaneous stuff? ..THRaKaTTaK comes to mind
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Sunny In Jeddah
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Posted: November 26 2008 at 19:40 |
Just because you can play interesting stuff in complex time sigs doesn't mean you're comfortable or good at "jamming" in front of a live crowd.
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Toaster Mantis
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Posted: November 27 2008 at 04:57 |
I don't find jamming good or bad in itself. Same thing with its absence. On one hand, I'm quite fond of bands that make a true art form or even a religion out of jamming (Can, Deep Purple, Hawkwind, King Crimson and so on...) but on the other hand there's a band like Captain Beyond. What I like so much about them is that they've got all the signature changes and playing around with rhythms that are typical of progressive rock - but on their selftitled at least, their songwriting is just so tight and concise and they make this idea of short but complex songs work. It's as seamless a cross between prog and standard 1960s/1970s hard rock as you'll ever find.
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"The past is not some static being, it is not a previous present, nor a present that has passed away; the past has its own dynamic being which is constantly renewed and renewing." - Claire Colebrook
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npjnpj
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Posted: November 27 2008 at 06:47 |
Yes playing the centre section of 'America' comes pretty close to my idea of jamming.
Not very impressed by it though, shows that it's probably better that they didn't pursue the idea.
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chopper
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Posted: November 27 2008 at 07:17 |
Well, I like the middle section of America, Yes should have done more imo. There is some "jamming" evident in live versions of Starship Trooper for instance, although this is over a fixed chord sequence. There are probably other examples but I often feel they could do more. Rush is another example of a band that tends to replicate studio versions note for note, in Peart's case he often replicates his drumming as well. On the odd occasion they have jammed, they do it well.
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fuxi
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Posted: November 27 2008 at 08:31 |
I love the middle section of "America", but I never felt Yes were good at jamming or even improvising. Those "duels" between Steve Howe and Rick Wakeman (or whoever else was on keyboards) in recent years always felt scripted! One tune where Steve used to let himself go in the early days was "Yours is no disgrace". If you listen to his solo on the Yessongs album, it's considerably different from the Yessongs movie (filmed, I believe during the same tour). Fascinating stuff! A shame he soon gave up improvising after that!
But there's hope, you know. One of prog's greatest guitar players, in my view, is Allan Holdsworth. He plays riffs, lead melodies AND improvised solos brilliantly on albums like GAZEUSE (Gong) and FEELS GOOD TO ME (Bill Bruford). I've recently discovered some of his best solo albums: they're mostly improvised but really lovely, i.e. not over-technical. And Holdsworth's still at it!
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Darklord55
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Posted: November 27 2008 at 08:49 |
You don't have to apologize for mentioning the Dead, imho. They are not my favorite band but I still like them and have a good collection of Dick's Picks. When I'm in the mood to kick back and listen to some jammin they are my first choice. I always will wonder what they would have been like without all the drugs. And how good Jerry would have been if he hadn't been high on herione all the time. Guess we'll nvever know. They could play some good space rock at times.
The only thing I don't like about jamming is it tends to turn into a noodling session after so long. And, it can become rather tedious which at time can lose an audience. The jam band needs to realize when to stop in order to keep things interesting. Jazz musicians also have a tendency to noodle a tad bit too long. Cheers!!
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popeyethecat
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Posted: November 27 2008 at 11:11 |
The idea of improvisation absolutely terrifies me. Then again, so does performing in general. Jamming isn't for all musicians, even the very good ones! It's a completely different approach that also needs to be learned and practised. Some will prefer to study composition, and to be honest, bad improvisation is bad
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fuxi
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Posted: November 27 2008 at 12:46 |
Darklord55 wrote:
The only thing I don't like about jamming is it tends to turn into a noodling session after so long. And, it can become rather tedious which at time can lose an audience. The jam band needs to realize when to stop in order to keep things interesting. Jazz musicians also have a tendency to noodle a tad bit too long. Cheers!! |
One man's "noodling" is another man's paradise. Prog bands are routinely accused of "noodling" in the mainstream media. There's plenty of "noodling" on Steve Hillage and National Health albums - and I just can't get enough of it!
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fuxi
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Posted: November 27 2008 at 12:48 |
popeyethecat wrote:
The idea of improvisation absolutely terrifies me. Then again, so does performing in general. Jamming isn't for all musicians, even the very good ones! It's a completely different approach that also needs to be learned and practised. Some will prefer to study composition, and to be honest, bad improvisation is bad
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That's true too! I've never seen the point, for example, of King Crimson's THRAKATTAK. It's a P-E-R-V-E-R-S-E album!
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Vibrationbaby
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Posted: November 27 2008 at 13:53 |
Atavachron wrote:
you heard any of King Crimsons spontaneous stuff? ..THRaKaTTaK comes to mind
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And, of course, the Great Deciever box set ( live 73-74 ).
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Vibrationbaby
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Posted: November 27 2008 at 13:55 |
fuxi wrote:
popeyethecat wrote:
The idea of improvisation absolutely terrifies me. Then again, so does performing in general. Jamming isn't for all musicians, even the very good ones! It's a completely different approach that also needs to be learned and practised. Some will prefer to study composition, and to be honest, bad improvisation is bad
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That's true too! I've never seen the point, for example, of King Crimson's THRAKATTAK. It's a P-E-R-V-E-R-S-E album! |
I think Bruford saves the day on a lot of the mayhem that occurs on that one.
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Toaster Mantis
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Posted: November 27 2008 at 14:18 |
fuxi wrote:
Prog bands are routinely accused of "noodling" in the mainstream media. |
Yeah, and if they go out of their way to keep the jamming focused they get accused of "droning on". (Hawkwind's probably the best example here)
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"The past is not some static being, it is not a previous present, nor a present that has passed away; the past has its own dynamic being which is constantly renewed and renewing." - Claire Colebrook
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Scratchy
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Posted: November 27 2008 at 14:53 |
Jamming is usually based around blues.Yes were about getting away from the blues sound.There were literally hundreds of blues based bands around in the late 60's.They were probably sick of that sound at that time so tried to do something different along with a few other groups i.e. birth of progressive rock.
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sleeper
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Posted: November 28 2008 at 04:50 |
NoEarthlyCon, I suggest you hang around the archives for a while, you'll see that the musical base of prog these days is incredibly diverse. There may still be bands like Transatlantic, Spocks Beard and The Flower Kings, but you have the likes of Taal, White Willow, Dream Theater, Opeth, Porcupine Tree, Kayo Dot just to name a few that are quite different.
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Spending more than I should on Prog since 2005
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Toaster Mantis
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Posted: November 28 2008 at 04:56 |
Scratchy wrote:
Jamming is usually based around blues. |
But it can also be based around jazz, which means that you can jam in a way that moves away from blues.  (yeah, I know that jazz is derivative of blues but that doesn't change the fact that by the sixties those two genres were very clearly distinguishable from each other)
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"The past is not some static being, it is not a previous present, nor a present that has passed away; the past has its own dynamic being which is constantly renewed and renewing." - Claire Colebrook
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NoEarthleyCon.
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Posted: November 28 2008 at 11:13 |
Sleeper, I admited that there is progressive rock stil present, but not relavent like other bands from other genres that are similair to prog rock. And no offense to your personal taste, yet i dont consider metal progressive rock, it just doesnt fit my ear.
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Ivan_Melgar_M
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Posted: November 28 2008 at 11:27 |
NoEarthleyCon. wrote:
why didnt a band like Yes play shows were they would play solos and "jam" like the grateful dead?
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Why should they?
That´s not their style neither the music they play.
Grateful Dead is a USA band born in San Francisco in 1965 when Psychedelia and for that reason jaming was on their peak, that's the music they wanted to create and they were good at it.
Yes is a Symphonic band that reached their peak in the early 70's when complex and well structured music with Classical influences was in the peak, they don't need to jam to do their music and their skills are beyond any doubt.
I believe jamming is overrated in most cases.
But at the end, each one has his style.
Iván
Edited by Ivan_Melgar_M - November 28 2008 at 11:35
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