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FINSTERE SONNE / BLACK SUNFlaming BessSymphonic Prog2.40 | 14 ratings |
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![]() Mel Halbauer is perhaps the best female singer the band has ever had, displaying both variety and a style that, in some stand-out moments, is decidedly her own, and Achim Wierschem's guitar playing has perhaps never been more daringly adventurous than here. The band's approach is progressive in the literal sense of the word: if you're adverse to modern beats, the heavy use of electronic sounds and samples, as well as the occasional gimmick, and the trip-rock of bands like Massive Attack or the newer The Gathering does nothing for you, this may simply not be your cup of prog. That being said, composition or songwriting are decidedly scenic on this one, neither presenting much in the way of highs or lows, but instead going for cinemascopic routes that are well-suited to the band's storylines, which have always been journey narratives. On the other hand, there is a whole lot to discover on this one: slow and smooth jazz and grooves (Endloses Nichts) , accousticly driven rock-numbers, electronic extravaganzas of wildly shuffled beats, orientalisms and even some brief flirtations with heavy metal (Die Prüfung), all of which flow quite seamlessly into one another, making for three long track-like chapters. The journey of Finstere Sonne, then, is not just that of Prince Arkana looking for a way to resurrect the eponymous princess. It is, in fact, the journey of a band firmly arriving in the new millenium - another kind of resurrection.
PleasantShadeofGray |
4/5 |
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