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KRAUTROCK

A Progressive Rock Sub-genre


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Krautrock definition

Krautrock (also called "Kosmische musik") is a German avant-garde / experimental rock movement that emerged at the end of the 1960's. It was intended to go beyond the eccentricities developed by the wild psychedelic rock universe of the US, by giving a special emphasis to electronic treatments, sound manipulation and minimal hypnotic motifs (continuing the style of "musique concrete" and minimalist repetitive music but within a more accessible environment).

Krautrock put the emphasis on extended and ecstatic instrumental epics, neglecting the format of conventional psych-pop songs. The term Krautrock was first used by the British music press in a very derogatory way. The term rapidly found a better reputation in underground music circles and finally gained a certain popularity (thanks to the Brain-Festival Essen...)

The Krautrock movement is widely associated with notorious bands such as Popol Vuh, Amon Duul, Faust, Neu!, Ash Ra Tempel, Agitation Free, Guru Guru, etc. With their own particular artistic expression, these musical collectives provided rocking psychedelic incantations, mantra like drones, melancholic lugubrious atmospheres, long and convoluted collective improvisations, binary repetitive drum pulses, fuzz guitars, feedback, primitive electronic noises, hallucinatory ballads, and garage blues rock trips. Krautrock can be described as an anarchic, intense, acid, tellurian, nocturnal, spacey, dark and oniric "adventure" through rock music.

The most consistent years of the Krautrock scene cover a relatively short period from 1970 to 1975. After their first spontaneous, hyperactive and psychedelic efforts, the bands generally split up or declined into other musical sensibilities, more in line with mainstream rock or with ambient soundscapes.

Each region develops its particular musical scene, interpreting differently the Krautrock musical structure. For instance the Berlin school focused on "astral" synthscapes, weird electronic experimentation and acid jams (Ash Ra Tempel, Agitation Free, Mythos, The Cosmic Jokers, Kluster...), The Munich scene offered fuzzed out (Eastern) psych rock mantras with some folk accents (Popol Vuh, Amon Duul, Gila, Guru Guru, Witthuser & Westrupp...). Cologne and Dusseldorf underground scenes focused on happenings, political rock, electronics, pulsating rhythms and clean sounding Krautrock (Floh de Cologne, La Dusseldorf, Neu! Can...).

This musical cartography is correct in the absolute but naturally reveals some variations and exceptions. This intriguing and freak 'n' roll 1970's German scene enjoyed a rebirth in recent years thanks to a large number of reissues (of long lost classics) published by several independent labels (Spalax, Garden of Delights, Long Hair Music...) as a direct result of Krautrock's musical inspiration of modern post rock bands. There are actually some neo psychedelic rock bands who try to hold up Krautrock, and who notably find a major place to express themselves during the historical Burg Herzberg Festival in Germany.

Philippe Blache
December 2007



The responsibility for the psych/space, indo/raga, krautrock and prog electronic subgenres is taken by the PSIKE team,
currently consisting of

Mike (siLLy puPPy)
Andrew (Gordy)
Dan (earlyprog)
Brendan (Necrotica)

Krautrock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Krautrock | More Top Prog lists and filters

4.16 | 380 ratings
HOSIANNA MANTRA
Popol Vuh
4.16 | 465 ratings
ASH RA TEMPEL
Ash Ra Tempel
4.21 | 173 ratings
EDGE OF TIME
Dom
4.11 | 718 ratings
FUTURE DAYS
Can
4.09 | 589 ratings
YETI
Amon Düül II
4.13 | 160 ratings
LETZTE TAGE - LETZTE NÄCHTE
Popol Vuh
4.07 | 399 ratings
TANZ DER LEMMINGE [AKA: DANCE OF THE LEMMINGS]
Amon Düül II
4.25 | 67 ratings
EISZEIT
Gam
4.04 | 462 ratings
NEU!
Neu !
4.07 | 215 ratings
GILA [AKA: FREE ELECTRIC SOUND]
Gila
4.01 | 506 ratings
PHALLUS DEI
Amon Düül II
4.34 | 35 ratings
NIBELUNGENLIED
German Oak
4.04 | 181 ratings
KÄNGURU
Guru Guru
4.04 | 175 ratings
SELIGPREISUNG
Popol Vuh
4.04 | 157 ratings
VOLUME 10
Electric Orange
3.98 | 802 ratings
TAGO MAGO
Can
3.98 | 568 ratings
EGE BAMYASI
Can
4.00 | 218 ratings
ELECTRIC SILENCE
Dzyan
4.14 | 58 ratings
BROKEN DOOR
Prosper
3.98 | 346 ratings
WOLF CITY
Amon Düül II
4.01 | 161 ratings
EINSJÄGER & SIEBENJÄGER
Popol Vuh

Krautrock overlooked and obscure gems albums new


Random 3 (reload page for new list) | As selected by the Krautrock experts team

MY SOLID GROUND
My Solid Ground
SILOAH [ALSO RELEASED AS SÄUREADLER]
Siloah
MAGIC THEATRE
Drum Circus

Latest Krautrock Music Reviews


 L.S. Bearforce by L.S. BEARFORCE album cover Studio Album, 1983
3.17 | 5 ratings

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L.S. Bearforce
L.S. Bearforce Krautrock

Review by Mellotron Storm
Prog Reviewer

3 stars 3.5 stars. L.S. BEARFORCE was the project of one Lothar Schmidt, with the L.S. being his initials. He was a drummer who loved GURU GURU, obviously because of the great Mani Neumeier. So imagine his excitement when he actually gets to play with Mani who is on this record. But it doesn't end there, as he also enlisted drummer Winfried Beck who adds drums and congas. Lothar himself plays bass on here. He's actually quite good, as he always used the bass to compose songs in the past.

The legendary Edgar Hofmann from EMBRYO adds sax, nagaswaram, flute and violin. And we get a guitarist I don't know in Edmund Heimann. Now this was the early 80's when Krautrock was a decade removed from it's peak. And this is a rare album from this time to actually play in the classic early 70's style. A poor man's GURU GURU is how I would put it. It's coming up 7 years since I last spent some time with this one. And originally I gave it 4 stars, but have since dropped it to 3 stars. I feared I got caught up in the lineup here, and in the fact this was released the early eighties and how this must have been a Godsend to old school Krautrock fans. But honestly it's too much like GURU GURU's classic period, but not nearly on that level.

A band who were their contemporaries was SPACEBOX who were led by GURU GURU's original bass player Ule Trepte. These two bands shared three members in Hofmann, Neumeier and Heimann. SPACEBOX though was about as far from GURU GURU sounding as you can get. Almost an avant style that is very experimental. Difficult is the word. Uli actually did the cover art for this one, I believe an artistic LS is what he drew. So a pretty good album where they seem to jam a lot, but like the two SPACEBOX records, this feels sub par compared to the classics.

 Black Spirit  by BLACK SPIRIT album cover Studio Album, 1973
3.07 | 19 ratings

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Black Spirit
Black Spirit Krautrock

Review by Finnforest
Special Collaborator Honorary Collaborator

3 stars Live from the Krautrock/Hardrock/Psych Garage?

Here's something a little different. Formed in 1970 and based in Hamburg till around 1978, this unusual group of Italian lads moved to Germany and made an album that sounds nothing like RPI. This is hard garage rock with hints of vintage psych rock keyboards and sometimes even an early spirit of punk rock sneaking in, at least in the attitude department. Sometimes it reminds me of a smoothie blend of the first Rush album with the first BOC album with some heavy/trippy late '60s San Fran collective. Other times it could pass as a Midwest grungy stoner rock garage band. Some people mention a lack of sophistication, but I think that has more to do with the low-fi production than the playing ability. While these guys are not going to be invited to play sessions with late '70s Steely Dan, they're not exactly slouches either. This is not a review that requires much analysis or long-windedness. This album is not complicated. They grab an idea, lock into an extended, often repetitive groove, and they just head on down the highway until you're either enthralled or until you're begging for mercy. Personally, I think it's a fun ride, but not one I'd need to take too often. There's a whole lotta stuff I'd rather be playing at this point in time. But when I was 17 working the overnight cleaning shift, this would have been a great work-companion cassette in the boombox.

 Eiszeit by GAM album cover Studio Album, 2005
4.25 | 67 ratings

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Eiszeit
Gam Krautrock

Review by PapaPork

1 stars This album has got to be in the top 500 worst albums ever recorded. Pretending this is music, or anything resembling it is just willful delusion. There are a few minutes that add up to what can be considered music, but the rest is just aimless noises. No wonder this never saw release up until recently. It should have stayed buried and never to resurface. This isn't music, this is just awful boring noises. I get it, it sounds "spacey" and "trippy" you can feel the peyote kicking in! LOL, this is embarrassing to listen to. Britney Spears is almost infinitely more talented than these wackos. Avoid at all costs, not worth the $20 I spent on this.
 Traumspiel by BAIRY, HERBERT F. album cover Studio Album, 1980
4.20 | 21 ratings

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Traumspiel
Herbert F. Bairy Krautrock

Review by Mellotron Storm
Prog Reviewer

4 stars Herbert F. Bairy is the pseudonym of German artist Ferdinand Forsch. He would release one album in his lifetime, but what an album! I have never seen so many reviewers use the word "unique" for an album in all my life. Released in 1980 Ferdinand created this album called "Dream-games", and like dreams there are no rules here of any kind. My friend Guldbamsen gave this 5 stars and you have to read his review. And while we have a mutual love for psychedelic/krautrock styled music, David has more of an appetite for the ethnic vibe than I do. And there's lots of that here.

I am actually more mesmerized by this recording than I am loving it. And talk about avant and experimental at times. I found that I needed a lot of patience with this record, the emotional connection just isn't there. We get four tracks worth around 40 minutes. And yes lots of atmosphere and exotic sounds. Some vocals. Tons of guests are helping Ferdinand create his dream album. I recognize two of them and both are from the hard rocking German band called ODIN from the early seventies. Jeff Beer adds a lot with electric guitar, harmonium, synths, drums, bass and voice. He also painted the cover art. Talented man. And his buddy from ODIN Rob Terstall adds guitars.

I love Guldbamsen's comparison of this album to a mixture of SHAKTI, CLIVAGES "Mixtus Orbis" and the "Atom Heart Mother Suite". This is not for the faint of heart. We even get some soprano female vocals. Ferdinand himself adds piano, percussion, zither, wind harp, harmonium and voice. But the ethnic sounds come mainly from tablas, tambura, african flutes and dilruba. Some horns too like clarinet, sax and trumpet. And a pocket-horn. Church organ on the opener along with cello. And like dreams the music changes on a dime. This really is something to hear.

 The Fall Of Chronopolis by HEDERSLEBEN album cover Studio Album, 2015
3.93 | 14 ratings

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The Fall Of Chronopolis
Hedersleben Krautrock

Review by Mellotron Storm
Prog Reviewer

4 stars When it comes to modern day Krautrock it doesn't get much better than HEDERSLEBEN. They were formed in the town of Herdersleben, Germany and are led by British guitarist Nicky Garratt. This is album number three and it's based on a Barrington J. Bayley novel. On the back of the cd it says "Time is mutable... The Fall Of Chronopolis is dedicated to the infinite mind of Barrington J. Bayley."

I really like this band and apparently I'm not the only one as Joel from BRAINTICKET had HEDERSLEBEN as his backing band on that final BRAINTICKET record from 2015. Nik Turner also had this band as his backing band on his 2017 release "Life In Space". Now Nik and this band have had connections since 2013 with Turner guesting on flute on their debut. And some of these band members guesting on some Turner solo records before "Life In Space". The core trio of this band on the first three albums have been Garratt on guitar, Kephera Moon on keyboards and Jason Willer on drums. Their most recent release called "Orbit" is where Moon and Willer left the band and that was the first album they released that disappointed me.

I love their "sound" with that spacey and trippy vibe standing out, tons of atmosphere, with female vocals that whisper, are wordless and sing, but the vocals sort of blend in with the music. It was the new female singer on "Orbit" where I felt her vocals became too much of the focus, and I wasn't that into them anyways. The new singer here is good and she adds violin which is a new flavour for this band, not found on their first two records. While you can call this a concept record, it sure doesn't come across as one which I appreciate. As the focus is on the instrumental work despite it being a concept album which is refreshing.

We get eleven tracks under 42 minutes and there are four tracks under 2 minutes but they work in this uniform sounding recording. I love that intense rhythm section on "Gulf Of Lost Souls" that reminds me of early GONG surprisingly enough. Also "Ghost Amanda" really stands out for me. The keys and guitar, the melancholy, the urgent rhythm section. So good! And how about the way the album opens sounding like the start of a movie and adventure. Fasten your seat belts as that opener is the longest at under 8 1/2 minutes. And what a ride! Love the violin on some of those short pieces like "Umbul" and "The Archivist". I'm also a big fan of the spacey wind and start of "Somewhen Veaa(Dreamstate)" and the melancholic keys. Check out the echo on "The Third Time Fleet" the second longest piece at under 7 minutes. Space whispers too.

You can't go wrong with the first three albums by this band, but also check out some of those Nik Turner albums these guys guest on. A solid 4 stars for this slab of space rock.

 Prof. Wolfff by PROF. WOLFFF album cover Studio Album, 1972
3.70 | 42 ratings

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Prof. Wolfff
Prof. Wolfff Krautrock

Review by Mellotron Storm
Prog Reviewer

3 stars PFOF. WOLFFF were a five piece band who formed in Germany in 1971. They released this self-titled album in 1972 and broke up that same year. For the most part we get a hard rocking album where the organ and guitars lead the way along with the abrasive vocals. He sings in German, and apparently the lyrics are quite political. All I know is that the vocals really keep this from going into 4 star territory.

We get five tracks at 36 1/2 minutes and the two longest pieces both just under 10 minutes are worthy. They open and close the album, but it's the three songs in between that have me wincing a bit, and grimacing. Those fast paced vocals on "Das Zimmer" come across as lame. Remember singing in German here. Then the multi-vocals on "Missverstandnis" are cringe worthy to say the least. The longest of the middle three is "Hans Im Gluck" and features more of those fast paced vocals as well. I actually like the bonus track which is a radio edit of the opener.

This is a combination of folk, psychedelia and hard rocking blues. A product of it's time I suppose, but if you like those early seventies, hammond organ driven albums, then you should check this one out. I'm not into that creepy album cover either.

 Guru Guru - Live by GURU GURU album cover Live, 1978
3.71 | 25 ratings

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Guru Guru - Live
Guru Guru Krautrock

Review by Mellotron Storm
Prog Reviewer

3 stars This was the first official live album that GURU GURU released back in 1978. Released on the Brain label the sound quality could not be better. A double album with ten tracks from ten different shows they played in 1978 from February to December of that year. Most of the shows were in Germany with The Netherlands also represented. What I find interesting is that while this was the tour for their 1977 album "Globetrotter" almost all of the music is new, not on any of their studio albums. Side three is where they visit the past, but for the most part it's like listening to new GURU GURU music.

I have always found their albums to be somewhat inconsistent, I think because of the humour Mani insists in using. But you could say that about their whole career. After three legendary albums from 1970 to 1972 they released two sub par albums in 1973. Then two great Fusion records in "Dance Of The Flames((1974) and "Mani Und Seine Freunde"(1975). Back to the sub par with "Tango Fango"(1976), then "Globetrotter(1977) which has it's fans. I'm just not into the latin and funk elements they were into during this period, or that commercial flavour.

I think adding BRAINSTORM's Roland Schaefer was huge. Mostly for his sax but he plays guitar and is a producer. He joined for the "Tango Fango" album. And I have that album cover on a GURU GURU button I wear proudly on my one coat. I also have a balloon both from an archival live release called "Live In Germany '71" which blows this 1978 album to bits in my opinion. It was actually kind of cool to hear them as a four piece though, and to hear the style of music they were playing at this time. So a live document of a period that is far beyond their classic period. In my opinion fans are better served with any of the few archival live albums they have since released that were recorded from 1970 to 1972. An obvious statement I suppose.

Some of these songs drift into territories I have no desire to be in, in any way shape or form. Very much a mixed bag.

 Radiate ! by CAMERA album cover Studio Album, 2012
3.54 | 21 ratings

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Radiate !
Camera Krautrock

Review by Mellotron Storm
Prog Reviewer

3 stars CAMERA are a trio from Germany who would play these impromptu concerts in public places in Berlin without permits or permission. These shows would usually end when security or the cops arrived. But these stunts created publicity. They coined it Gorilla Krautrock. We get keyboards, guitar and drums playing often in that NEU! style. They have released five studio albums, and this is the debut from 2012. I own this and the followup from 2014 "Remember I Was Carbon Dioxide". And while I like "Radiate!", I feel like the next one is more consistent, plus they contrast those NEU! inspired tracks with dark soundscapes which I like.

They thank Dieter Moebius and Michael Rother in the liner notes among others. I do have a top three, and my favourite of those is that longest piece called "Lynch" at 11 minutes. Spacey winds to start as drums join in then distorted guitar, and we are off. An atmospheric ride. "Rfld" has that post rock mentality as it builds to an incredible sound 5 1/2 minutes in. "Soldat" rounds out my top three and this one just sounds amazing. There is a clear top three for this album, while the rest are hit and miss.

A solid album but I will stick with their next one for my tastes.

 Aum by DEUTER album cover Studio Album, 1972
3.29 | 33 ratings

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Aum
Deuter Krautrock

Review by Mellotron Storm
Prog Reviewer

3 stars Georg Deuter is a talented multi-instrumentalist and composer who has been able to make a living with his music. His debut "D" from 1971 was a nice blend of krautrock and electronics, and he certainly was a pioneer at what he was doing. Things changed after the debut as he would go on a spiritual and music quest to India, like many 60's artists before him. He heard an Indian mystic preaching on the streets to thousands and was drawn to him, even though he had no idea what the man was saying in his Hindi language.

Georg would return and record this album "Aum" from 1972 and it's very much a transitional album as he scales the electronics way back and goes more for that meditative, transcendent sound he has embraced with his new found spirituality. He would change his name to Chaitanya Hari but keep his professional name DEUTER for his music. The cover art suggests this spiritual change as well, and of course that title Aaauummm... well would you believe that many feel that Deuter is the father of new age music. Following this record "Aum" he would go on to release well over 50 new age records during his career which sold fairly well.

So "Aum" for my tastes drifts into that new age territory too often. And that krautrock spirit is all but gone. Still, I can appreciate what he came up with here, it's just not nearly on the level as his debut. By the way Georg would move to India and work for that Indian mystic who would be known as Shomo. Deuter would live in an Ashram and create music for Shomo's active meditation sessions. You will see later Deuter albums with "reiki" in the titles etc. I have a daughter(now neutral gender) who is a reiki master, and lived on an Ashram for a few months here in Canada and in California. So "Aum" is mostly an all acoustic album with lots of strummed acoustic guitar, nature sounds, atmosphere, percussions and sitar. Meditation music.

If your a fan of krautrock or electronic music you really need to check out "D", but after that it helps to be into ambient or spiritual music.

 Friendship by ASH RA TEMPEL album cover Studio Album, 2000
3.51 | 64 ratings

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Friendship
Ash Ra Tempel Krautrock

Review by Mellotron Storm
Prog Reviewer

3 stars 3.5 stars. It almost seems fitting that long time friends Manual Gottsching and Klaus Schulze both passed away the same year, in 2022. This particular album called "Friendship" was a re-union of sorts between these two legends trying to rekindle that krautrock spirit in the year 2000. It must have seemed a like a long time had passed since their early seventies days in ASH RA TEMPEL with Schulze on drums, Gottsching on guitar and Enke on bass. They bought PINK FLOYD's sound equipment in London back then, and the rest is history. And I feel this duo did a pretty good job here, although this doesn't compare to any of ASH RA TEMPEL's first four studio albums. All four are classics in my opinion.

So we get Schulze on electronics, or machines as he calls them, and Gottsching on guitar, and that's it! And this is a long one with three mammoth tracks reaching almost 79 minutes. Or as I call it "way to long". A lot of repetitive music here that could be called background music. The first two tracks are quite spacey with the guitar helping out but it's not the focus. That happens on the closer when Manual takes charge. I feel this is more of an electronic album than it is a krautrock recording.

Not a four star record in my musical world, but much respect, and quite a bit of enjoyment as well at what they created here.

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Krautrock bands/artists list

Bands/Artists Country
Å Italy
A.R. & MACHINES Germany
ABSCHAUM France
ACHTZEHN KARAT GOLD Germany
AG A.M. Germany
AGITATION FREE Germany
AINIGMA Germany
AIR Germany
ALASKA RANGE Switzerland
ALCATRAZ Germany
ALEX ORIENTAL EXPERIENCE Germany
ALTONA Germany
ALUK TODOLO France
AMON DÜÜL Germany
AMON DÜÜL United Kingdom
AMON DÜÜL II Germany
ANIMA-SOUND Germany
ANNEXUS QUAM Germany
ANONIONS United Kingdom
ANT-BEE United States
ARKTIS Germany
ASH RA TEMPEL Germany
ASHINOA France
ASHTRAY NAVIGATIONS United Kingdom
ASTERIX Germany
AT THE HEAD OF THE WOODS United States
ATTEMPT TO RESTORE Germany
AVARUS Finland
AVEC LE SOLEIL SORTANT DE SA BOUCHE Canada
AWAKE & GALLO Greece
BABA YAGA Germany
BACKNEE HORN Israel
BAD STATISTICS New Zealand
HERBERT F. BAIRY Germany
BAUMSTAM Germany
BEAK> United Kingdom
JERRY BERKERS Germany
BETWEEN Multi-National
BLACK SPIRIT Italy
BLACKBIRDS Germany
BLACKMANN LANE Germany
BLACKWATER PARK Germany
BLUMEN DES EXOTISCHEN EISES Germany
BOKAJ RETSIEM Germany
BOOK OF SHADOWS United States
DON BRADSHAW-LEATHER United States
BRAINTICKET Switzerland
BRAST BURN Japan
CHRIS BRAUN BAND Germany
BRAVE NEW WORLD Germany
BULLFROG Germany
ROMAN BUNKA Germany
BURNING STAR CORE United States
C.A.R. Germany
CAMERA Germany
CAN Germany
CAVERN OF ANTI-MATTER Germany
CHAUSSE TRAPPE France
CHEVAL FOU France
CIELO DRIVE Spain
CLUSTER Germany
CODE III Germany
COLOUR HAZE Germany
TONY CONRAD United States
CORNUCOPIA Germany
COSMIC CIRCUS MUSIC Germany
THE COSMIC JOKERS Germany
COUPLA PROG Germany
COZMIC CORRIDORS Germany
CRAVINKEL Germany
CREME DE HASSAN Germany
CURLY CURVE Germany
CYCLOPEAN Multi-National
HOLGER CZUKAY Germany
DA CAPO Germany
DAMENBART Germany
DARSOMBRA United States
DATASHOCK Germany
DAVENPORT United States
DEAF Switzerland
THE DECAYES United States
DEJA VU Germany
DEUTER Germany
DIES IRAE Germany
THOMAS DINGER Germany
DOLOROSA France
DOLPHY KICK BEBOP China
DOM Multi-National
DORIAN GRAY Germany
DOUBLE LEOPARDS United States
DREAMWORLD Germany
DROSSELBART Germany
DRUM CIRCUS Switzerland
DSCHINN Germany
DULL KNIFE Germany
DÜDE DÜRST Switzerland
FRANKIE DYMON JR. Germany
DZYAN Germany
EAT LIGHTS BECOME LIGHTS United Kingdom
EGYPT IS THE MAGICK # United States
EILIFF Germany
EINSEINSEINS Germany
EJWUUSL WESSAHQQAN Germany
EL SHALOM Germany
ELECTRIC MUD Germany
ELECTRIC ORANGE Germany
ELECTRIC SANDWICH Germany
EMMA MYLDENBERGER Germany
EPSILON Germany
ERLKOENIG Germany
ERNA SCHMIDT Germany
EROC Germany
ERUPTION Germany
ET CETERA (DE) Germany
ETURIVI Finland
EULENSPYGEL Germany
EX CANIX Sweden
EXPONENT Germany
FATHER YOD AND THE SPIRIT OF '76 United States
FAUST Germany
FEVER KNIFE Finland
FIFTH DEAD Germany
FILLE QUI MOUSSE France
FLOH DE COLOGNE Germany
FLORIAN GEYER Germany
FLYING MOON IN SPACE Germany
FOTOSPUTNIK United States
FRANCE France
FRICARA PACCHU Finland
FRIEDHOF Germany
FRIENDSOUND United States
FROB Germany
GÄA Germany
GAM Germany
GASH Germany
GEBARVATERLI Germany
GERMAN OAK Germany
GIANT BRAIN United States
GIFT Germany
GILA Germany
GOLEM Germany
SERGIUS GOLOWIN Switzerland
MANUEL GÖTTSCHING Germany
GRAVE Germany
GRAVESTONE Germany
GREEN WAVE Germany
GRUMBLING FUR United Kingdom
GURU GURU Germany
GURUMANIAX Germany
HABOOB Multi-National
HAIRY CHAPTER Germany
HÄX CEL Germany
HEDERSLEBEN Germany
HERATIUS France
HINTERGEDANKEN United States
HUMAN BEING Germany
IBLISS Germany
IGNATZ Belgium
IHRE KINDER Germany
IMPROVED SOUND LIMITED Germany
INSTANT DRONE FACTORY Multi-National
IRMIN'S WAY Multi-National
JACKIE-O MOTHERFUCKER United States
JERONIMO Germany
JUD'S GALLERY Germany
JUNEGRASS United States
KANOI Austria
KAPUTTER HAMSTER Germany
KARL HECTOR & THE MALCOUNS Germany
KEMIALLISET YSTÄVÄT Finland
KICKBIT INFORMATION Germany
KILLED ON X-MAS Germany
KLUSTER Germany
KOLLEKTIV Germany
KONTRAST Germany
KORB United Kingdom
KOSMISCHER LÄUFER Germany
KOSMOSE Belgium
KRAKATAU Australia
KRAUTWERK Germany
JEAN-JACQUES KRAVETZ Germany
KROKODIL Switzerland
L.S. BEARFORCE Germany
LA DÜSSELDORF Germany
LA! NEU? Germany
LADDIO BOLOCKO United States
LARD FREE France
LAVA Germany
LEVEL PI Germany
LICHTPYRAMIDE United Kingdom
LIED DES TEUFELS / EX HANUMAN Germany
LIFE Germany
LIGHTSHINE Germany
LIMBUS 3 & 4 Germany
LISTING SHIPS United Kingdom
STEVEN WRAY LOBDELL United States
LOKOMOTIVE KREUZBERG Germany
LUNAR GRAVE United States
M.A.L. Belgium
MAGDALENA SOLIS Belgium
MAGMA Germany
MAGNETIK NORTH Multi-National
MAHOGANY BRAIN France
DAVID MARANHA Portugal
MCCHURCH SOUNDROOM Switzerland
MENDOCINO United States
MERLIN; SWARA; ILOR & FRIENDS Multi-National
METABOLISMUS Germany
METROPOLIS Germany
MINAMI DEUTSCH Japan
MITTELWINTERNACHT '71 Germany
MONOBEAT ORIGINAL Germany
MOOD TAEG Multi-National
MOOLAH United States
MOON OF OSTARA United Kingdom
THE MOONDIG Belgium
MOONWOOD Canada
MØTRIK United States
MUNJU Germany
MUSHROOM'S PATIENCE Italy
MY SOLID GROUND Germany
MYTHOS Germany
N-1 Germany
THE NAZGÛL Germany
NECRONOMICON Germany
NEON HEART Sweden
NEPTUNITE Germany
NEU ! Germany
NEUMEIER - GENRICH - SCHMIDT Germany
THE NO-NECK BLUES BAND United States
NOSFERATU Germany
NOVA EXPRESS Sweden
RALF NOWY Germany
NU & APA NEAGRA Romania
OCH Sweden
OKTOBER Germany
OMOIDE HATOBA Japan
ONYOU United States
ORANGE PEEL Germany
ORGANISATION Germany
OUR SOLAR SYSTEM Sweden
PACIFIC SOUND Switzerland
PANCAKE Germany
PANKO Germany
PATERNOSTER Austria
PINGUIN Germany
POPOL VUH Germany
PRINCESS FLOWER AND THE MOON RAYS Multi-National
PROF. WOLFFF Germany
PROSPER Germany
PYRAMID Germany
PYRANHA Switzerland
QA'A Spain
REAKTOR 4 Germany
REMEMBER REMEMBER United Kingdom
LE RÉVEIL DES TROPIQUES France
MICHAEL ROTHER Germany
ROTIFER PULS Germany
RUFUS ZUPHALL Germany
RICH RUTH United States
SAMETI Germany
SAND Germany
SAWS United States
SAYONA Belgium
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