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GURU GURU

Krautrock • Germany


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Guru Guru biography
Founded in Heidelberg, Germany in 1968 - Still active as of 2017

"We`re not cosmic rock, we`re comic rock."
Mani Neumeier, 1973

A free form jazz mentality, avoiding musical clichés and commercialism, has always characterized the music and philosophies of German freak `n roll band GURU GURU who have categorically occupied their own special stage within the realms of modern music. From it`s LSD induced origins in the late `60s to it`s present day configuration which still rocks and grooves with intensity, countless personnel changes have occurred making it more of a succession of musical ventures and concepts under the moniker GURU GURU, which came about as a tongue-in-cheek reference to the BEATLES and their guru worshipping of the late `60s. GURU GURU were one of the first bands to become associated with the German Krautrock movement from that era along with bands such as XHOL CARAVAN, AMON DUUL and CAN. However, the band was not partial to the absurd stereo-typing and preferred the terms "acid space" or simply, "acid rock" which better described their loud, trippy, improvisational music.

The constant driving force behind GURU GURU since it`s inception as THE GURU GURU GROOVE BAND in 1968 has been the unusual intellect and masterful musicianship of drummer MANI NEUMEIER. During the first half of the 1960s he embraced the jazz interpretations of JOHN COLTRANE, THELONIOUS MONK, MAX ROACH and other jazz mentors from which he would develop his own style of impulsive drumming. During this period he played with various traditional jazz groups in Zurich, Switzerland culminating with work with Swiss jazz pianist IRENE SCHWEIZER. It was during this time that he hooked up with bassist ULI TREPTE with whom he shared the desire to create louder more adventurous music which would follow the paradigms of JIMI HENDRIX and FRANK ZAPPA. Joined by guitarist EDY NAGELI, they played their first gig in Heidelberg, Germany in August 1968 and shocked audiences who had been familiar with Neumeier`s work in the more mainstream European jazz scene.

After a few more lineup changes, during which they briefly became a quartet, they were joined by ex- AGITATION FREE guitarist AX GENRICH whose pyrotechnical aspirations were just what Neumeier and Trepte were looking for. On the insistence of their fans who followed them from gig to gig, their debut album, "UFO", was released in early 1970 ...
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KanguruKanguru
Universal Import 2009
$39.94
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GURU GURU discography


Ordered by release date | Showing ratings (top albums) | Help Progarchives.com to complete the discography and add albums

GURU GURU top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.63 | 139 ratings
UFO
1970
3.61 | 91 ratings
Hinten
1971
4.06 | 136 ratings
Känguru
1972
2.91 | 49 ratings
Guru Guru
1973
2.90 | 33 ratings
Don't Call Us - We Call You
1973
3.91 | 74 ratings
Dance Of The Flames
1974
3.63 | 35 ratings
Mani Und Seine Freunde
1975
3.21 | 35 ratings
Tango Fango
1976
3.72 | 20 ratings
Globetrotter
1977
3.78 | 26 ratings
Hey Du
1979
4.00 | 11 ratings
Mani In Germani
1981
4.50 | 2 ratings
Guru Mani Neumeiers Neue Abenteuer
1983
3.00 | 2 ratings
Jungle
1987
3.83 | 9 ratings
Shake Well
1993
3.41 | 8 ratings
Wah Wah
1995
3.19 | 8 ratings
Moshi Moshi
1997
4.07 | 13 ratings
2000 Gurus
2000
3.28 | 9 ratings
In The Guru Lounge
2005
4.00 | 10 ratings
Psy
2008
3.67 | 3 ratings
Doublebind
2011
3.50 | 6 ratings
Electric Cats
2013
3.90 | 10 ratings
Rotate !
2018

GURU GURU Live Albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.82 | 21 ratings
Guru Guru - Live
1978
3.00 | 1 ratings
Guru Guru 88
1988
4.00 | 3 ratings
30 Jahre Live
1998
2.00 | 2 ratings
Uncuts
1999
3.75 | 12 ratings
Essen 1970
2003
4.00 | 6 ratings
Wiesbaden 1972
2007
0.00 | 0 ratings
Live on Tour 2008
2009
4.20 | 5 ratings
Wiesbaden 1973
2010
4.04 | 4 ratings
Live In Germany '71
2011
4.00 | 3 ratings
45 Years Live
2014

GURU GURU Videos (DVD, Blu-ray, VHS etc)

4.00 | 3 ratings
Live At Rockpalast 1976 and 2004
2013
4.00 | 1 ratings
Live In Concert
2016

GURU GURU Boxset & Compilations (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.09 | 3 ratings
This Is Guru Guru
1973
3.73 | 5 ratings
Der Elektrolurch
1974
3.00 | 2 ratings
Guru Guru & Uli Trepte
1985
4.20 | 6 ratings
Space Ship (The Best of Part I)
1996
0.00 | 0 ratings
The Best of Part 2
1997
3.83 | 3 ratings
The Very Best of Guru Guru
1999

GURU GURU Official Singles, EPs, Fan Club & Promo (CD, EP/LP, MC, Digital Media Download)

GURU GURU Reviews


Showing last 10 reviews only
 UFO by GURU GURU album cover Studio Album, 1970
3.63 | 139 ratings

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UFO
Guru Guru Krautrock

Review by Kempokid
Collaborator Prog Metal Team

4 stars While a lot of the really early psychedelic bands were very strange, the band that currently holds the position of weirdest sounding band from that era either goes to Amon Duul II, or Guru Guru. While Amon Duul II went for more of a madcap, insane, atmospheric route, Guru Guru instead opted for a more noisy, garage rock tinged style, heavy in distortion and general noise. I haven't listened far into their discography yet, but from this album, I can say that I don't enjoy them quite as much as Amon Duul II or Can, but it's definitely a high quality album with enough variety and inspiration to remain interesting throughout its entirety, and definitely an incredibly interesting one.

The album is split quite cleanly into 2 halves, each with their own sort of style, with side 1 being made up of energetic, off the wall bass grooves and jamming, distorted sounding guitar. The occasional appearance of vocals in Stone In further adds to the weirdness of this song, being sparse and drowned out by everything else, sounding lonly vaguely like an attempt to actually sing, more sounding along the lines of general vocal noises. I love the last minute of this song, where the constant bassline escalates slowly while a layer of fuzz over the sound becomes increasingly prominent while the guitar becomes more random and all over the place, and it's definitely a track that makes an immediate impression on you. Girl Call starts off in a slower manner, with a more gradual buildup into the wall of noise that is to come, with a scratchy, all around nasty guitar tone that I really love for its gritty nature. The second half of the song is really where things shine however, the song speeds up an ends up sounding heavily garage rock, similar to if the 13th Floor Elevators decided to go in an even weirder direction than what they did. Next Time See You At The Dalai Lhama is easily my favourite song here however, being somwhat more structured, but also even further carrying the 13th Floor Elevators sound in certain respects, reminding me of the song Roller Coaster, with a messy, yet relentless pace that seems to be in a constant state of tripping over itself, but always picking itself back up and running with it. This is also the one song that has something vaguely resembling something catchy in the form of that constant, off kilter beat and riff that just never seems to end, which adds another layer of greatness to it, making it incredibly trippy all around.

The secon half of the album is less eventful, instead focusing on ambience and soundscapes, obviously none of them sounding even close to normal. There are a lot more instances of sonic experimentation here, and its an interesting listen, the issue is that in the case of the title track, I really don't feel like it warrants being over 10 minutes long, and that a couple of minutes from the start could have been removed to make the rising guitar chords and sound similat to that of a rocket blasting off come that much quicker. I like aspects of this song for sure, but on the whole, I feel like it could have used some trimming. Der Lsd-Marsch is a better take on this ambient approach, having an ominous feel to it, with a creeping bassline and a constantly increasing volume on the distorted guitar chords. There's a slightly stronger semblace of traditional krautrock here, with the repetitive nature of the beats, which I appreciate, as it's then contrasted by the heavy psyche sound that the band puts forward. Definitely a great song that closes off the album in an excellent manner.

I'm definitely looking forward to checking more of this band out, as this album was amazing to me, combining ekements of heavy psyche and garage rock into their sound to make a noisy, unconventional record that ticks many boxes for me. The groovier songs are where this album shines the most, but those slower, more subtle ones definitely have a lot of merit as well. This is definitely not an accessible album, with the entire 36 minute journey being drenched in layers upon layers of noise and distortion, but at the same time, this album is great for those into that sort of psychedelic rock. Definitely a great, albeit slightly flawed krautrock album that is almost one gigantic high, if not for some sections of its title track.

Best songs: Stone In, Next Time See You At The Dalai Lhama, Der Lsd-Marsch

Weakest songs: Ufo

Verdict: While not an easy album to get into, due to the highly experimental, freeform nature of these songs combined with an almost constant heavy, distorted nature, those who are into heavy psyche and the more strange side of krautrock will find this to at the very least be an interesting album, and at most find it to be absolutely great.

 Wiesbaden 1972 by GURU GURU album cover Live, 2007
4.00 | 6 ratings

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Wiesbaden 1972
Guru Guru Krautrock

Review by Neu!mann
Prog Reviewer

4 stars Originally released in 2007, this kick-ass archival recording has now been re-licensed (in MP3 form) by the Berlin production company Play Loud! along with other Guru Guru performances from the 1970s and beyond. The gig itself, from April 1972, saw the band at an early apex in its long (and, at this writing, still very active) history, in a year that arguably marked the high tide of Krautrock iconoclasm.

Essentially, it's a live rendition of the classic Guru Guru album "Känguru", minus only the song "Immer Lustig". But the differences between the studio and concert versions are startling, and provide a far more honest portrait of a band renowned (then and now) as a vital live act. After hearing this set, don't be surprised to find the album that inspired it, which this reviewer awarded five unconditional stars, sounding more like a contractual afterthought.

Compare the track times here to the studio originals. In concert Mani Neumeier and company stretched the music to absurd and thrilling length, with colorful Hendrix-inspired jamming (note the recurring "Purple Haze" quote in "Baby Cake Walk") and near-telepathic stage rapport. Not surprisingly, the protracted grooves can often sound aimless, but never without purpose: a contradiction that somehow makes perfect sense with this particular trio.

And even with the not-much-better-than-bootleg quality of the tape, apparently recorded from the back rafters of a very large arena, it's still easy to be swept up by the energy, enthusiasm, and sheer musical joy of the performances. Neumeier and bassist Bruno Schaab (a recent replacement for ex-Guru Uli Trepte) are buried deep behind the echo-heavy mix. But it's primarily Ax Genrich's show anyway, and his indefatigable chops are all over the album, fearlessly switching from distorted electric guitar to comic-relief banjo midway into "Ooga Booga", while Mani Neumeier clicks and clacks a pair of ersatz castanets. Neumeier's drum solo, soon afterward, is a model of unrestrained economy: another plausible Guru Guru paradox.

The visual distractions of a live concert, typically a large part of the Guru Guru experience (judging from the occasional audience laughter here) are absent, of course. But the album sounds exactly like what it must have once been: one heck of a show, and the Play Loud! people deserve our thanks for bringing it back to life.

 Guru Guru 88 by GURU GURU album cover Live, 1988
3.00 | 1 ratings

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Guru Guru 88
Guru Guru Krautrock

Review by Kepler62

— First review of this album —
3 stars This is a wacky one and just like the previous 'Jungle' features a female vocalist, Lysa Kraus, an amalgam of Nina Hagen and The B- 52s. Really. This is the Guru Guru of the late 80s so don't expect the early Krautrock experiments or tripped out jazz-rock blowouts of the seventies. Head Guru Mani Nuemeier had spent most of the eighties on individual projects and was trying out new things with the newly reformed Guru Guru. Released on the German Casino label that was better known for jazz/techno/dance artists, the contemporary craze. It features the late Hans Reffert who was the most recent guitarist/composer for Guru Guru so we do get some really interesting well produced stuff here. The 8 tracks are quite different from one another but as a whole Guru Guru '88 is very psychedelic. The biggest surprise is a spooky electronic instrumental track titled 'His Time' which is dedicated to Edgar Allan Poe, author of the strange and macabre. Probably the most bizarre cover version of 'Batman' ever recorded appears here and is barely recognizable save for the Batman hyena screeches and includes Mani Nuemeier silliness or else it would not be a Guru Guru album, would it?. The groovin' 'Work', 'Take It All' and 'Jim Jimmy' are straight off the dance floor. On the funky 'Dig That Fun' Lysa Kraus flaunts her impressive R&B panache.The instrumental 'Long Ago' tacquires a more vapourous jazzy feel.. Finally, 'Guru Guru Shake' is a catchy Carib/East Indian world beat fusion with a guest drummer Master Paramashivam Pillal.

I have been a fan of Guru Guru since the early seventies so this esoteric 1988 album or EP ( running time clocks in at just over 30 minutes ).didn't faze me. My only problem here is that the development potential on some tracks was not exploited to the fullest. It is nonetheless a half an hour of some really fun stuff. from one of the most 'out there' bands ever.

 45 Years Live by GURU GURU album cover Live, 2014
4.00 | 3 ratings

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45 Years Live
Guru Guru Krautrock

Review by Neu!mann
Prog Reviewer

4 stars Following the career of a band like Guru Guru can be a lifelong vocation. Rarely inactive over almost five decades (and counting), the band has weathered changes in taste, context and personnel with its integrity and humor intact: quite an accomplishment for a band that began as a trio of political agitators dedicated to a hallucinogenic lifestyle.

By this gig (in Heidelberg, circa December 2013) drummer Mani Neumeier was the last original Guru left standing. But from the animated opening roll of "Dark Blue Star" it's clear he hadn't lost an ounce of his stamina or enthusiasm, all the more remarkable from a musician then nearing his 75th (!) birthday. Despite his age, the tireless Neumeier was still a child of the '60s searching for Utopia. But somewhere along the road he traded his diet of LSD for eco-awareness and anti-nuclear activism: healthier muses, to say the least.

The exploratory spirit of the first Guru Guru is long gone, of course. These days, far removed from anything resembling a counterculture, the quartet is merely a hard working rock band, but with energy (and eccentricity) to spare. Some of the songs ("Rock 'n' Roll Machine", obviously) can almost be said to betray the fundamental Krautrock agenda of distrust for Anglo-American role models (always excluding Hendrix, of course). Each selection here is introduced in German to an exclusively German audience, but performed in heavily-accented English. "I'm a forrrrrest man", the singer confides, trilling his r's with Teutonic aplomb, "...living in the voods!"

Over seventeen songs and 104 minutes, the concert spans a lot of territory, from ersatz Native American war chants ("Pow Wow", complete with killer slide guitars) all the way to an intergalactic oasis of love, six million light years from "this fcked up planet" ("Spacebaby"). A fossil of that late '1960s obsession with all things Eastern can still be heard in the weirder digressions of "Chabbli Babbli", "Kabuki Dream", "Jaipur" and elsewhere, updated with bleating Turkish woodwinds and comic relief kazoos.

All of it was captured in razor-sharp fidelity and played with considerable punch, allowing room for some dynamic free-form jamming and, in "Ooga Booga Special", a surprisingly vital drum solo from a septuagenarian dropout, some of it performed by tapping on his cheeks (try it, for giggles). The result is not only a credible live document, but a worthwhile sampler of an enduring career: the perfect diversion for lapsed fans and curious newcomers.

 UFO by GURU GURU album cover Studio Album, 1970
3.63 | 139 ratings

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UFO
Guru Guru Krautrock

Review by ALotOfBottle
Collaborator Heavy Prog Team

4 stars All to often, Guru Guru are overlooked as the fathers of the German space rock genre, later labeled "krautrock". UFO, their debut album, is a psychedelic journey into the outer space, dripping with wild, psychedelic guitar solos, diverse bass playing, and exceptionally heavy drumming. The band relies just on these three instruments, which in conjunction with studio equipment and various effects allow them to create fascinating sonic landscapes. With that in mind, minimalism is one of the key elements to the distinctive sound of UFO. The work is mainly instrumental with only a few "mumbled" parts from the band's members. The highlights of the album are "Stone In" and "Der LSD/Marsch". An absolutely essential krautrock album! Highly recommended!
 Känguru by GURU GURU album cover Studio Album, 1972
4.06 | 136 ratings

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Känguru
Guru Guru Krautrock

Review by ALotOfBottle
Collaborator Heavy Prog Team

4 stars Guru Guru's third release is generally considered their most accomplished work. The band's previous album, UFO, was a trippy journey influenced by hallucinogen drug experience. In 1972, the group released Kanguru.

The album still relies strongly on improvisation. There are elements of ambient music, as well. Four tracks of this album give room to four different moods. The band often lays down a simple rhythmic and harmonic pattern, which they improvise on. However, there are also some electronic, dissonant work-outs to spice things up! Sometimes heavy, sometimes funky - Kanguru is a rewarding journey throughout! Although the album is not very innovative and a bit monotonous, it is evident that Guru Guru have mastered their instruments and are now proficient musicians.

All in all, Kanguru is a classic Krautrock album. Not only is this one of not all that many albums of the genre that I enjoy, it will be a perfect way to get into it. Recommended!

 Guru Guru - Live by GURU GURU album cover Live, 1978
3.82 | 21 ratings

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Guru Guru - Live
Guru Guru Krautrock

Review by friso
Prog Reviewer

4 stars Guru Guru - Live (1978)

Recorded across cities all over Germany and Holland, this is one of the best sounding live albums of the seventies. Guru Guru started of as acid/psychedelic rock band and grew towards a psychedelic funk/jazz rock act and this album covers mainly their later style. Fans of their first three albums should therefor be mindfull of on which grounds they judge this album.

Stylisticly and soundwise this album could be seen as the big brother of Kraan's double live album from '75. A tight unit of bass and drums (of course by bandleader Mani Neumeier), two guitar players - both very able to give away an amazing guitarsolo - and Rolandd Scheaffer also plays some saxophone parts and percussion. The vocals are often dopey, but they are almost never the centerpart of a track. The recording quality is amazing, I only know one record that has a better live recording; Jan Akkerman's Live at Montrieux.

The first two sides are mainly just Guru Guru having a lot of fun with its fast funk psychedelic rock style with loads of great solo's, sounds and rhythmical playing. Nothing to progressive or difficult, but very advanced nevertheless because of the top notch fusion interplay of bass drums and guitars. The musicianship can easily florish in the format. The crowd really seems to be having a good time.

The third side shows the band in a experimental mood, taking up some Ooga Booga parts from the Kanguru album and an experimental space rock / spoken word jam called Der Elektrolurch. Though long drum parts on live albums are usually cause of a lack of substance, the interplay with the crowd does give me a pleasent feeling of being part of great event.

The fourth side is my favorite of the album. This is a progressive rock listeners heaven with the brilliant heavy spacerock opener Moroso and the multi-part twelve minute Medicin Man's Overdose, which also has some strong dynamic changes and a beautiful twelve string guitar interlude by Dieter Bornschlegel. The ending is short, bombastic and powerful.

Guru Guru in their fusion prog period is an acquired taste, but the musicianship and professional production of this double live album is beyond opinions. Moreover, the crowd really adds to the music, which is usually lacking on progressive rock (related) live albums. Recommended to fans of jazzrock/fusion, krautrock, jamband, psychedelic rock, spacerock and audiophiles. Four stars.

 Mani Und Seine Freunde by GURU GURU album cover Studio Album, 1975
3.63 | 35 ratings

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Mani Und Seine Freunde
Guru Guru Krautrock

Review by friso
Prog Reviewer

3 stars Guru Guru - Mani und seine Freunde (1975)

Already on the second Guru Guru album you can hear that Mani Neumeier is one of the more talented drummers of his generation. A beautiful sound, a great pinch and some great fusion chops. On this album Mani Neumeier takes the lead through a run of funky fusion tunes with some ethnic, some Zappaesque and minor progressive influences. The vocals are often silly, be don't be fooled, this is top notch funk jazz and the production quality of the album is impressive as well.

The first run of five tracks is really enjoyable. Funk, rock, jazz, crazy vocals. 'From Another World' has a psychedelic intro, an enthic middle section and a fusion/progressive ending section and is therefore interesting for listeners of progressive rock. The ten minute track 'Woodpecker's Dream' has a nice intro song with cute German vocals, but after the first few minutes the birdsounds, spoken words and small percussions are meaningless. The last short track also sounds as filler material to my ears. This is too bad, because otherwise this would have been a four star album for me.

Conclusion. If you cut out the last two tracks from your playlist you're left with a great funky psychedelic EP-lenght album with a ehtnic progressive finale. Three and halve stars for that. Recommended to listeners of fusion, people interested in drums taking the lead, krautrock and fans of Kraan.

 Känguru by GURU GURU album cover Studio Album, 1972
4.06 | 136 ratings

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Känguru
Guru Guru Krautrock

Review by Neu!mann
Prog Reviewer

5 stars Studio album number three from Mani Neumeier and crew is now regarded as Guru Guru's career peak, and after my own late exposure to the unpolished charms of this early Krautrock power trio I'm not about to argue. Their previous LP ("Hinten", 1971) has been described elsewhere in these Archives as a diamond in the rough (and it was indeed very rough, in places), but here the same gemstone was given a not-unwelcome spit-shine, hardly resembling the same band at first exposure.

What happened, to make this session so different? Maybe producer Conny Plank was exerting a stronger than usual influence over the group, in effect transforming the crude trio into a more refined quartet. Certainly his (uncredited) keyboards and auxiliary guitar work enriched the Guru Guru sound considerably.

Or maybe the band decided to follow through on the epiphany of "Hinten", on which they discovered that a radical political mindset didn't have to lack a sense of humor. Look at the track titles here, and listen to the music: "Immer Lustig" roughly translates as "Always Funny", and they weren't kidding. The subterranean ganja riffing of the album opener "Oxymoron" isn't as oxymoronic as it sounds, and the extended thrash in the middle of "Ooga Booga" is one of the most joyful Krautrock power jams ever caught on vinyl.

The big difference was that the irritant factor of their first two LPs had all but disappeared. Ax Genrich (an awesome name for a rock guitarist, by the way) toned down his 10-penny nails-on- concrete playing style, while still managing to approximate the sound of a titan's dirty fingernails scraped down a cosmic chalkboard. The influence of Jimi Hendrix can still be heard ("He's my most important inspiration!" gushes Herr Genrich in the CD booklet notes). But I don't recall Hendrix ever straying quite so far from his blues roots, or singing in a style recalling Michael Palin portraying Mr. Gumby.

(...a quick digression. By openly acknowledging their debt to Hendrix the band contradicted the accepted Krautrock myth of musical isolation from English and American role models. In truth, without the good example set by Frank Zappa, Pink Floyd, The Velvet Underground, and Jimi Hendrix, there would not have been any Faust, Ash Ra Tempel, Can, or Guru Guru...)

In awarding the album five stars I'm choosing to interpret the ProgArchives rating guidelines with latitude. "Känguru" may not be a classic of Progressive Rock, but it's classic Guru Guru, and arguably the apex of what would eventually become an absurdly prolific discography. The iconic cover art alone is worth an extra half-star, and anyone who disagrees can go take a Baby Cake Walk.

 Hinten by GURU GURU album cover Studio Album, 1971
3.61 | 91 ratings

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Hinten
Guru Guru Krautrock

Review by Neu!mann
Prog Reviewer

4 stars The butt-ugly cover of Guru Guru's sophomore album is entirely appropriate: this is the ass-end of classic Krautrock, slightly more refined than the band's earlier "UFO" but no less primitive in its unclothed, lo-fi squalor. The raw garage band sound was deliberate, and it fits. Engineer/ producer/ Krautrock guru Conny Plank always tailored his method to fit the music instead of the other way around, and the music of early Guru Guru was a lot closer to earth than the Kosmische Rock of other German bands at the time.

Symphonic-minded Progheads should therefore take heed. This album is so unpolished it could easily be mistaken for a loose clump of musical dirt, instead of the diamond-in-the-rough it actually is. But there's a crude playfulness here too, as the unflattering cover art makes all-too explicitly clear. I suppose when you're fighting The Establishment using radical politics, psychedelic drugs, and over-amped guitar feedback, it helps to also have a sense of humor.

And the trio was beginning to listen to each other, allowing a little more light and air into their music. The Jimi Hendrix influence is strongest in the perfectly-titled album opener "Electric Junk", albeit strangely skewed when filtered through the usual cross-cultural Krautrock translation. But the soundstage widens considerably for "The Meaning of Meaning", a slowburn freak-fest showpiece for guitarist Ax Genrich. Ditto "Bo Diddley", in which the band gets downright goofy. Is that Mani Neumeier himself, shouting out the name of the legendary R&B pioneer in a succession of Monty Python-like voices? (The credits include "Sounding Being" and "Zonk Machine" among his other esoteric instruments.)

Needless to say, it's a long way from anything resembling musical sophistication. But the album was still miles ahead of the band's 1970 debut. And today it remains a valuable artifact from the Stone Age (pun intended) of power rock rebellion.

Thanks to ProgLucky for the artist addition. and to Quinino for the last updates

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