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NEO-PROG

A Progressive Rock Sub-genre


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Neo-Prog definition

Neo-Progressive rock (more commonly "Neo-Prog") is a subgenre of Progressive Rock that originally was used to describe artists strongly influenced by the classic symphonic prog bands that flourished during the 1970s. At the beginning of the neo-prog movement, the primary influence was early to mid-70's Genesis. Debate over when Neo-Prog actually came into being often takes place, with some asserting it began with Marillion's Script for a Jester's Tear in 1983. Others contend it began with Twelfth Night at the dawn of the 80s, while some even suggest the popular symphonic prog band Genesis gave rise to Neo-Prog with their 1976 album, A Trick of the Tail.

If one analyses the progressive movement just before 1980, then some albums which heavily influenced the Neo-Prog movement easily come to mind: Steve Hackett - Spectral Mornings, Genesis - Wind & Wuthering, Genesis - And Then There Were Three, Genesis - Seconds Out, Saga - Saga, all the Camel albums between Breathless and The Single Factor included, and some Eloy's albums, especially Silent Cries And Mighty Echoes.

This new form of progressive rock originated in the UK, and is most strongly associated with bands such as Marillion, Pendragon and IQ; and while theatrical stage antics were a part of the live performances of many artists exploring this subset of the progressive rock genre it's the musical elements that are key to the genre; typified by the use of atmospheric guitar and synth soloing with symphonic leanings, with a tendency towards floating synth layers and dreamy soloing. An additional trait is the use of modern synths rather than vintage analogue synths and keyboards. The main reasons for Neo-Progressive artists to be separated from the ones exploring Symphonic Prog in the first place are the above, as well as a heavier emphasis on song-form and melody than some of their earlier symphonic counterparts.

As time went by other artists appeared that also deviated from the norms created by the classic wave of progressive rock artists in the 70's. The late 70's had given the world punk music; the 80's gave the world new wave; and the 90's grunge. These, as well as other forms, had a tremendous amount of influence outside of the progressive rock realm. The advent of the modern synth also inspired artists like Tomita, Vangelis and Kitaro to explore dreamier musical works.

These and other forms of more or less newly made musical genres influenced artists exploring progressive rock as well. Although many artists did so within the framework of 70's progressive rock, more and more artists developed a sound and style so heavily influenced by these more recent musical developments that categorizing them within the existing subgenres of progressive rock became increasingly difficult.

While the Neo-Progressive genre initially consisted of artists exploring a modernized version of Symphonic Prog, these days artists coined as Neo-Progressive cover a multitude of musical expressions, where the common denominator is the inclusion - within a progressive rock framework - of musical elements developed just prior to and after 1980. The Neo-Progressive genre in it's refined form thus covers a vast musical territory, to some extent covering all existing subsets of progressive rock and also searching out towards genres as different as new age on one side and punk and metal on the other.

Opening paragraphs written by Stonebeard, Cygnus X-2, Greenback

Revised, edited and refined April 2009 by windhawk, The Doctor and E-Dub



The neo-prog team has also decided on 5 representative albums of neo-prog that encapsulate the essence of the genre. They are as follows:


Marillion-Script for a Jester's Tear
Collage-Moonshine
Satellite-A Street Between Sunrise and Sunset
Sylvan-Posthumous Silence
Frost-Milliontown


Current Neo-Prog Team members
as at 26/10/2019

Roger (Roj)
Luca (octopus-4)
Keishiro (DamoXt7942)

Neo-Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Neo-Prog | More Top Prog lists and filters

4.25 | 2117 ratings
MISPLACED CHILDHOOD
Marillion
4.25 | 1228 ratings
THE ROAD OF BONES
IQ
4.23 | 1985 ratings
SCRIPT FOR A JESTER'S TEAR
Marillion
4.16 | 1329 ratings
CLUTCHING AT STRAWS
Marillion
4.25 | 300 ratings
RESISTANCE
IQ
4.15 | 658 ratings
CONTAGION
Arena
4.15 | 480 ratings
POSTHUMOUS SILENCE
Sylvan
4.09 | 1079 ratings
MARBLES
Marillion
4.10 | 915 ratings
FREQUENCY
IQ
4.12 | 473 ratings
A TOWER OF SILENCE
Anubis
4.11 | 426 ratings
EMPIRES NEVER LAST
Galahad
4.04 | 926 ratings
DARK MATTER
IQ
4.05 | 668 ratings
EVER
IQ
4.04 | 685 ratings
THE VISITOR
Arena
4.08 | 330 ratings
SEVEN
Magenta
4.05 | 492 ratings
FANFARE & FANTASY
Comedy Of Errors
4.03 | 652 ratings
THE MASQUERADE OVERTURE
Pendragon
4.03 | 489 ratings
ALL RIGHTS REMOVED
Airbag
4.00 | 666 ratings
THE SEVENTH HOUSE
IQ
3.98 | 1333 ratings
FUGAZI
Marillion

Neo-Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Neo-Prog experts team

SONGS FROM PENNSYLVANIA
Ezra
CROWN OF CREATION
Emerald
VOICES
T
TIMANFAYA
Healing Road, The

Latest Neo-Prog Music Reviews


 Love Over Fear by PENDRAGON album cover Studio Album, 2020
4.27 | 47 ratings

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Love Over Fear
Pendragon Neo-Prog

Review by Deadwing

5 stars Pendragon's latest effort is a big departure from their previous later albums, being their most experimental release since Pure (2008). Love Over Fear brings back lots of the colorful sound from their classic Symphonic Rock releases, but at the same time presents lots of new ideas and palettes, while still being indistinguishable Pendragon. This will require multiple listens to be properly appreciated.

The guitar work is as strong as ever, with some really beautiful solos on songs such as Truth and Lies, Eternal Light and Water, which is enhanced by being their best mixed album so far, with a really clear and crystalline sound. Starfish and the Moon is a lovely piano ballad and 360 Degrees is a very catchy prog track with some nice violin.

Lovely album and one of the greatest releases from 2020.

 Night Vision: Art & Illusion Tour 1984 by TWELFTH NIGHT album cover Live, 2005
4.03 | 11 ratings

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Night Vision: Art & Illusion Tour 1984
Twelfth Night Neo-Prog

Review by Warthur
Prog Reviewer

4 stars This archival release captures Twelfth Night on the tour they undertook supporting the Art & Illusion mini-album (more of an EP, really), all of whose tracks are represented here alongside older Geoff Mann era material and some other new works, like the sinister Blondon Fair and an early version of Take a Look, which would be the big epic number on their Virgin Records album in a couple of years time.

Sourced from soundboard recordings, this album does not present one single show, but instead selects the best takes of each individual songs from a cluster of shows on the tour and uses them to reconstruct the full set list. Andy Sears seems a little more confident now as the band's frontman; he seems to have trouble judging the tone of the early section of We Are Sane (it's notable that, as the Corner of the World live recording attests, the band would eventually trim the early sections from the song), but really it would be difficult for anyone who wasn't Geoff Mann to pull off the dramatic performances demanded in the early stretches of the piece.

For the rest of the setlist, the new material sits nicely next to the old and comes across as a logical next step in the band's evolution. On top of that, with Art & Illusion troubling the lower reaches of the album charts, the band seemed to be right on the verge of a breakthrough. Little would they realise that trouble was ahead...

 Tales of Eternal Entities by TEE (THE EARTH EXPLORER) album cover Studio Album, 2016
3.88 | 21 ratings

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Tales of Eternal Entities
TEE (The Earth Explorer) Neo-Prog

Review by ProgShine
Collaborator Errors & Omissions Team

4 stars The Japanese quintet TEE is always a pleasant surprise! I've been following the band since their debut in 2009 and I can say with conviction that the group never released a bad record! Their three studio records, so far, are all excellent.

I confess that it took me forever to hear their latest release, Tales of Eternal Entities, and I regretted it, because I could have enjoyed the album for a longer time, but as the saying goes, better late than never!

Tales of Eternal Entities brings the sound already characteristic of the Japanese quintet, Progressive symphonic rock with a lot of influence from Camel and the classic Italian bands with the use of flute as the main instrument and the guitar full of jazz phrasing. 'Epimetheus' and 'Mother Earth' are my favorites.

Unfortunately the group continues to release their albums on the French label Musea Records (this particular release came out on the sub-label Musea Parall'le). I say unfortunately because the French label is notorious for not knowing how to promote its artists, and the label is still stuck with a business model of 20 years ago, thinking that simply releasing the records is enough, making finding the physical records of TEE very very hard to find and when you find they are very expensive.

Listen to TEE if you like instrumental symphonic progressive rock and if you like Camel and classic RPI. You will not regret it!

 Circles by SOLSTICE album cover Studio Album, 1997
2.86 | 28 ratings

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Circles
Solstice Neo-Prog

Review by Warthur
Prog Reviewer

4 stars Solstice's third album finds the lineup tweaked again - Jethro Tull veteran Clive Bunker's joined on drums and Emma Brown is the new lead vocalist. The long-serving Marc Elton is still here on violin, and has some powerful moments, but sadly this would be his last recording with the group - due to tinnitus he had to quit live performance, and he gave up his spot in the band after this album was completed.

Circles scales back the role of keyboards compared to New Day, so that the vocals, Elton's violin, and most particularly Andy Glass' guitar work can take centre stage; in this way Glass is revealed as a guitarist after the fashion of, and at his best on a part with, Andy Latimer of Camel.

Aside from the keyboards the album is largely in the style that Solstice album past have made us accustomed to, with a standout departure being the title track. This commemorates the Battle of the Beanfield - the confrontation between New Age Travellers (repeatedly scapegoated by the Tory government of the era) and gung-ho police which erupted into appalling violence and put an end to the annual Stonehenge Free Festival in 1985.

No official inquiry into the matter ever occurred, but a police officer was found guilty of criminal Actual Bodily Harm and the police were successfully sued by some of the travellers involved. The overall effect of the event was to herald a crackdown on the New Age Traveller lifestyle which had become inextricably linked to the free festival scene - with the result that such festivals became a thing of the past. (Religious neopagan ceremonies would not be allowed at Stonehenge for over a decade, until finally in the authorities relented; even then, these gatherings have been of a strictly religious character and not included the sort of freewheeling musical festival that veterans fondly remember and mourn the loss of.)

This would have been a matter dear to Solstice's hearts; the free festival scene had been the band's spiritual home for much of their 1980s run, and the coincidence of the band splitting in the very same year as the Battle certainly feels oddly fitting. That the 1990s incarnation of the band would mark the occasion with a song is only fitting. It's perhaps one of Solstice's darker moments, interspersed with reconstructed sounds and news reports from the incident; in this context, the band's spiritually-oriented style might seem a bit incongruous, but personally I consider the way the music keeps going in their accustomed style and the vocals stridently insist on the right to assembly and religious worship and celebration is actually quite apt, striking a note of defiance in the face of difficult circumstances.

And if the story of Solstice is not one of triumph against difficult circumstances, I don't know what it is...

 Schizophrenia by SHAMALL album cover Studio Album, 2019
3.96 | 85 ratings

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Schizophrenia
Shamall Neo-Prog

Review by Dark Edge

5 stars It just needs only a few words to explain what I like so much about the new Shamall "Schizophrenia". First of all, it is a high-quality production, in which the musical and technical realization of the theme as well as the cover design and content is more than excellent. The exceptionally good sound of this musical work has already been mentioned in other reviews here. The music has a very special character, which in no way tries to lean on anyone else today. All protagonists, and here I would like to mention not only the initiator of the project, the German multi-instrumentalist Norbert Krüler, do a very professional job. Especially Shamall's long-time companion - guitarist Matthias Mehrtens - shows once again how his guitar playing can strengthen songs in most different facets. Also female singer Anke Ullrich, who does extraordinary things with her voice in three songs which apparently were written especially for her, knows how to convince. A trio that perfectly complements each other and provides the necessary variety without endangering the harmony of the whole. Lovingly elaborated, the comprehensive work of these two CDs accompanies me on a harmonically and melodically exciting journey. Contrary to the trend, Shamall does not care about the length of a song or even the duration of a solo. With the heart of a Rick Wright he plays everything he likes on his keys. In every imaginable length. If you like casual, fresh compositions with the taste of a time travel through 40 years of prog/rock and electronic music, and if you don't have a problem with long albums, you won't get passed this work. "Schizophrenia" is not an "I have to deliver" album. Shamall has been working on this album for six years. So it's not hard for me to listen to his work for 150 minutes to honour it. - And this for weeks with growing enthusiasm.
 Script For A Jester's Tear by MARILLION album cover Studio Album, 1983
4.23 | 1985 ratings

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Script For A Jester's Tear
Marillion Neo-Prog

Review by Atomic Relic

5 stars Marillion is a Neo-Prog band that formed in Aylesbury, Buckinghamshire, in 1979. They were the most commercially successful neo-progressive rock band of the 1980s. The album reached number seven and spent 31 weeks in the UK Albums Chart, eventually achieving a platinum certificate. There were not to many good progressive rock bands in the 1980's so seeing that this album came out in 1983 still shocks me. Now lets review each song individually.

Script for a Jesters Tear - This is my favorite song in the album. This song is just stunning! Right away you realize that the vocals are going to be good. The vocals always gave me a Peter Gabriel vibe. After the mellow and beautiful intro to the song it really picks up when piano and drums come in. It is very grand. The guitar work on this song is also great and drums and bass go along with the song nicely. The ending to the song is incredible. With the piano in the background and great singing by Fish. This song is definitely one of the best songs of the Neo-Prog genre. ( 5/5 )

He Knows You Know - How can you make a song that can top the previous song? ( Script for a Jesters Tear ) Well... you can't. This song does not compare to the previous song. It has some nice keyboards but this song is a little to pop for me. Its not a bad song. Just does not top anything else in the album. ( 3/5 )

The Web - The song starts off strong with the great keyboard work by Mark Kelly. The instrumentals in this song are just awesome. Same with the guitar solo during the middle of the song and the instrumental during the end of the song.. I just love it. This is a great song. ( 5/5 )

Garden Party - Just like the first song in the album ( Script for a Jesters Tear ) the keyboard work is great. Same with the bass and drums in the beginning. They fit together very nicely. The main thing i like about this song is the instrumental during the middle of the song and the chorus at the end. but overall, its a very pleasant song. ( 4/5 )

Chelsea Monday - " But for now it's just another Chelsea Monday " This song starts off slow but then picks back up around the 2:00 minute mark. Trust me when i say the guitar work on this song is fantastic. The song always gave me a dark feeling throughout it. This is a very interesting and unique song ( 5/5 )

Forgotten Sons - This song is one of those songs that ends stronger then it starts. The beginning of the song is good but its nothing that's out of this world. It has great keyboard like usual but I also enjoyed the drums on this song. I also like the instrumental that starts around the 3:00 mark it is very groovy. But for me, the masterpiece of the song starts around the 4:10 mark to the end of the song. I just love everything from 4:10+ in this song, its just incredible! The vocals are just outstanding and captivating. The first 4 minutes and 10 seconds of the song is good but every that comes after that brings it up to the rating I am giving this song. ( 5/5 )

Overall this album is one of the best progressive rock albums of the 80's and also one of the best progressive rock albums in general. This is how Genesis should have sounded like in the 80's. ( 5/5 )

 New Life by SOLSTICE album cover Studio Album, 1992
3.29 | 42 ratings

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New Life
Solstice Neo-Prog

Review by Warthur
Prog Reviewer

4 stars After their original 1980s incarnation broke up in 1985 (with a brief reunion in 1986), Solstice hibernated and re- emerged in the 1990s with this album. Returning from the 1980s version of the band are Marc Elton on violin and keyboards and, naturally, guitarist and band leader Andy Glass; Heidi Kemp very capably steps into the vocalist spot and the new rhythm section of Craig Sunderland and Pete Hemsley round out the revived group.

The biggest breath of fresh air, however, has to be the production. Silent Dance, the sole studio album from the 1980s version of the group, had always been hampered somewhat by a production job which didn't feel like a good fit for the band's music. The production here, whilst perhaps being at times more reminiscent of a New Age ambient album than a prog release, offers greater clarity to the overall benefit of the album. Elton's keyboards and Glass's guitar work, in particular, end up the star players here; Marillion's Steve Rothery has gone on the record as appreciating Andy Glass's style but feeling that Silent Dance didn't really capture him at his best, and here you can get a better appreciation of just what Steve saw in Andy's work.

The compositions here don't quite feel as powerful as those on Silent Dance, but the improved sonic clarity compensates for this nicely, and I'd say that this album is worth a listen for anyone who wants to dig a little deeper into Solstice's peace sign-waving, good-natured spiritual neo-prog.

 Howling Mad Black Music Under Hot Stars by CROCODILE album cover Studio Album, 2019
3.91 | 9 ratings

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Howling Mad Black Music Under Hot Stars
Crocodile Neo-Prog

Review by kev rowland
Special Collaborator Crossover Team

4 stars Crocodile are a progressive rock band from Austen, Texas, comprising Greg Seale (drums), Thomas Shaw (keyboards and vocals), Kevin Sims (guitar and lead vocals) and Ted Thomas (bass and vocals). 'Howling Mad Black Music Under Hot Stars' is their second album, following on from 2018's 'His Name Is Stan And He's A Bad Motherf**ker' which I haven't heard. Both album titles are intriguing, neither of which exactly scream prog, yet that is what we have here at least, an album which is interesting, beguiling, compelling and complex and at all times absolutely fascinating. This is music taking the listener on a journey with many twists and turns, so that one is never really sure what is going to happen next or where one is going to end up.

Mostly guitar-led, with strong vocals, this is modern progressive rock which has its roots in the neo scene yet also looks into strong melodies and choppy powerful numbers. Just seven songs, all between the five and eight minute mark, they are give them enough time to develop ideas and be intriguing without ever overstaying their welcome. There are some interesting touches of pronk here and there, and one could imagine these guys going down well with fans of the likes of Cardiacs or Poisoned Electrick Head, yet there is also more than a hint of Pineapple Thief about what they are doing, as well as more than a touch of Gentle Giant. The result is something which feels modern and refreshing which I have enjoyed immensely. It is hard to realise these guys are Texans as this is a British as it comes in its approach and finesse. Well worth discovering.

 Passion by PENDRAGON album cover Studio Album, 2011
3.75 | 546 ratings

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Passion
Pendragon Neo-Prog

Review by BrufordFreak
Collaborator Honorary Collaborator

4 stars I like the heavier way Pendragon re-invented themselves in the Naughties--and it continues here only with far more catchy melodies. Great sound production and engineering creativity. And I love Nick Barrett's mastery of the electric guitar solo (though there is far less of it on display here than what is typical for a Pendragon album).

1. "Passion" (5:27) industrial-style rhythmic foundation over which Nick delivers an awesome vocal. Wow! What a start! If the rest of the album lives up to this high it will be amazing! The heavy PT/metal influences are showing. (9/10)

2. "Empathy" (11:20) (17.5/20)

3. "Feeding Frenzy" (5:47) nice multi-faceted song. (8.5/10)

4. "This Green And Pleasant Land" (13:13) INCREDIBLE lyrics; pretty song. (22.5/25)

5. "It's Just A Matter Of Not Getting Caught" (4:41) (8.75/10)

6. "Skara Brae" (7:31) heavy but lushly "orchestrated" and vocalized with plenty of melodic lines and dynamic shifts. Lots of signs of mature song construction and confident performance skills. (13/15)

7. "Your Black Heart" (6:46) harkens back to Gabriel-era GENESIS with its sensitive picked acoustic guitar start and vocal. The dominant chords (basically, two) over the entire song give it a ?And Then There Were Three... or TONY PATTERSON feel--very much like a FLOWER KINGS song passage. Almost a reprise of "This Green And Pleasant Land." (12.75/15)

Total Time: 54:45

After starting off with such a bang, the album started to peter out and soften noticeably as one approached the end.

B+/4.5 stars; a near-masterpiece of progressive rock music and a shining example of mastery of a cross-sampling of styles though still well within the Neo Prog umbrella.

 Crossroad by APPLE PIE album cover Studio Album, 2007
3.82 | 116 ratings

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Crossroad
Apple Pie Neo-Prog

Review by siLLy puPPy
Collaborator PSIKE, JR/F/Canterbury & Eclectic Teams

3 stars APPLE PIE was one of those bands that looked far away from where its members were raised. This band was formed by Vartan Mkhitaryan in the city of Kursk, Russia which is located not too far from the Ukrainian border in the southwestern part of Russia. While many bands from the former Iron Curtain have emerged since the collapse of the Soviet Union in 1991, many have adopted some of the homegrown folk elements and other styles unique to the Slavic nations however others totally looked westward for inspiration and if the name doesn't give it away immediately, it's obvious that APPLE PIE looked to the USA for its inspiration.

And by that i mean that APPLE PIE created the perfect fusion of Neal Morse era Spock's Beard with that unmistakable style of symphonic prog including Mkhitaryan's dead ringer vocal style for Neal Morse along with the occasional bombastic heft and technical wizardry of Dream Theater. In some ways on this debut release CROSSROAD, the band sounds a bit like Transatlantic which found both Neal Morse and Mike Portney cross-pollinating their respective bands' styles into lengthier knotty whirlwinds of sonic prog splendor so as i'm listening to this i keep thinking they should have named themselves Trans-Siberian Railway! But that would miss the point when your shtick is to imitate your other-side-of-the-world prog heroes!

To put it bluntly, this album is about as derivative as it can possible get. If you told me this was a long lost Morse album or even a Spock's Beard archival release, i'd totally believe it was. In fact i keep wondering if this band is just a pseudonym for a Morse project it's so convincing! I mean everything about this resembles a Morse album. It has a mutltiide of tracks that sprawl on to over 77 minutes of play time. It takes cheery pop hooks and crafts them into massive prog workouts with alternating atmospheric acoustic guitars segments morphing into heavy rock where jagged guitar riffs find keyboard antics jumping around like loose fireworks and then resolution with dreamy soft spoken bliss bombs and then a few deviations into some sort of weird unrelated style of music.

On CROSSROAD you will be treated to an amazing display of musicianship especially when the Dream Theater references are left off their leash. Vartan Mkhitaryan provides lead vocals, guitars and percussion. Alexey BIlden plays bass and saxophone. Oleg Sergeev provides keyboards and Andrey Golodukhin is the drummer. This quartet really has done their prog homework and delivers an impressive deliver of symphonic prog with a few metal elements bursting into the scene at key moments but mostly this one is on the mellower side with soft passages leading up to the noisier climaxes. In addition to the dominant Morse and Dream Theater influences, APPLE PIE does offer doses of Flower Kings, Pink Floyd and the surprising jump blues jazz of 'Temptation' which shuffles more like the Diablo Swing Orchestra minus the operatic diva, so the album's not an entire ripoff by any means.

While it's easy to be too critical of a band taking too many liberties of borrowing another band's stylistic approach to the point where it sounds like an eerie clone, i have to remember that APPLE PIE formed in a fairly isolated part of Eastern Europe and i'm positive the bands they worship have never set foot anywhere near where they are from as even Moscow is hundreds of kilometers away. It sounds like this band would be more of a treat to see in a live setting and provides the next best thing to a prog hungry part of the world that gets forgotten on all those prog festival circuits. CROSSROAD is indeed an impressive album musically speaking as all the members have mastered their craft in a most admirable way but they at this point anyway have failed to find their own identity which is a problem for me at least. Definitely a band that has a lot of potential and this album invites me to explore their second album which actually finds guest musicians like Derek Sherinian joining in. As for this one, it's really good but not what i'd call essential.

3.5 rounded down

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Neo-Prog bands/artists list

Bands/Artists Country
25 YARD SCREAMER United Kingdom
ABACAB France
ABEL GANZ United Kingdom
ABRAXAS Poland
ACCEPT Japan
AD INFINITUM United States
ADN France
AELIAN Italy
AETHELLIS United States
AFTERGLOW France
AGENESS Finland
AGENTS OF MERCY Sweden
AHMSHERE Netherlands
AIRBAG Norway
AIRBRIDGE United Kingdom
AISLES Chile
ALBION Poland
ALKOZAUR France
ALMA SIDERIS Italy
ALSO EDEN United Kingdom
ALTAVIA Italy
AMANDA Belgium
AMON RA Germany
ANAMOR Poland
ANANKE Poland
THE ANCESTRY PROGRAM Germany
ANDROID Hungary
ANČMA Italy
ANIMATOR United States
ANNALIST Poland
ANUBIS Australia
APPLE PIE Russia
ARAGON Australia
THE ARC LIGHT SESSIONS Canada
ARCADELT Italy
ARCANSIEL Italy
ARCHANGEL Italy
ARENA United Kingdom
ARENAL Chile
ARGOS Germany
FINN ARILD Norway
ARK United Kingdom
ARKUS Netherlands
ARLEKIN Ukraine
ARLON Poland
ARRAKEEN France
ART Italy
ARVE Germany
ASGARD Italy
ASSAL Poland
ASTRALIS Chile
ASTURIAS Japan
ATEMPO Argentina
ATOMIC TIME Brazil
ATRIA France
ATRIUM Portugal
AUDITE Germany
AUFKLARUNG Italy
AVALON USA United States
SIMON AYRES United Kingdom
BACKYARDS France
BALLOON ASTRONOMY United States
BAROCK PROJECT Italy
NICK BARRETT & CLIVE NOLAN United Kingdom
KEVIN BARTLETT United States
SAULO BATTESINI Brazil
BEING & TIME Japan
BEL AIR Germany
BELIEVE Poland
STEWART BELL United Kingdom
BELLAPHON Japan
BEYOND THE BLUE Germany
BIG PICTURE United States
BIJOU Spain
BLACK PAGE Japan
BLIND EGO Germany
BLIND OWL United States
BLUE MAMMOTH Brazil
BOLUS Canada
FABRICE BONY France
XAVIER BOSCHER France
BRAIN CONNECT Poland
BRASSÉ Netherlands
BREEZE Germany
CHRISTIAAN BRUIN Netherlands
DEC BURKE United Kingdom
TIM BURNESS United Kingdom
CAAMORA United Kingdom
CARPTREE Sweden
ALAN CASE Netherlands
RICH CASEY United States
CASINO United Kingdom
CASTANARC United Kingdom
CATAFALCHI DEL CYBER Italy
CATHEDRAL United States
CATWEAZLE Sweden
MARC CECCOTTI France
CENTAUR RODEO United States
CHANDELIER Germany
CHANETON Argentina
CHEST ROCKWELL United States
CHILDREN OF NOVA United States
CINDERELLA SEARCH Japan
CIRKEL Netherlands
CIRRUS BAY United States
CLEPSYDRA Switzerland
CLIFFHANGER Netherlands
CLOUDS CAN Germany
COALITION United Kingdom
COLD FAIRYLAND China
COLLAGE Poland
COMBINATION HEAD United Kingdom
COMEDY OF ERRORS United Kingdom
CONTEMPORARY DEAD FINNISH MUSIC ENSEMBLE Finland
COSMIC DANGER United States
COSMOGRAF United Kingdom
COSMOS Switzerland
CRAYON PHASE Germany
CREA Sweden
CREDO United Kingdom
CRIMSON SKY United Kingdom
CRISÁLIDA Chile
CROCODILE United States
CROMWELL Germany
CRUZ DE HIERRO Mexico
CRYSTAL MAZE Germany
CRYSTAL PALACE Germany
CYAN United Kingdom
THE D PROJECT Canada
THE DAME Netherlands
DARIUS Germany
DARWIN'S RADIO United Kingdom
DATURA France
DAVID AND THE THEATRE OF TWILIGHT Germany
DAYS BEFORE TOMORROW United States
DEAD HEROES CLUB Ireland
DEAD LETTER CIRCUS Australia
DEEP THOUGHT Switzerland
DELTA CYPHEI PROJECT Germany
DEYSS Switzerland
DIAL Netherlands
DID France
DIFFERENCES Netherlands
DIFFERENT STRINGS Malta
DIRECTION Canada
DISTANT DREAM United States
DOCKER'S GUILD Italy
TROY DONOCKLEY United Kingdom
DR. NO Spain
DRACMA Spain
DRAMA Uruguay
DREAM ARIA Canada
DRIFTING SUN Multi-National
DUSTER United States
EARTHSTONE United Kingdom
EAST Hungary
ECHO US United States
EDEN SHADOW United Kingdom
EDHELS Monaco
EDISON'S CHILDREN Multi-National
EDITH Italy
EGDON HEATH Netherlands
EGOBAND Italy
ELEGANT SIMPLICITY United Kingdom
ELEGANT SIMPLICITY United Kingdom
ELEMENTS Netherlands
ELEPHANT & CASTLE France
ELEPHANTS OF SCOTLAND United States
ELIXIR France
ELLEVEN Germany
EMERALD Netherlands
THE EMERALD DAWN United Kingdom
ENDLICH ALLEIN Italy
EPILOGUE United Kingdom
EQUINOX Panama
ERASMUS United Kingdom
ESKAPE Germany
ESTHETIC PALE Germany
ETERNAL WANDERERS Russia
EUREKA Germany
EURHYBIA France
EVERSHIP United States
EVERY WAKING HOUR United States
EVOLUTIVE France
EXHIBIT A United Kingdom
EXOUSTIA United States
EYE 2 EYE France
EYESBERG Germany
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