RAUSCH

In 2018 my good friend Olav furnished me with a copy of Doug Rausch's second album which had recently been released. Some months later Doug tracked me down and we started having regular contact. During that period, I mentioned that I hadn't heard the debut, and if he would like it reviewed' So, although 'Book II' was released in 2018, 'Rausch' actually came out as long ago as 2009, and we are now in the 10th anniversary year. In some ways I find it incredibly surprising there was such a gap between the two, and in other ways possibly not so much. I have lost count of how many times I have played this album recently but know that it is a great deal many more times than I would normally for something I was planning to review.

Doug is first and foremost a pianist and came to public attention when Jordan Rudess (Dream Theater) heard a college demo and then asked him to perform in the very first Keyfest. This helped in attracting guitarist/bassist Gary Wehrkamp (Shadow Gallery) with drums provided by Joe Novolo and Doug everything else, while Rich Mouser (Neal Morse, Spock's Beard, Dream Theater) was also involved. The result is an album, where piano is often at its heart, combined with some stunning guitar, and a mix of styles which should be said to be eclectic. Imagine Wheatus combined with Queen, mixing it up with Bowling For Soup, with some Galahad or IQ thrown in for good measure, topped up with a little Pallas, and you may get close to what this album is like. It is light, it is joyous, and every time I play it I enjoy it just that little bit more. The balladlike 'B.P.M.S.' is acoustic, gentle, and totally irreverent. It is a Seventies album to its very core, and will be enjoyed by anyone who wants to search it out. Doug has a new website, so why not visit it, stream some songs and see what I making such a fuss about. This is fun, and sometimes that is all I want from my music.

Say this about Doug Rausch: he won't put out an album until he thinks it is just right. His first effort'entitled Rausch 'came out seven years after he graduated from Ithaca College. And his latest production, Book II, took eight years to reach public ears.

And after a few listens, I'll say that the wait was worth it.

Rausch continues to be a composer and musician of great depth and quality. He's one of those guys who hates the term 'prog,' and it's hard to cubbyhole the songs on Book II. They range from quasi-metal to singer-songwriter to Guns n' Roses hard rock and beyond.

Take for example 'Good Day.' It has a crunch reminiscent (to these ears) of Foreigner's 'Juke Box Hero.' It's rock, pure and simple and strong. Or 'The End,' a dirge-like piece about hopelessness and loss. 'Irked' features strong, muscular guitar work with a jazz piano interlude in the middle. 'Speechless' nods toward Dave Mustaine and Megadeth. And 'Swansong' is influenced by Axl Rose's band and their 'November Rain' (which Rausch says is one of his favorite pieces'not the usual statement from a prog artist, or whatever you'd like to call him).

But the highlight of Book II is 'Greener Grass,' a slice of pop heaven that alternately leans toward Ben Folds, Queen, ELO and others that I can't fully put my finger on. This is Doug Rausch fully realized, taking the sounds in his head and his experience and splashing them on the aural canvas. It is punchy and hummable but with some rhythmic and melodic twists and turns. Rausch won't call it prog, but it is excellent music'of whatever genre.

Now, let's turn to the lyrics. They are pretty uniform: get-the-razor-blades-out-and-slit-your-wrists-because-the-world- and-its-people-suck-and-there-is-no-hope. Seriously.

Take the operatic 'Greener Grass': You and me will die So what is this about They say enjoy the ride But how can I get out

I've seen what's over there Sorry but I don't care My painful memories All drowned in melodies Anticlimactic to see

And some of the other songs are even more depressing than that. Yes, there are a few rays of light. 'Swansong' repeatedly lifts up the phrase, 'We will rise again!' But in Doug's world, rising may get you back to ground level and not much further. Rausch says getting those words out is cathartic for him. What they are for you is'well, it's up to you.

But that doesn't take away from the performance. Rausch is a top-flight keyboardist, and he does a pretty fair job on acoustic and rhythm guitar. Drummer Steve Lerro and bassist Joe Fine keep a strong bottom line, propelling the music ahead without shading the emphasis on Rausch and the music. He also has excellent guest help from Spock's Beard keyboardist Ryu Okumoto and drummer Mark Zonder of Fates Warning.

And one can't ignore the hand of mixer extraordinaire Rich Mouser. The man who does such great work with The Neal Morse Band and other outfits adds his sheen and clarity to the sound, highlighting the sonic strengths of Rausch.

The key to the sound, though, is Gary Wehrkamp. The guitarist for Shadow Gallery is also an integral part of Rausch, and his playing gives muscle and bone to the music. Doug Rausch calls Wehrkamp his 'musical soul-mate,' and it's hard to argue with that. These songs would not be the same without this remarkable musician, who adapts to each piece with a versatility and artistry that are just breathtaking. Wehrkamp may not be well-known to at least some in the prog-rock community. Book II is a great introduction to him and what he can do. Gary Wehrkamp is a big-time talent who must be heard.

As does Rausch. You'll listen to this second album over and over again, discovering new layers each time. It is very enjoyable'suicide lyrics notwithstanding.

Doug says he's got 40 or 50 songs to choose from for the next album'and the one after that'and the one after that. I'm just hoping it doesn't take him another eight years to crank out the follow-up to Book II.

Released By: Doug Rausch Release Date: February 2, 2018 Genre: Progressive Rock (don't get mad, Doug).

Band Members:

' Doug Rausch / keyboards, acoustic and rhythm guitars, vocals ' Joe Fine / bass ' Steve Lerro / drums ' Gary Wehrkamp / guitars

'Book II' Track-Listing:

1. Greener Grass 2. Swansong 3. Drain 4. Irked 5. Good Day 6. The End 7. Time Out 8. Speechless 9. Slow Suite: II. Isolation

8.6 Excellent

Book II is an eclectic selection of songs from a songwriter of great talent and possibilities. In particular, 'Greener Grasses' and 'Good Day' show Rausch to be a guy/group that can grab attention and hold it'even when the lyrics are a big downer. The band's namesake is an excellent keyboardist who doesn't need pyrotechnics to make himself heard, and his vocals are evocative and plaintive. Guitarist Gary Wehrkamp takes the album from good to excellent. Rausch may be new to you; make him and it familiar.

Songwriting 8.2

Musicianship 9.4

Originality 9.0

Production 9.2

Rausch the band is led by Doug Rausch (vocals, keyboards), and this is the second release (following on from the debut in 2010). The actual band line-up is completed by Joe Fine (bass), Gary Wehrkamp (guitar/bass) and Chris Ruffini (drums) while guests include Mark Zonder (Fates Warning), Ryo Okumoto (Spock's Beard) and guitarist Brendt Allman (Shadow Gallery) among others.

This is a bloody excellent album, one that I have enjoyed playing a great deal, yet I'm not sure if it is ever going to gain the kudos it deserves. Musically it has a lot in common with City Boy, Queen and 3rd Degree with plenty of piano-based soft melodic prog rockers which are real songs, that are stacked full of commercial riffs and great vocals. I've even found myself singing some of the songs from the album around the house, something that happens incredibly rarely. It doesn't seem to matter which track I am listening to, as whatever one that is, is definitely my favourite of the moment. This is a truly superb album which will appeal to lovers of all type of melodic music as they switch from bombastic rock to acoustic guitar into something more rocky then let piano take control and drive it all along. This truly is a wonderful album that makes me smile each and every time I play it, and isn't that sometimes all we need?

US composer and keyboardist Doug RAUSCH made his initial foray into the world of recording artists in 2009, choosing his surname as band moniker and album title. A production several years in the making, with a lot of blood, sweat and tears shed along the way, judging by the liner notes brief description of excruciating birth pangs.

Doug Rausch is a guy I expect to hear a lot from in the coming years. In interviews and statements of his I've seen, it is clear that he has a strong passion for sophisticated rock in general and progressive rock in particular. And while this initial album may not be a shining piece of prog perfection, it is a diverse and well-made production. I'd suggest fans of '70s Queen as a probable core audience, but the perfect crowd for this disc would be someone able to appreciate good mainstream-oriented music as well as art rock. In my opinion, that is. Overall, a promising start for a young composer and musician who should have a long and fruitful career ahead of him.