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CROSSOVER PROG

A Progressive Rock Sub-genre


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Crossover Prog definition

Crossover Prog contains progressive rock music that, though 100% progressive, may have a musical connection to popular music-- whether it be the lack of emphasis on extended compositions, or an influence from mainstream music in addition to classical, jazz and folk. Compositions, however, still exhibit a high degree of sophistication, sometimes outright complexity, and the musicianship and virtuosity is often on a par with established Prog acts. Much like their kin in the established prog sub-genres, these groups will incorporate many major parts of what defines prog rock: the fusing of rock with the structures and discipline of more traditional musics, the use of syntheisizers and new technologies, intelligent thematics, and the expansion of the form.

The defining characteristics of Crossover Prog are a pop music influence that is largely vacant in typical prog rock. Songs tend toward shorter, more concise presentations though still reach beyond the typical verse, bridge, chorus pattern. The harmonic, melodic, and rhythmic structures may be more easily digested in Crossover while not losing the musical integrity that a prog listener expects. Whereas Prog Related bands are generally commercial groups with certain prog elements or players that were involved in prog acts, Crossover Prog artists are predominantly progressive with elements of popular music.

The most representative examples for this genre include The MOODY BLUES, SUPERTRAMP, DREDG, CINEMA SHOW, RADIOHEAD.

- written by micky (Michael) and Chus (Jesus)

Current team members:
as at 7/1/2022
Scott (Evolver)
Keishiro (DamoXt7942)
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Crossover Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Crossover Prog | More Top Prog lists and filters

4.31 | 1764 ratings
CRIME OF THE CENTURY
Supertramp
4.30 | 2264 ratings
THE RAVEN THAT REFUSED TO SING (AND OTHER STORIES)
Wilson, Steven
4.30 | 1476 ratings
OMMADAWN
Oldfield, Mike
4.29 | 1689 ratings
HAND. CANNOT. ERASE.
Wilson, Steven
4.23 | 1048 ratings
DOOMSDAY AFTERNOON
Phideaux
4.21 | 1110 ratings
ENGLISH ELECTRIC (PART ONE)
Big Big Train
4.20 | 1873 ratings
GRACE FOR DROWNING
Wilson, Steven
4.21 | 959 ratings
PETER GABRIEL 3 [AKA: MELT]
Gabriel, Peter
4.20 | 920 ratings
DAYS OF FUTURE PASSED
Moody Blues, The
4.20 | 875 ratings
SNOWTORCH
Phideaux
4.18 | 820 ratings
THE UNDERFALL YARD
Big Big Train
4.25 | 197 ratings
MAGNIFIED AS GIANTS
Caligonaut
4.34 | 114 ratings
THE EDGES OF TWILIGHT
Tea Party, The
4.17 | 512 ratings
HOUNDS OF LOVE
Bush, Kate
4.17 | 437 ratings
SPIRIT OF EDEN
Talk Talk
4.13 | 1305 ratings
TUBULAR BELLS
Oldfield, Mike
4.14 | 575 ratings
~
Iamthemorning
4.13 | 651 ratings
NIGHT
Gazpacho
4.20 | 219 ratings
SHINY EYED BABIES
Bent Knee
4.15 | 358 ratings
FOR YOUR PLEASURE
Roxy Music

Crossover Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Crossover Prog experts team

STANDING STONE
Oliver
FOLKLORE
Pez
PRE-EMPTIVE FALSE RAPTURE
Chrome Hoof
ABBANDONO DEL TEMPO E DELLE FORME
J'Accuse..!

Latest Crossover Prog Music Reviews


 Alux Nahual by ALUX NAHUAL album cover Studio Album, 1981
4.15 | 17 ratings

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Alux Nahual
Alux Nahual Crossover Prog

Review by Henroriro_XIV

5 stars Before talking about the album, I feel I need to bring up some things about the band behind it. Skip two paragraphs if you want to read about the actual album.

This is a band not many people have heard of (I originally found it on a Wikipedia list of prog rock acts), though they played an enormous role in Central America's rock scene in the 80s and onward. Alux Nahual, formed in 1979 by the brothers Plubio and Alvaro Aguilar (on bass guitar and lead vocals/guitar respectively), might be the most important rock act to come out of the small Central American country of Guatemala. Two big reasons they stole people's hearts are the fact that they produced rock sung in the country's native language Spanish which was unusual for the region's music scene at the time, and that their lyrics were very relatable for the country's inhabitants for the time, being tinged with Latin American political and social themes. Interestingly, they had their commercial peak well into their career, playing at a sold-out concert in Los Angeles in 1995.

Their roots are in progressive rock, making use of instruments such as violin, cello and flute and implementing folk elements in their early works. The group originally performed with songs from bands such as Kansas, Led Zeppelin and Toto (you will hear the Kansas influences in their early releases). They moved on to a more straightforward, arena rock-based sound in the late 80s, but continued to be a very important music act in Central America nevertheless. Anyway, let me begin on the album.

The first half of the 80s was not a good time for prog rock in general. Many of the classic prog bands had more or less successfully moved on to pop, or they had broken up entirely. However, that was when the humble little band Alux Nahual from a hidden corner of the world entered the arena with their self-titled debut, in 1981. It never really took off commercially since the local radio stations deemed the songs unfit for playing, so the album had to be spread by mouth. Yet to this day, it remains a hidden gem of progressive rock, which is a real shame since it is arguably a real masterpiece which deserves to be listened to, part of the reason why I am writing this review.

First, let me talk about the album's sound. As I wrote in the third paragraph, Alux Nahual's sound has influences from Kansas, which is especially evident in the heavy use of string instruments such as the violin and the cello The acoustic guitar is an important element, adding elements of folk music to the overall sound. When I listen to music, I do not always think too much about the bass guitar, but this is a special case; instead of creating a foundation for the rest of the song, the bass sounds very melodic and does not hide in the background, which helps create a very bright, upbeat sound. The drums give the sound another Latin American touch, with the toms sounding high-pitched and dull, almost like congas. The band tends to switch between very energetic and balladic playing between songs, creating good contrasts through the entire album. The sound is not overly polished; sometimes the instruments are not perfectly in sync, and sometimes the tempo even changes a few BPM, all resulting in a very raw, genuine sound.

Let me move on to the actual songs. The album commences with the energetic, symphonic instrumental piece "Cola de Golondrina" (3:57), built around a reoccuring violin melody and a hard-slapping bass tune. The song gets enriched by the acoustic guitar duet starting about one third into the track. It even features two wild guitar solos in the second half of the song, adding another touch of rock to the otherwise symphonic and folky song. Overall, a great introduction to a great album by a great band.

The second song, A Ti (4:05), begins more laid-back, sounding much like a love song (the title even meant "to you"). A violin accompanied by a cello plays a delightful, balladic melody over a rhythmic but mellow acoustic guitar riff. The harmonies in the choruses really help bring out the romantic feeling from the song. The tempo increases after two and a half minutes, and slows down in the outro after yet another minute. The song stands amazingly against the more lively opening track, but is also simply an amazing song on its own.

Un Poco De Paz (3:19) is another pretty calm song (even the name apparently means "a little peace") which sticks to the same flow and feeling throughout the entire song, like a tranquil beach with waves slowly rolling up on the sand. The string work, acoustic guitar and slow tempo puts this song in ballad territory, however, the rhythmic arrangements keep themselves in the foreground a lot. A great song regardless of what you want to call it.

Un Minuto de Ilusión (7:19) might be the proggiest track on the entire album, spanning over 7 minutes and frequently switching between mood and tempo. First, you have a soothing piano intro getting accompanied by a cello around the one minute mark, and half a minute later the tempo and energy increases and all the other instruments join in. You can say the actual song begins at around 2:15, at which moment the song's energy decreases, with the vocals coming in twenty seconds later. This part of the song lasts until the four minute mark, where the song becomes very energetic again, a mood that will last for the rest of the track. I could not talk about this song without praising the amazing bass solo coming in at 5:53, or the brief drum solo in the end as the cherry on top. I would call this song a highlight on the album and a perfect finisher of the A-side.

The B-side is opened up by the soothing "La Fabula del Grillo y el Mar" (5:57). The title means "the tale of the cricket and the sea" (according to Google Translate), and the reason I bring this up is that you hear a cricket singing and the sounds of crashing waves making the acoustic guitar company in the intro. This helps set the mood for the song, sounding incredibly romantic throughout its whole duration. Its feeling revolves a lot around the aforementioned acoustic guitar as well as the atmospheric string arrangements and the beautiful vocals. Judging by its mood, I expected it to be a love song before I knew what the title and lyrics meant. Putting the lyrics through Google Translate made me appreciate the song even more, revealing it to be what I assume is a political allegory represented with a cricket singing to the sea but getting no reaction from it. Lastly, I heavily recommend checking out the symphonic live version of the song on Youtube.

"Posada" (4:07) is in a similar case as "Un Poco De Paz", with a slow tempo and mellow melodies but with a drum arrangement that takes up a lot of space. That is, though, the part that I love the very most about the song, especially the heavy use of cowbells gives the song a big Latino touch. I also have to appreciate the acoustic guitar solo over a 4/7 beat in the second half of the song.

The closer "Hombres de Maíz" (7:23) might just be the best song on the entire album, which I say even after calling every other song amazing. It masterfully ties the sack together with very energetic and upbeat compositions almost impossible not to dance to. From the sections of intense strumming on the guitar to the rich percussion and the vocals, it is really hard to pick what I love the most about the song. Out of curiosity, I gave the lyrics the Google Translate treatment and discovered another brilliant side of the song I would have not paid attention to otherwise. The lyrics seem to be about living a life without a care for the government or the air pollution and instead appreciating the simple things about life. The title which means "Men of corn" might be a reference to the Mayan myth about the gods creating humans out of corn, which is very relevant to the band's Guatemalan origins. And that concludes Alux Nahual's debut album.

To finish off the review, as I said before, part of the reason why I am writing it in the first place is to make it more known about. I am very glad I discovered it myself, even more so for the fact that a pretty obscure album made it to the top 15 list of my all time favorite albums. If you like bands like Kansas and Jethro Tull, this album is an absolute must, and if you like it, you should check out their follow-up "Conquista" and the following two albums (if you can find them, they are sadly not available on Spotify). They never stopped making good music though, and I recommend checking out their non-prog material such as "Alto al Fuego".

10/10.

 Merlin by MERLIN album cover Studio Album, 1980
4.00 | 2 ratings

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Merlin
Merlin Crossover Prog

Review by Heart of the Matter

4 stars Unfair treatment by their own record label used to be a sadly common cause for the break-up of many bands, that didn't deserve it. Merlin was one of them. Signed just to be taylored according to a pre-fixed image, they couldn't cope with that. Two of them, Alejandro De Michele (from Pastoral), and Gustavo Montesano (from Crucis), were already prominent figures in the Argentine scene by late seventies, and Sazam Records (otherwise supportive with their artists) decided to make a more commercial move this time, and tried to repeat the success of Pastoral with (the image of) another duo. The other three members were neglected by the launching campaign, their faces reduced to fotos in the lyrics insert of the LP album, and, after shows being booed by fans expecting something else (as advertised), and despised by a musical press disoriented by changing times, Merlin split.

And the album really opens with a very Pastoral-type tune, led by De Michele exquisite voice, but, as soon as the whole of the band join him, stands out the new group style of performance: a thight modern prog rock sound conducted by Montesano's masterful electric guitar, and complemented by the band, sometimes with a closely intertwined counterpoint of melodic lines, sometimes with fast (and occassionally frantic) rhythmic designs marked by continuous metric changes and strategic cut-and-go chopping. Montesano sings lead on a few tracks (listen Té en París and Démonos Cuenta), achieving an emergent Crucis feel, but without the symphonic dimension of his former band. More likely, the keyboards and the terrific vocal harmonies contribute to a chamber-like environment (like in Donde Todo Parece Irreal and Un Trozo De Eternidad), where the songs evolve organically in horizontal lines. Even so, a great sense of dynamics prevails, like in Quería Ser El Mejor, for example.

A succulent slice of prog by a band that never had the chance they truly deserved.

 Conundrum by VERBAL DELIRIUM album cover Studio Album, 2022
4.61 | 14 ratings

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Conundrum
Verbal Delirium Crossover Prog

Review by alainPP

5 stars VERBAL DELIRIUM founded in 1999 to give another image of progressive rock, a band outside of the MARILLION loving prog musical shackles on which they fall and which makes them think differently about music with a prog and psychedelic sound of the 60s and 70s, with touches heavy and jazzy. Experimentation leads them to merge PINK FLOYD, CARDIACS, QUEEN of course, MUSE. A 4th album of prog dark heavy jazzy theatrical pop unclassifiable finally with a current and modern sound of which I will tell you the pieces.

"Falling" Dantesque atmospheric intro with polyphonic voices and choirs reminds me of XTC madness; a brutal riff, out of tune and menacing sounds like a setting before the start of the show; grandiose art-rock, one of the most beautiful intro of the year with that of MILLENIUM lately which brings "In Pieces" melody reminiscent of QUEEN and THE BEATLES; Jargon plays his voice accompanied by an operatic chorus making the title bombastic; dark prog break so on mysterious keyboards amplifying the theatrical symphonic side of the opera, the finale on the EPICAs. "Intruders" changes tone with a fresh, upbeat nursery rhyme, the BEACH BOYS muted; the chorus with QUEEN-like vocals; sampled break of violins, choirs for a musical verbal delirium reminding me of SPARKS, XTC, the soundtrack of 'Phantom Of The Paradise'; creative and enjoyable with the heavier instrumental in return for the grandiloquent storm and the musical madness. "Children of Water" follows on a bewitched keyboard, a Joe PAYNE voice, strong, dark, powerful, moving. QUEEN can rest easy, I'm happy that VERBAL DELIRIUM finally uses this creative niche; mysterious atmosphere between spleen and latency and a quivering, superb Jargon. "Conundrum" where Balkan rock revisited? That of BREGOVIC? Sax and clarinet jam on an upbeat tempo; instrumental where the organ comes to mingle bringing a convoluted gypsy folk-jazzy air, strange but the frenetic holds the stake; the final crescendo rise seems to come out of a 320 volt outlet, amazing.

"The Watcher" arises a strange, grating, borderline jarring title; then soft ballad of a blow rounding the ears; the melodic line surprises in the opposite direction and the keyboard ends up melting; the first third and the madness of the creative SPARKS reaches me, the guitar becomes heavy, the thunderous break in electric crescendo; final with ethereal choirs and Jargon which rocks us with its inimitable voice with an explosive festive air. "Neon Eye Cage" jazzy-soft for folk-ballad title à la QUEEN, soul music too; the more subdued voice reminds me of SAGA, the second period, the stereo keyboard break positively attacks the ears; it rises calmly, melodically until the instrumental drift where guitar and keyboards return the notes with force and gravity, George bringing me back for a moment to the master MALMSTEEN; stunning, outro jazzy. "Fall from Grace" completes the album with a delicate melody; the ballad that takes us from QUEEN to SAGA with a muffled, fruity, languorous sound where the guitar quickly comes to accompany Jargon; the declination launches the solo that kills, tears, grinds and leaves you speechless, one of those that makes you say that prog, musical art-rock still has something extra, and that you're happy that few can listen to this masterpiece, a prodigious paradox in fact.

VERBAL DELIRIUM has released a musically rich, varied, creative, well-anchored art-rock album; quality compositions with Jargon in mind, developing a whimsical and fantastic alternative modern rock-pop; lyrical and melodic, grandiloquent and ethereal, sublime and... sublime! An extraordinary approach where the lyricism of Jargon illuminates the darkness, where the chiselled and brilliant notes refer to dark airs alternating beauty and emotion. A fusion led by a master voice with a psychedelia of the years 2023. Grandissime.

 Dark Nostalgia by DROWNING STEPS album cover Singles/EPs/Fan Club/Promo, 2021
4.00 | 3 ratings

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Dark Nostalgia
Drowning Steps Crossover Prog

Review by alainPP

4 stars DROWNING STEPS, a Brazilian group, hit the headlines last year with their 'Echo of a Distant Past', a sensitive album from the Brazilian project initiated by Caio Claro in 2016 and the entry of Tiago PIERUCCIi. Various progressive atmospheres from the 80's in general on MARILLION, PINK FLOYD, Steve WILSON and POST ROCK à la SIGUR ROS played acoustically during the pandemic, concluding the 2020 album. A short EP with intense sounds that I hurry to translate for you.

"Childhood Shadows" starts on a sound that the BEATLES would not have denied, a gentle rise then a final aerial percussion, a little nod to those used by the archangel GABRIEL on 'The Last Temptation Of Christ'; the sound is hovering, pop, post, meditative. "The Fear Comes Up" and a dark cello to bring Caio's voice, air with basic acoustic guitar, primary atmosphere of the ANATHEMA, then it goes up to some WATERS from 'The Wall' period, a little even from the Ile-de-France region of KWOON for an atmosphere colorful post-rock 60's; the cello does its job by throwing tons of spleen languorous notes with its bow, the minimalist piano adds even more for a melancholic finale at will. "If You Were Not Here" and this Irish flute associated with the cello goes to explore an icy universe filled with nostalgia, ah I just understood the title! in short, a gloomy, melancholy space that can allow us to meditate on this bizarre year, far from the norm; emotion, introspection, wandering here is where we can start. "At Least for Today" continues in the same vein with the successful association of Caio's high voice, I can clearly hear a ballad by Steve WILSON oozing with melancholy, it's short, moving to the point of having only 'a legitimate desire, to dive back into this little EP which deserved much more time to not be just the end of their previous album.

DROWNING STEPS made it simple by offering a fast, too fast EP; however the 4 titles are perfect, concise, printing an intense nostalgic atmosphere, an inventive basic sound on well-placed vocal harmonies. It's short but it's good for plagiarizing a former president; it's filled with acoustic guitar and piano to release sweetness, to rock in fat spleen and to crave

 The Indifferent Stars by HAVEN OF ECHOES album cover Studio Album, 2022
3.96 | 39 ratings

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The Indifferent Stars
Haven Of Echoes Crossover Prog

Review by The Crow
Prog Reviewer

3 stars After reading some reviews on ProgArchives praising this album, I decided to give it a try!

It is a project that unites the vocalist of Spires, Paul Sadler, and the multi-instrumentalist and visible head of Frequency Drift, Andreas Hack. I have to admit that I haven't heard anything from these two bands, so I faced the listening to this album completely unaware of these musicians and their collaborators, such as Nerissa Schwarz playing the electric harp and Wolfgang Ostermann on drums.

They describe themselves as cinematic progressive rock, but if I have to give my opinion, for me they would be melancholic crossover prog, very melodic, with musical bases based on piano melodies (which sometimes become somewhat repetitive loops for my taste) and that sometimes they will remind other groups like Porcupine Tree, Leprous or Agent Fresco.

So far so good, but I have to say that Paul Sadler's vocal approach doesn't quite convince me, and after repeated listening it ends up tiring me. I'm not a fan of this style of singers who base their melodies on affected gurgles, as happens on Leprous. I'm sorry if this may offend anyone, but it's my personal opinion and it's something that without a doubt detracts from the record for me.

On the other hand, I find it a very interesting release and despite not being entirely to my liking, it does have an unquestionable musical value and is capable of offering musical moments of a very high level.

Recommended! And if you are able to connect with the singer, I imagine that you will like this "The Indifferent Stars" much more than I do.

Best Tracks: Sirensong (it introduces us fully into the intense and dense style of this band), The Orator's Gift (a simpler and more direct track, but which contains the best vocal melodies on the album) and Let Them In (the longest and most progressive song on the album, with some instrumental passages to take into account)

 Home Again (A Tribute to Pink Floyd) by FLEESH album cover Studio Album, 2022
3.07 | 6 ratings

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Home Again (A Tribute to Pink Floyd)
Fleesh Crossover Prog

Review by alainPP

3 stars Fleesh duo founded in 2014 by Gabby Vessoni and Celo Oliveira, best known for their covers of the groups Renaissance, Rush, Marillion that I had already listened to see, Genesis in 2020 and currently Pink Floyd. 4 original albums and their 11th all combined to relive the most emblematic titles of the Flamingos, here we go.

Titles taken from 'The Dark Side', 'Wish You', 'The Wall', 'Animals', 'Atom', B-side titles, 'The Division' where the sound refers to Karnataka and other Mostley Autumn, ' Obscured', 'More', 'The Final', 'A Momentary', in short everything you need to be able to revise a bit. Note that two monster tracks 'Dogs' and 'Shine on You Crazy Diamond' brighten up the album with their length and the quality of the covers; Gabby is indeed the attraction breathing new air with her voice as on 'High Hopes' and Celo is surprised to take up all the instruments in copy / paste sometimes, in pure research and digression other times.

Fleesh didn't just cover Pink Floyd, he shaped it to let our musical mind wander searching for similarities and differences with the original titles, knowing that Gabby's voice made me think of this, of there to that of Anneke, in short a pleasant digression in fact. (3.5)

 Eemynor by SIIILK album cover Studio Album, 2022
4.16 | 21 ratings

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Eemynor
Siiilk Crossover Prog

Review by clarso

5 stars What a great news Siiilk sends us with Eemynor their latest recording. Everything is of an incredible quality, with the finesse of the atmospheres, the magic of the sounds, a permanent invitation to a world that does not exist, with the unique and dreamlike music they have invented. What a joy to hear the soothing of the soul, and all the high spirits that Gilbert Gandil and Jacques Roman (the two founders of the group Pulsar, which already projected us into the cosmos from 1974 to 2006), inhabited by all the tenderness and confidence of the very beautiful texts of Richard Pick on vocals, and the voice of Catherine Pick, a celestial and pure soprano, all in sweetness. Each track brings a dreamy cloud to this ensemble: Eemynor, which takes us from a desert to a weightless song a bit like Peter Gabriel from a few years ago, and ends like a blues where Gandil's fabulous guitar pierces us with its feeling. Signs in the sand, sounds like an epic magically transported to a mysterious world without any landmarks, and ends with a departure, as if in a memory that we haven't lived yet. Almost all the tracks have their own personality and complement each other. Burning hopes Catherine's sweet lyrical flight, Monsoon lights pearl of Middle Eastern etno-world music, Spandam and its violent breaks where Gandil tears our stomachs out, Morning rain a little more classical, then the extraordinary Song for Syd in 5 sublime parts, a tribute to Syd Barret that nobody has forgotten, and to close this album, "number 9" surprising by its originality, its innovation and the depth of its bewitching and sublime underwater world Thanks to Siiilk
 The Best Of Roxy Music by ROXY MUSIC album cover Boxset/Compilation, 2001
3.49 | 18 ratings

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The Best Of Roxy Music
Roxy Music Crossover Prog

Review by VianaProghead
Prog Reviewer

3 stars Review Nº 589

'The Best Of Roxy Music' is a compilation album of Roxy Music. This is a compilation album that represents all the musical phases of the group where all the studio albums of them are represented. Curiously, the band and their record label decided put the songs in a descending order, from the newest to the oldest, probably for commercial reasons.

'The Best Of Roxy Music' has eighteen tracks. 'Avalon' is from 'Avalon'. It has good lyrics and the music is perfect inviting us to dance slowly like when the party is over. The voice of Ferry is great and the female chorus is warm with a nice touch. 'More Than This' is also from 'Avalon'. It's a commercial pop song made for an easy radio listening. This is a hit pop song of the 80's. 'Jealous Guy' is a cover of an original of Lennon. It was originally released on 'Imagine' in 1971. It was released as a single, and was made after the dead of Lennon as a tribute to him. It was never released on any of their studio albums. This is a great version. 'Over You' is from 'Flesh + Blood'. It has a melodic guitar work with pulsating drums and bass. This is a catchy pop song, well made, reaching its objectives well. 'Same Old Scene' is from 'Flesh + Blood'. It has a strong bass line, nice vocals, great keyboards and a fantastic saxophone work by MacKay. This is a great Roxy Music's song. 'Oh Yeah' is from 'Flesh + Blood'. It's a very catchy pop song, well made, and that improves the good commercial quality of the song writing on 'Flesh + Blood'. 'Angel Eyes' is from 'Manifesto'. It's a pop oriented song featuring a rock style. It's better than many songs on 'Manifesto'. It's well performed despite be a merely a simple song. 'Dance Away' is also from 'Manifesto'. Despite it has nothing of progressive, it has good simple lyrics, a nice melody and a great dancing rhythm. 'Both Ends Burning' is from 'Siren'. It's one of my favourite songs, one of the most loved and one the most performed live by the band. It has a fantastic incredible performance. 'Love Is The Drug' is also from 'Siren'. It's an incredible song, melodic and with good quality. It has an incredible performance. MacKay and his saxophone are great, Manzanera and his guitar work is great too and Ferry and his vocals are fantastic, as always. 'Out Of The Blue' is from 'Country Life'. It's a great rock song with plenty of energy, nice vocals, good piano, great synthesizer effects, a fantastic violin solo and an amazing guitar work. It became as one of the favourite songs in their live concerts. 'All I Want Is You' is from 'Country Life'. It's a powerful song full of energy, very melodic and with a fantastic guitar work by Manzanera. 'Mother Of Pearl' is from 'Stranded'. It has the spirit and the avant-garde experimentation of their two previous studio albums. It's divided into two parts. The first is a crazy rock rhythm, aggressive and chaotic and the second is more a conventional slow ballad with emotional Ferry's singing supported by an amazing chorus work. 'Street Life' is from 'Stranded'. It has an enjoyable pop/rock style and is composed in the commercial vein. It's well performed and Ferry's vocal style is good. 'Do The Strand' is from 'For Your Pleasure'. It's a song with a fantastic vocal work by Ferry that sing curious lyrics, and that has also some great guitar, keyboards and saxophone performances, very well accompanied by some strong and vigorous drums. This is an excellent song plenty of energy. 'Pyjamarama' was never released on any studio album of the band. It was released as a single to promote their second studio album 'For Your Pleasure'. It was also released as a new single, together with 'Virginia Plain'. It shows the true essence of Roxy Music. Like many of the early Roxy Music's tracks it rocks nicely. The guitar work is great. 'Virginia Plain' was the song released as their debut single. The song wasn't present on the original version of their album 'Roxy Music' and hasn't been recorded when the album was released. However, after the success of their debut studio album, it was included on later reissues. It was also released as a new single, together with 'Pyjamarama', in 1977. It's a very interesting song which was made originally to be released as a single hit. It has some good interesting musical appointments by Eno. 'Re-Make/Re-Model' is from 'Roxy Music'. It opens nicely their eponymous debut in a great rock style. This is a perfect card for the music on their first two albums. It's a song where each member could shine, especially MacKay and Manzanera which would become the two pillars of the group, with Ferry, of course.

Conclusion: 'The Best Of Roxy Music' is a compilation album very well representative of the entire history of Roxy Music with the concern of having about two representative songs from each of their studio albums. We can say that the choice of the songs was very good. Most of them are some of the best songs written by the band and many of them were usually performed live by the group. However, it has some problems. I can't believe that 'A Song For Europe' has been excluded when it's one of the best songs written by them, an authentic hymn of the group. I can't understand why they choose a disco/pop version of 'Angel Eyes' when the original version is much better. Finally, and this is only a question of personal taste, I don't agree with the inclusion of 'Pyjamarama'. Despite good, I never liked particularly of that song. So, I can only rate this compilation with 3 stars. If it weren't for that, I probably would have rate it with 4 stars.

Prog is my Ferrari. Jem Godfrey (Frost*)

 It Was 50 Years Ago Today by POPOL ACE / POPOL VUH album cover Boxset/Compilation, 2022
4.00 | 1 ratings

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It Was 50 Years Ago Today
Popol Ace / Popol Vuh Crossover Prog

Review by Rivertree
Special Collaborator Honorary Collaborator / Band Submissions

— First review of this album —
4 stars POPOL ACE from Norway have been a typical 1970s progressive rock band with a rather unique musical expression. During their existence the quintet basically was consisting of Jahn Teigen (vocals), Pete Knutsen (keyboards, guitar), Arne Schulze (guitar), Terje Methi (bass), and drummer Thor Andreassen. They originally started under the moniker 'Popol Vuh', released their self-named debut in 1972, and one year later the sophomore 'Quiche Maya'. But at some point the band had to notice that an already established German krautrock group existed, using the same identifier. After they had altered the band name two albums were released furthermore. Featuring another singer, the latest from 1978 flopped more or less though. Being a downfall in prog terms while evolving into a strong popular rock direction. Then soon after POPOL ACE disbanded.

The new album 'It Was 50 Years Ago Today' offers a collection of live-in-the-studio tracks (Sveriges Radio and Norwegian Broadcasting Corporation Archives), as well as recordings made from a reunion concert in Oslo at Rebecca West (June 10th 1994). That's the main reason why this triple LP release contains a few songs that are presented in two different versions. Most of the tracks are deriving from the acclaimed first two 'Popol Vuh' albums. I actually do prefer those live in the studio outtakes. The prog component is way more dominant here, this provided with a simply perfect sound quality on top. The electric piano serves a jazzy note again and again. Diversified compositions presented by skilled musicians. I would say this is partially comparable to the band SBB from Poland. Jahn Teigen's vocal appearance is excentric somehow, multi-varianted in any case, probably a matter that needs getting used to for one or two.

This may surprise, but especially the cover Feelin' Alright makes my day. That original Traffic song, really getting famous later due to the Joe Cocker interpretation, sees them wonderfully jamming for a while. Let the music flow. The longest track Get Up evolves nearly in the same way. Other exceptional band compositions are Hunchback and Milk-White Satin-Dressed Departure. Performed by the same line up the last half of the songs chosen for this compilation unmistakeably are evolving under live circumstances. Additional keyboards are provided by Sven Ohrvik here. Obviously being motivated by the enthusiastic audience they are having a lot of fun. Anyway, it sounds more spruced up. Leavin' Chicago for example comes with a proper rock n' roll feel. I'm missing some edges and band typical characteristics here, exemplarily the strange vocal expression. Nevertheless, all in all 'It Was 50 Years Ago Today' is a really fine offer, gives the listener a proper view about the special POPOL ACE inspiration as well as the musicians' capabilities.

 New Eyes for Laika by SCHWARZ, NERISSA album cover Studio Album, 2022
4.05 | 3 ratings

BUY
New Eyes for Laika
Nerissa Schwarz Crossover Prog

Review by tszirmay
Special Collaborator Honorary Collaborator

4 stars Nerissa Schwarz is a talented practitioner of that rather out of the ordinary instrument known as the harp, though not the obvious Celtic variety like Alan Stivell but the electric version, which can incorporate some interesting electronic interfaces. Her career really took off when she was added as musician and composer to Frequency Drift, a stellar band led by Andreas Hack that has a considerable output and reputation. That group recently morphed into Haven of Echoes, where Nerissa plays on a track . Andreas supplies added keyboards to this sophomore album.

Just like with her glowing debut (which I have reviewed as well), her music is far from a technical showcase, more in tune with sonic experimentation and research, textural interplay between mood and melancholy, highly expressive as its devoid of any long ambient stretches. At times, the sounds are diaphanous and ethereal, swerving into icier Gothic themes, then subtly finding balance in sweetness and serenity. Most importantly though, it is never boring or wasteful, as there is unending interest displayed, a quality that highlights her talent. The nine tracks barely go beyond 5 minutes, so the whole comes across like a vivid soundtrack for an imaginary movie. "Making Plans in the Dark" comes across as the perfect title, as a playful crystalline riff embraces a sombre keyboard undertone, curiosity dueling with a sense of hesitant foreboding, controlled dislocation at its finest. Maintaining the shadow, a solemn piano sets the tone, as a sacred cello yearns for light on the majestic "On Blackout Avenue", patiently awaiting luminescent deliverance from a mellotron and e-harp duet that is all sweetness until it arrives in earnest to a restrained fulfillment, at peace. Magnificent.

The pace picks up with the electro thumping "Olimpia's Rage", an eerie snippet that has a Kafka-esque tinge to it, the angst level raised but only for a minute. This segues into the absolute opposite the mournfully beautiful "Memories of Being Made", a composition where ice and fire seem to coalesce into one expressive symphony, where synths, cello, e-harp, and a myriad of sonic effects establish a climate of particular vagueness, a highly reflective aural voyage of the finest caliber. "Raised Like a Daughter" keeps things simple and elegant, an ornate piano and the harp trading notes, arriving hand in hand, like mother and child at a plateau of spiritual tranquillity, a masterful performance that pulls at the heartstrings, as the piece finally reaches the cradle. A deviation into a more experimental realm appears on the more electronic "My Little Polymath", a more minimalist piece that employs synths, piano, and some harp drizzles, before leaping into more subdued territory, with hints of colliding notes. The intrusion of sudden dissonant behaviour only accentuates the contrasts between rhythm and melody.

The title track proposes this same formula of simple complexity (or is it complex simplicity?), and once again the suggestive piano takes on the leader role, as a pensive, vague lilt engulfs the soul with radiant reflection. Out of the blue, a raging pipe organ motif obstinately bellows its mighty aura, before dipping back into contemplative calmness. The short "Europa Waiting" suggests a keyboard heavy wall of sound upon which the harp dipsy doodles harmoniously, the whole arrangement bathing in that trenchant melancholy that this artist understands so inherently. The finale is the most overt harp-led piece, a delicately woven melody that fights off stringent blasts of electronic sounds, the piano now in full alliance with all the instruments, in order to create this ultimately magnificent crescendo of power and glory, crystalline sprinklings amid the sinuous rumble.

Fire and Ice. Another scintillating piece of work that fans of original mood music will enjoy to the brim.

4.5 Space dog orbs

Data cached

Crossover Prog bands/artists list

Bands/Artists Country
17 PYGMIES United States
1974 United States
1O1 United States
22 Norway
3 United Kingdom
3 United States
3 LEGGED MONSTER United States
3RDEGREE United States
7TH KIND United States
90 DAY MEN United States
A.L.F. Brazil
A2RK United Kingdom
AARDVARK United Kingdom
AARDVARK' Finland
ABACUS Germany
ABARAX Germany
ABBFINOOSTY United Kingdom
ABIOGENESI Italy
LEE ABRAHAM United Kingdom
ABSENTE H Spain
ABSINTHE JUNK United States
ACANTHE France
ACCION ROCK BAND Spain
ACTIVE HEED Italy
THE ADDICTION DREAM United States
THE ADVANCEMENT United States
AFTER... Poland
AGATHORN Denmark
AGRABAH Argentina
EDUARDO AGUILLAR Brazil
AHOORA Iran
AKACIS United States
AKENATHON Argentina
AKIN France
AKROPOLIS Denmark
ALEPH Australia
ALIAS Italy
ALIAS EYE Germany
ALL IMAGES BLAZING Japan
ALL OVER EVERYWHERE United States
ALPHA LIGHTING SYSTEM Mexico
ALPHAJORGE Brazil
ALTA FORMA United Kingdom
ALTERNATIVE 4 United Kingdom
ALUX NAHUAL Guatemala
AMAROK Poland
AMARTIA France
AMAZING MACHINE Norway
THE AMAZING Sweden
AMBERFIELD Germany
AMBIGRAM Italy
AMITY IN FAME Austria
TORI AMOS United States
AMPERA Norway
AMPHETAMIN France
ANALOG MISSIONARY United States
THE ANALOGUE United Kingdom
ANANTA Venezuela
ANAWA Poland
THE ANCHORESS United Kingdom
ANDERSON PONTY BAND Multi-National
LAURIE ANDERSON United States
ANGULART Chile
ANOTHER ROADSIDE ATTRACTION Canada
ANTARES Italy
JERZY ANTCZAK Poland
ANUBIS SPIRE United States
ANYWHERE United States
APATHEIA Czech Republic
APE AMPLITUDE Germany
APOCALYPSIS Greece
APOGEE Germany
THE APPLE ZED United States
APPLESEED Poland
APPLESMELLCOLOUR Spain
AQUA TALK Turkey
AQUACADIA United States
AQUILA United Kingdom
THE ARBORIST United States
ARC OF LIFE United States
ARCA PROGJET Italy
ARCHANGELICA Poland
ARCHIVE United Kingdom
ARCPELAGO Brazil
AREA 39 United Kingdom
ARGENT United Kingdom
ARGO Lithuania
ARID GARDEN Italy
ARNIOE Australia
BRADY ARNOLD United States
TONY ARNOLD United States
ARONORA Australia
THE ARS SUPERNOVA United States
ART BY NUMBERS United States
ART CINEMA Denmark
ART DECO Finland
ARTIFICIAL HOME Latvia
ARTLAND Israel
ARZ United States
AS FOLLOWS United States
AS TALL AS LIONS United States
AS YOU LIKE IT United Kingdom
ASFALTO Spain
ASGARD United Kingdom
ASHES IN SAPPHIRE Venezuela
ASIDE BESIDE France
ASIMÉTRICA Mexico
ASSUAGE United States
ASTRAL BAZAAR Finland
ASTRONOMY United States
ASZENSION Canada
ATARAXIA Japan
ATIK MAZE Portugal
ATLANTYCA France
ATMOSPHERA Brazil
ATRAVAN Iran
AUDIAC Germany
AUDIO'M France
AUDIOCRACY Multi-National
THE AURORA OBSERVATORY United States
AUT' CHOSE Canada
AUTOGRAPH (AVTOGRAF) Russia
AUTOMATIC MAN United States
AUTUMN ABOVE United States
AUTUMN CHORUS United Kingdom
AUTUMN ELECTRIC United States
AUTUMN PEOPLE United States
AUTUMN WHISPERS Multi-National
AUXFORD Russia
AVALON Canada
AVGRUNDEN Sweden
AVIARY United States
AVOCADO MOON EXPERIMENT Italy
AMADEUS AWAD Lebanon
DAVID AXELROD United States
AZURETH Multi-National
BABAL United Kingdom
BACKHAND Venezuela
BACKWARD RUNNERS Poland
BAD DREAMS Argentina
BADWATER FIRE COMPANY United States
JOE BAILEY United Kingdom
DAVE BAINBRIDGE United Kingdom
KEN BAIRD Canada
BAKU Germany
BALEIA Brazil
ANDRE BALZER France
BANDA DO SOL Brazil
TONY BANKS United Kingdom
BARCLAY JAMES HARVEST United Kingdom
THE BARDIC DEPTHS United Kingdom
THE BARDS OF ANTIQUITY United States
NICKLAS BARKER Sweden
BARNUM'S FREAK Italy
BARON United Kingdom
BARON MUNCHAUSEN Multi-National
MARTIN BARRE United Kingdom
BARROQUEJON Chile
SEBASTJAN BARTOL Slovenia
M.M. BARTULICA Bosnia and Herzegovina
COLIN BASS United Kingdom
BAT LENNY United States
BATISFERA Russia
BAUER Argentina
BE BOP DELUXE United Kingdom
BEAD GAME United States
BEAM-LIGHT Poland
DAVID BEDFORD United Kingdom
BEDUÍNOS A GASÓLEO Portugal
BELGRAD Poland
BELLING THE TIGER United States
BEND SINISTER Canada
BEND THE FUTURE France
BENJAMIN'S KITE Canada
RAY BENNETT United Kingdom
BENT KNEE United States
THE BENZENE RING United States
ROBERT BERRY United States
EMILY BEZAR United States
BIG BIG TRAIN United Kingdom
BIG SLEEP United Kingdom
BIRZER BANDANA United Kingdom
KENNY BISSETT United States
BITTERTOWN Netherlands
BJÖRK Iceland
BLACK CAT BONES United Kingdom
THE BLACK LIGHT United Kingdom
BLACK MOTH SUPER RAINBOW United States
BLACK MOUNTAIN Canada
THE BLACK OF SPACE United States
BLACK STRAT BAND Greece
BLONDIE FOX Italy
BLOW UP HOLLYWOOD United States
BLURRED VISION Canada
THE BODY POLITIC Canada
BOMBER GOGGLES United States
STEVE BONINO United States
BORAY Sweden
LINDSEY BOULLT United States
TIM BOWNESS United Kingdom
BOX OF CRAYONS United States
THE BOX Canada
THE BOY; THE BIRD & THE BEAST United States
VICTOR BRADY United States
BRAZEN Switzerland
BREATHING SPACE United Kingdom
BREZOVSKY-ROZSA Slovakia
BRIDGES Norway
BRIGHT BROWN United States
THE BRIMSTONE SOLAR RADIATION BAND Norway
TOM BRISLIN United States
STEVE BROCKMANN AND GEORGE ANDRADE Multi-National
PATRICK BROGUIÈRE France
BROKEN PARACHUTE United Kingdom
DAVE BRONS United Kingdom
DUNCAN BROWNE United Kingdom
BRUTEUS United States
ANDERS BUAAS Norway
ROLAND BUHLMANN Switzerland
BUILT FOR THE FUTURE United States
BUKE AND GASE United States
BULBS United Kingdom
BUNCHAKEZE United Kingdom
BURNING SIDEWAYS United States
BURNT BELIEF Multi-National
BURNTFIELD Multi-National
ALAIN BURO Belgium
TARA BUSCH United Kingdom
KATE BUSH United Kingdom
BY SUNLIGHT United States
DAVID BYRNE United Kingdom
BYRON Romania
C SIDES United Kingdom
CAIRO United Kingdom
CALIFORNIA GUITAR TRIO United States
CALIGONAUT Norway
CAMELION France
THE BEN CAMERON PROJECT Australia
CANAMII South Africa
CANNATA United States
CANTURBE Argentina
CAP OUTRUN Sweden
CAPABILITY BROWN United Kingdom
CAPTAIN MARRYAT United Kingdom
FRANCK CARDUCCI France
CAREWORN United Kingdom
MARC CARLTON United Kingdom
LEO CARNICELLA Germany
CARVED IN ASHES Finland
LAURA CASALE United States
CASTLE CANYON United States
STEPHEN CAUDEL United Kingdom
GUILLAUME CAZENAVE France
CEILING UNLIMITED United States
CELESTIAL BURST France
CELL15 United States
CELLULOID WINTER United States
CHALIS United States
CHANCE France
CHANCE:RISIKO Italy
CHANGES Switzerland
CHANGING IMAGES Germany
THE CHANT Finland
SPYROS CHARMANIS Greece
CHASING THE MONSOON United Kingdom
CHASM Norway
RANI CHATOORGOON Canada
CHAYAN United Kingdom
CHEETO'S MAGAZINE Spain
CHILDREN IN PARADISE France
CHIMPAN A United Kingdom
CHOICE Germany
CHOKE THE WORD United States
CHROME HOOF United Kingdom
CHURN MILK JOAN Multi-National
CINEMA SHOW Brazil
CIRCA SURVIVE United States
CIRCA: United States
CIRCULINE United States
CIRCUS PARANOIA Netherlands
CIRCUSFOLK Finland
CITADEL France
WOJCIECH CIURAJ Poland
CLARION Italy
STEVE CLARK Australia
STEWART CLARK United Kingdom
THE AARON CLIFT EXPERIMENT United States
CLOUD ATLAS United Kingdom
CARY CLOUSER Canada
CLOVER SEEDS France
CLUB MERANO Finland
SUSAN CLYNES Belgium
COATSWORTH-HAY United States
STEVE COCHRANE Canada
CODICE C Italy
COHEED AND CAMBRIA United States
COLLECTING SPACE United States
COLOR Hungary
COLOURATURA United States
COMA ROSSI India
CONSPIRACY United Kingdom
CONTRACTION Canada
THE COOPER TEMPLE CLAUSE United Kingdom
CORALSPIN United Kingdom
COREY & MAPLE Finland
CORRAL Poland
CORVUS STONE Multi-National
COSHISH India
THE COSMIC PUPPETS United Kingdom
THE COSMIC REMEDY Multi-National
COSMIC SINGULARITY Multi-National
COSMOS DREAM France
ROB COTTINGHAM United Kingdom
COZHE Finland
BEN CRAVEN Australia
CRAZY DUMBSAINT United States
CRAZY WORLD Finland
CRÉPUSCULE Germany
CRIMINAL CATERPILLAR Canada
CRIMSON STARS EYES Italy
CRONOFONÍA Mexico
CROSS Sweden
BEPPE CROVELLA Italy
CRYPTEX Germany
CRYSTALWOOD United States
CUAC! Spain
ROSALIE CUNNINGHAM United Kingdom
CUPRUM Czech Republic
PAUL CUSICK United Kingdom
THE CUSTODIAN United Kingdom
CYNOSURA Switzerland
CYRIL Germany
LAREN D'OR Hungary
NICK D'VIRGILIO United States
DAEMONIA Italy
DAMANEK United Kingdom
DANEFAE Denmark
DAPHNE Italy
DARK LIGHT India
DARWIN United Kingdom
DAVID'S LODGERS Italy
DAYMOON Portugal
DDNZ Serbia
MARCO DE ANGELIS Italy
DEADWOOD FOREST United States
DEAMBRA United States
THE DEAR HUNTER United States
DEAR MR. TIME United Kingdom
FRANCIS DÉCAMPS France
DEEP FEELING United Kingdom
DEEP LIMBIC SYSTEM Mexico
DEERHOOF United States
DEGEN HERB MROSZCZOK SCHLEICHER Germany
DELIRIO SONORO Italy
DELIRIUM Mexico
DELTA SLEEP United Kingdom
DELUSION SQUARED France
DEMIAN CLAV France
JOE DENINZON United States
DESTROY ALL PLANETS United States
A DEVIL'S DIN Canada
DIATESSARON Canada
DICE Germany
THE DIFFERENCE Slovakia
DIFFERENT LIGHT Czech Republic
DIGITAL CHEMISTRY United States
DIN WITHIN United States
DIRECT DIVIDE United States
DIRTY PROJECTORS United States
DISCONNECT United States
DISSONATI United States
DISTANT LIGHTS United States
DISTRICT 97 United States
DLGZ ROCK 5TET France
DOC'S FERMENT United States
DOKTOR SPIRA I LJUDSKA BICA Yugoslavia
DOPING HORNETS Canada
GEOFFREY DOWNES United Kingdom
DOWNRIVER DEAD MEN GO Netherlands
DR FOLAMOUR France
DREAM THE ELECTRIC SLEEP United States
DREAMING MADMEN United States
THE DREAMING TREE United Kingdom
DREDG United States
DROWNING STEPS Brazil
DRY RIVER Spain
MARK DUBERRY Ireland
FRANCIS DUNNERY United Kingdom
DW. DUNPHY United States
DUTCH UNCLES United Kingdom
DYNAMO BLISS Sweden
DYONISOS United States
DZEJBI Yugoslavia
EARTHKIND United States
EATLIZ Israel
ECHO Romania
ECHOES OF GIANTS United States
ECLIPSE Canada
ECLIPSE SOL-AIR Multi-National
ED ZERO Spain
EDEL Multi-National
EFFA LENTE Ireland
EIDÔLON France
ELDBERG Iceland
ELECTRA Germany
ELECTRIC LIGHT ORCHESTRA United Kingdom
ELECTRIC SORCERY United States
ELECTRO COMPULSIVE THERAPY Mexico
ELECTRUM United States
ELEND France
ELEPHANT PLAZA Norway
ELIPHASZ Canada
RYAN MARK ELLIOTT United States
ELORA France
ELYSIUM Switzerland
ELYSIUM THEORY United States
KEITH EMERSON United Kingdom
GERT EMMENS Netherlands
EMPEROR NORTON United Kingdom
EMPIRE United Kingdom
EMPIRICAL TIME Italy
AARON ENGLISH United States
ENINE Russia
ENNÏS TÓLA Australia
ENTITY PARADIGM Pakistan
ENTRANSIENT United States
ENVIZIBLE ORKESTRA United Kingdom
EOS Chile
EPHEMERAL Italy
EPIICYCLE United States
ESAGIL Greece
ESFERA Portugal
ESP Multi-National
ETHERS EDGE United Kingdom
EUZEN Multi-National
EVELINE Italy
EVEN HORSES Germany
EVENT United States
EX-WISE HEADS United Kingdom
EXISTENCE Canada
EXOVEX United States
EYEVORY Germany
FACE THE DAY Czech Republic
FAINT SIGNAL United States
FAIR TO MIDLAND United States
FAIRY TALE Slovakia
FALSTAFF France
ALESSANDRO FARINELLA Italy
FATAL FUSION Norway
LA FE Chile
FEARFUL SYMMETRY United Kingdom
FEED ME JACK United States
ALI FERGUSON United Kingdom
FEROZ Mexico
FERVENT MIND Norway
FIBONACCI SEQUENCE United States
FIELD MUSIC United Kingdom
FIELDS OF NÆCLUDA France
PIOTR FIGIEL Poland
NICOLAS FIGUEROA Chile
SEAN FILKINS United Kingdom
FINALLY GEORGE Germany
HEATHER FINDLAY United Kingdom
FIRE GARDEN United States
FIRE ON DAWSON Germany
FIREHORSE Germany
FISH ON FRIDAY Belgium
FLAMENCS Argentina
FLAUD LOGIC United States
FLEESH Brazil
FLICKER United Kingdom
FLOOD United Kingdom
FLORA Italy
FLOWER CORONET United States
FLOWER FLESH Italy
JEREMY FLOWER United States
THE FLYING CARAVAN Spain
FOBOS Argentina
FONTARABIE Canada
FORMATIV Multi-National
THE FORMER LIFE Italy
LORENZO ESPOSITO FORNASARI Italy
FILIPPO FORTUNATO Brazil
FORWARD SHAPES United States
FOSSIL EVOLUTION Belgium
FOURTEEN TWENTYSIX Netherlands
FRACTAL MIRROR Netherlands
FRACTAL ROCK United States
FRAGILE Estonia
FRANC ALBIR Spain
FREDDEGREDDE Sweden
FREEDOM TO GLIDE United Kingdom
FREELIGHT United States
FRENCH LICK United States
FREQUENCY DRIFT Germany
HASSE FRÖBERG & MUSICAL COMPANION Sweden
FRONTECIELO Italy
FROSKULL United States
FRUTERIA TONI Spain
FRXHO Mexico
FSB Bulgaria
FUCHS Germany
FULL CODE New Zealand
FUTURUM Czech Republic
GABRIEL BONDAGE United States
PETER GABRIEL United Kingdom
GALACTIC COWBOY ORCHESTRA United States
GALAXY-LIN Netherlands
GALERIA DE RAICES Argentina
GALIJA Yugoslavia
GALLERY Norway
GAMMA REPEATER United States
GANDALF Austria
GANDALF'S PROJECT Italy
GAP PARTY Italy
ANJA GARBAREK Norway
GAZPACHO Norway
KEVIN GEIER United States
GEKKO PROJEKT United States
GIO GENTILE Italy
GENTLE KNIFE Norway
THE GENTLE STORM Netherlands
GENTLEMEN WITHOUT WEAPONS United Kingdom
GEPPETTO'S RETRIBUTION United States
THE GHAITANELLIS-TASSI PROJECT France
GHOST CIRCUS Multi-National
GHOST COMMUNITY United Kingdom
GIANNOTTI United States
GIANT SKY Norway
GIANT THE VINE Italy
IL GIARDINO ONIRICO Italy
GIDEON Canada
KEVIN GILBERT United States
KRISTOFFER GILDENLÖW Sweden
GINTONIC Spain
GIRAFFE United States
GIZMO United Kingdom
GLASFROSCH Australia
GLASS HARP United States
GLASS KITES Canada
GLASS OCEAN Australia
GLENCOE United Kingdom
YIANNIS GLEZOS Greece
GLORIE United States
GLORIOUS WOLF Netherlands
VICTOR GO Ukraine
GODSTICKS United Kingdom
GOLDEN CAVES Netherlands
GOLIATH United Kingdom
LE GONG DU BALAYEUR France
GOTHIC LUNCH Italy
GOTHIK SERPENT Singapore
GRAMONAUTUS Argentina
PHILIPPE GRANCHER France
THE GRAND SILENT SYSTEM Australia
GRANDVAL France
GRAVITY TREE United States
GREEN Italy
THE GREEN VIOLINIST Belgium
MARK GREEN United Kingdom
DAVE GREENSLADE United Kingdom
GREY EYE GLANCES United States
GREY LOTUS Netherlands
GRICE United Kingdom
GRILL Australia
GRIME France
GROUP 309 Russia
LA GUERRA DELLE FORMICHE Italy
ID GUINNESS Canada
GUITAR GARDEN United States
GUNGFLY Sweden
HA' ARNAV HA-LAVAN Israel
HABELARD2 Italy
HABITAT Argentina
JOHN HACKETT & NICK FLETCHER United Kingdom
HADDAD Brazil
HAGGARD Germany
HÄLLAS Sweden
THE HALLUCINANT TELEPHERIQUE United States
HALO BLIND United Kingdom
HANLON'S RAZOR Netherlands
HATS OFF GENTLEMEN IT'S ADEQUATE United Kingdom
JASON HAVELOCK France
HAVEN OF ECHOES Germany
HAYWARD & LODGE United Kingdom
HEADS IN THE SKY Canada
HEARTSCORE Germany
HEAT EXCHANGE Canada
HEATWAVE Italy
ROEL VAN HELDEN Netherlands
HELICOPRIA Multi-National
HELIOTH United States
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HENRY FOOL United Kingdom
HERESY United States
HERMETIC SCIENCE United States
HEYOKA United States
HIIDENSOINTI Finland
HIPGNOSIS Poland
STEVE HOGARTH United Kingdom
JOANNE HOGG United Kingdom
MARK HOLLIS United Kingdom
HOLLOW BRANCHES Multi-National
HOLLOW WATER United Kingdom
STE VAN HOLM Denmark
HOLON Norway
THE HOME GUARD United Kingdom
HOMESICK FOR SPACE United States
HOT HEAD SHOW United Kingdom
HOUR OF THE SHIPWRECK United States
HOUSE OF RABBITS United States
STEVE HOWE United Kingdom
HYPNOMEN Finland
I AM THE MANIC WHALE United Kingdom
I HEARD FROM LAVINIA Italy
I.AB United States
IAMTHEMORNING Russia
ICONIC SKY United Kingdom
IF / IFSOUNDS Italy
IGAYON Israel
IGNATIUS Spain
ILLUMINAE United Kingdom
ILLUSIVE LIGHT Germany
ILUZJON Poland
IMMUNE United Kingdom
IN CONTINUUM United States
IN LIMBO France
INDELIBLE Norway
INDEXI Yugoslavia
INFICTIONS United Kingdom
INFINITE MONOPOLY United States
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INFUSION KAMACHUI Argentina
INNER PROSPEKT Italy
INNERSPACE Canada
INSPIRATIONAL CORNER Austria
INTENTIONS Netherlands
INTERGALACTIC TOURING BAND Multi-National
INTO THE PRESENCE United States
THE INVISIBLE PRESENCE Multi-National
IO EARTH United Kingdom
ION United Kingdom
IRRGARTEN Canada
ISLANDS Canada
ISOS Canada
ISZIL Chile
IT BITES United Kingdom
J'ACCUSE..! Italy
J21 Spain
JAÉN KIEF Colombia
JANA DRAKA Italy
JANUS United Kingdom
JARGON Greece
JÄRVET Finland
JASPER WRATH United States
JAUGERNAUT (A.D.) United States
JAZ France
JB FAIRFIELD Australia
JEBEL United States
JEREMY United States
JEREMY IRONS AND THE RATGANG MALIBUS Sweden
JESTER United States
JET BLACK SEA Netherlands
JHIMM United States
JODY GRIND United Kingdom
JONO Sweden
JORM Sweden
JOUIS United Kingdom
KADDISFLY United States
KANT FREUD KAFKA Spain
KAOS MOON Canada
KAPREKAR'S CONSTANT United Kingdom
KARIBOW Germany
KASSINI United States
KASSIOPEIA Germany
KAUKASUS Norway
KAYAK Netherlands
KAZACHSTÁN Czech Republic
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KEEP IT DEEP Belgium
KEL LOCH & GOLD United States
TOM KELLY United States
MIKE KERSHAW United Kingdom
KERYGMATIC PROJECT Italy
DAVE KERZNER United States
KEVLAR RED United Kingdom
KIAMA United Kingdom
KID COUSIN United States
KIMURA France
KINESIC Spain
KING GORM United States
KING RAT United Kingdom
KINO United States
KINZOKU-EBISU Japan
KISS KISS United States
KITSUNE NO YOMEIRI Japan
KNIFEWORLD United Kingdom
KOI Sweden
GLEB KOLYADIN Russia
KOMPENDIUM United Kingdom
KOSKA Spain
KOYO United Kingdom
THE RYSZARD KRAMARSKI PROJECT Poland
KRÁSNÉ NOVÉ STROJE Czech Republic
KRONER CIRKUS Poland
KRUNKELSTILTSKIN United States
DAVE KULJU United States
KUMM Romania
KUNDABUFFER Argentina
KURKI Finland
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LA YNE Finland
LABORATOR France
LANDSCAPE Poland
YOGI LANG Germany
LANTINOR Russia
LISA LARUE United States
LAST FLIGHT TO PLUTO United Kingdom
LAST KNIGHT Multi-National
LAST TURION Germany
LAURA France
LAVIÀNTICA Italy
LAYRA Italy
THE LAZARUS TRIO United States
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LEAVING TOMORROW Greece
GUY LEBLANC Canada
LEBOWSKI Poland
JOHN LEES United Kingdom
LESOIR Netherlands
LEVIATHAN United States
LIFE Sweden
A LIFELONG JOURNEY Italy
LIFESTREAM Italy
LIFT Germany
LIGHT Argentina
LIGHT Netherlands
THE LIGHT AFTERNOON United Kingdom
LIMPID GREEN United States
JONAS LINDBERG Sweden
LING TOSITE SIGURE Japan
LINGUS France
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A LIQUID LANDSCAPE Netherlands
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LITTLE TYBEE United States
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KERRY LIVGREN United States
LIVING STILTS Italy
THE LIVING Canada
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ARJEN ANTHONY LUCASSEN Netherlands
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