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HEAVY PROG

A Progressive Rock Sub-genre


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Heavy Prog definition

Heavy Prog defines progressive rock music that draws as much influence from hard rock as it does from classic progressive rock. In simple terms, it is a marriage of the guitar-based heavy blues of the late 1960s and 1970s - artists such as Cream, Led Zeppelin, and Black Sabbath - and the progressive/symphonic movement represented by King Crimson, Yes and Genesis.

The electric guitar, amplified to produce distortion (or 'overdrive') is a crucial element, providing the 'heavy' tone required for this aggressive style, and later for the British and North American heavy metal of the late 1970s and 80s. The primary rock format of drums, bass and guitar with keys and/or vocals on top is represented strongly in heavy prog. The presence of the Hammond organ with its deep, intense rumble was also common among harder progressive groups such as ATOMIC ROOSTER. Although certain other acts, such as King Crimson and Jethro Tull, utilize a heavy guitar, bass and keyboard sound, the bulk of their work over the years puts them in a different category.

Bands that represent Heavy Prog would include RUSH, PORCUPINE TREE, THE MARS VOLTA, URIAH HEEP, TEMPEST, BLACK WIDOW, DR. Z,ATOMIC ROOSTER, WARHORSE, BIRTH CONTROL, TILES.

- written bt Atavachron (David)

Current team members:
as at 7/1/2022

Louis (rdtprog)
Nick (nick_h_nz)
Todd

Heavy Prog Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Heavy Prog | More Top Prog lists and filters

4.38 | 3054 ratings
MOVING PICTURES
Rush
4.37 | 2613 ratings
HEMISPHERES
Rush
4.33 | 2407 ratings
A FAREWELL TO KINGS
Rush
4.27 | 2741 ratings
FEAR OF A BLANK PLANET
Porcupine Tree
4.27 | 2227 ratings
PERMANENT WAVES
Rush
4.26 | 2694 ratings
IN ABSENTIA
Porcupine Tree
4.19 | 1248 ratings
THE MOUNTAIN
Haken
4.19 | 1295 ratings
DE-LOUSED IN THE COMATORIUM
Mars Volta, The
4.19 | 870 ratings
SALISBURY
Uriah Heep
4.13 | 2154 ratings
DEADWING
Porcupine Tree
4.16 | 724 ratings
UNTIL ALL THE GHOSTS ARE GONE
Anekdoten
4.11 | 2278 ratings
2112
Rush
4.11 | 1151 ratings
VISIONS
Haken
4.13 | 770 ratings
LOOK AT YOURSELF
Uriah Heep
4.07 | 1453 ratings
THE SKY MOVES SIDEWAYS
Porcupine Tree
4.07 | 846 ratings
DEMONS AND WIZARDS
Uriah Heep
4.06 | 977 ratings
FRANCES THE MUTE
Mars Volta, The
4.05 | 1116 ratings
AQUARIUS
Haken
4.03 | 1637 ratings
LIGHTBULB SUN
Porcupine Tree
4.08 | 470 ratings
FROM WITHIN
Anekdoten

Heavy Prog overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Heavy Prog experts team

ONCE WE WERE BORN ...
Divine Baze Orchestra, The
ZOOMA
Jones, John Paul
SKELETON IN ARMOUR
Fusion Orchestra
SNEAK ME IN
Lucifer's Friend

Latest Heavy Prog Music Reviews


 Grace Under Pressure by RUSH album cover Studio Album, 1984
3.69 | 1245 ratings

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Grace Under Pressure
Rush Heavy Prog

Review by The Crow
Prog Reviewer

3 stars After the excellent "Signals", Rush consolidated his sound in the 80's with "Grace Under Pressure"!

For this they counted on the regular producer of Supertramp, Peter Henderson, together with a luxury team that includes the legendary mastering engineer Bob Ludwig. The album, how could it be otherwise, sounds luxurious, very rich in detail and leaving prominence for all the instruments. On this record Alex Lifeson's guitar is more prominent as on other Rush works, and perhaps for this reason it seems to me one of the guitarist's most outstanding works.

For the rest, we have a collection of songs that are somewhat more oriented towards radio formulas, shorter in length than what Rush had us used to, and with choruses that try to be catchy at first listen. They also delve a bit more into the use of synthesizers and certain pop and reggae influences that distance this album from what was heard in works like "Permanent Waves" and "Moving Pictures", "Signals" acting as a bridge between both sounds.

In any case, the compositional and instrumental level is so high that, how could it be otherwise, "Grace Under Pressure" is a good album, very good at times, but which in my opinion is below the great classics of the band, making a kind of break of the incredible streak that the group had had since the mid-70s.

In any case, Rush proved that they were still in pretty good shape in the mid-'80s, something many prog-rock bands that had their heyday a decade earlier couldn't say. Yes were putting out mediocre records, King Crimson weren't at their best, Emerson Lake and Palmer had all but disappeared... But Rush kept rocking out with good records, which was cause for celebration!

Sometimes, the Prog-Archives rating system is a bit unfair, because I consider that "Grace Under Pressure" is a clear 3,5 / 5 record.

Best Tracks: Distant Early Warning (a powerful and energetic opening), Red Sector A (best chorus on the record), The Body Electric (amazing bass and a great Lifeson guitar solo) and Kid Gloves (maybe not a great song, but I love its light-heartedness and rock energy and (again) the excellent guitar work on this one)

 Realms by ONSGEN ENSEMBLE album cover Studio Album, 2022
4.63 | 8 ratings

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Realms
Onsgen Ensemble Heavy Prog

Review by rdtprog
Special Collaborator Heavy / RPI / Symphonic Prog Team

5 stars This is the 4th album of that Finland band. The band uses unusual instruments like ocarina, didgeridoo, horns, and steel drums. Their music covers a lot of ground from folk, psychedelic, and post-rock. "Sleeping Lion" is a strong start with the sound of the flute and steel drums. "Naked Sky", has some addictive chanting that places you someplace else. It ends with some heavy psychedelic vibes. The bass lines will remind you of the psychedelic era of Pink Floyd. "Abysmal Sun" starts slowly and improves in intensity bringing back the steel drums at the end. "Collapsing Star" is my favorite of all with its gorgeous melody, some lovely passage of flute, and emotional use of the vocal that reminds me of the French band Harmonium. The rest of the album continues to set the atmosphere to the perfect movie score fitting between a Sergio Leone movie and an occult movie from an unknown director. 'Realms" is the most mature album of the band with improved songwriting that keeps your attention from start to finish.
 The Secret of Our Time by SIENA ROOT album cover Studio Album, 2020
3.35 | 18 ratings

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The Secret of Our Time
Siena Root Heavy Prog

Review by Asiostygius

5 stars Superb heavy prog album with female vocals uncommonly heard in the sub-genre. For an already very good band with six previous studio albums, this change for the first time to lead female vocalists turned what was already good into excellent. With nine tracks ranging from 3.5 min to just over 6 min and totalling 43 min, from blues rock to hard rock with prog tinges, the musicians' performance throughout the album is great. And the musicians and/or vocalists are not good just in the studio, as can be confirmed by the most recent videos (youtube) of live performances by the current lineup. I hopefully wait they can make at least some two or more new albums with the current vocalists and the general vibe of the present work. Very good heavy prog ****1/2.
 Innate Passage by ELDER album cover Studio Album, 2022
4.03 | 19 ratings

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Innate Passage
Elder Heavy Prog

Review by alainPP

4 stars ELDER is the heavy psych band formed in 2005; work in perpetual evolution to develop planing melodies introducing sonic dreams on the stoner and the dynamic psyche, on the metal prog worthy of a DREAM THEATER, QUEENSRYCHE or ANATHEMA at the start, much more on the MOTORPSYCHO of which they must dream while composing. This 6th opus is intended to be avant-garde, with the fantasy rock of the 70s as a backdrop and, at the level of the texts, the current decline of our society, all supported by an introspection of the musicians confined during the great pandemic.

"Catastasis" soaring track, ambient stoner, the voice is integrated into the music, the calm breaks, the second floydian and psyche on MOTORPSYCHO-style synths with trumpet samples brightening the atmosphere; the finale returns to a heavy stoner sound with exploding drums and an impulsive guitar solo. "Endless Return" spatial intro la TANGERINE DREAM that feels good; typed air that unrolls, sudden break at 4 minutes then it starts again, it spins, it grooves on a sinuous track filled with riffs and changing keyboards. "Coalescence" is meant to be more condensed, culminating with a crescendo over updated sounds of yesteryear; a catchy tune that makes your legs twitch if not a handbanger since the proguish is now bald! Monolithic and interesting! monolithic "Merged in Dreams - Ne Plus Ultra" with well-placed drum work; its evolutive whirling; halfway through we feel that it goes up a notch, Nicholas using his voice to amplify the musical flow just before the digression; break in the last third with hypnotic hang, it calms down, meditative for a time before the last crescendo which risks making the hairs of the arms stand up; in short, a singular evolutionary progressive metal prog movement at the limit of trance. "The Purpose" then continues on a catch-all title where I find reminiscences of hovering MOTORPSYCHO, THE GATHERING of yesteryear for the saturated sound; a wall of sounds, a perfect atmosphere to relax in the evening after a hard day's work.

ELDER continues to progress, to evolve following this pandemic which has frozen the world. A surreal album for a world of the same ilk, an intense, hypnotizing sound, an innate passage required to wake up like a chrysalis. The stoner wants to be more fluid, rhythmic, transcending the air around us to protect us. The heavy prog drawer is very simplistic, between psychedelic prog metal and ELDER sound in fact. ELDER makes music to have fun without wanting to fit into traditional conventional musical criteria, that's good.

 Alive by KLONE album cover Live, 2021
4.18 | 7 ratings

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Alive
Klone Heavy Prog

Review by Mellotron Storm
Prog Reviewer

4 stars 4.5 stars. This is my kind of live record where they stay fairly faithful to the originals but add some extra energy and passion because of the audience. An interesting release as we get music from two shows three years apart. Different drummer but other than that I can't tell the difference in sound between these two live events and they jumbled the songs up too. Their most recent studio album when this live record was released is "Le Grand Voyage" from 2019 and we get four songs from it all on the most recent show in France in 2019 that's featured on here. The earlier show is from 2016 in The Netherlands on the "Here Comes The Sun" tour which is my favourite album by them. Four tracks from that record as well plus two from 2012's "The Dreamer's Hideaway" and three from 2010's "Black days". Their first two releases had no entries.

The star of the show once again is the vocalist Yann Ligner who adds some extreme vocals to this live release, not a lot but it's a positive for me just adding to the intensity and the way he goes from normal singing to extreme is so cool. The guy is incredibly talented. It was also cool to hear some songs I wasn't familiar with like "Rocket Smoke" from "The Dreamer's Hideaway" and the closer "Army Of Me" a Bjork cover and from "Black Days". "Yonder" the opener is amazing with the thunder to open and how this isn't in my top five just shows how strong this record is. Top five includes two from "Le Grand Voyage" and they are back to back in "Breach" and "Sealed" two gorgeous tracks with plenty of atmosphere and amazing vocals. The other three from my top five are from "Here Comes The Sun" in "The Drifter" a song I can't get enough of along with "Immersion" and "Nebulous" and man so much emotion in thee songs.

My hunch paid off this time when I bought this live cd along with "Le Grand Voyage" and "Here Comes The Sun". A powerful band with atmosphere galore and a singer that is second to none.

 Innate Passage by ELDER album cover Studio Album, 2022
4.03 | 19 ratings

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Innate Passage
Elder Heavy Prog

Review by Rayven

4 stars I first heard about Elder following the release of their 2017 album Reflections of a Floating World, and was instantly floored with the extremely thick and dense stoner doom sound mixed with atmospheric psychedelia and prog rock. While this certainly isn't new for stoner doom bands to mix prog into their sound, with bands such as Pallbearer and Baroness coming to mind as notable examples, Elder stands out as they embrace the darker and more mysterious aspects of prog to add to their already murky sound. Naturally this got me intrigued with what the band would do next, and while 2020's Omens disappointed me with meandering song structures and a lackluster vocal performance, I still respected the exploration of a softer sound with the prog influences being placed more at the forefront. The instrumental performances themselves also became more involved, featuring more complex riffing between the guitars, bass, and keyboards.

This leads me into talking about their latest record, Innate Passage, which in many ways feels like a happy medium between Reflections and Omens. Songs on this LP transition from a sludgy groove with a gritty guitar tone and thunderous bass to a smoother and more melodic jam with ease, making the songwriting feel much more dynamic and satisfying to listen to than the previous record. It also helps the pacing of Innate Passage that most of the five songs are shorter than what was found on the previous two releases, with the only song considerably longer than 10 minutes being "Merged in Dreams ? Ne Plus Ultra". This penultimate track is where the majority of the progisms reside, featuring extended moody segments filled with reverby guitar riffs and Moog synth lines. Performances are just as tight on this record, with the guitars and keyboards performing playful runs that feel reminiscent of Fragile-era Yes throughout. The bass and keyboards also get a moment to play off of each other as well about halfway through "Endless Return", in one of the record's most sublime moments.

The production is excellent as well, giving each instrument its proper room to breathe, however the vocals are still the weakest link on this record. While they are certainly not bad, the vocals are buried in the mix and struggle desperately to break free, albeit to limited success. This problem isn't helped too much by the fact that singing on this record is so few and far between that whenever the vocals show up, the difference in quality is noticeable right away. Despite this mild annoyance, Innate Passage is still an incredible record, showing that Elder is still able to craft an experience that, while not as groundbreaking as Reflections, is still immensely rewarding to listen to.

 Mute by DEMIANS album cover Studio Album, 2010
3.40 | 111 ratings

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Mute
Demians Heavy Prog

Review by The Crow
Prog Reviewer

3 stars The Demians project, by French musician Nicolas Chapel, returned in 2010 with a second album!

Still keeping the contract with Inside Out Music, who returned to work with the group editing this "Mute", the production was once again in charge of Chapel himself as well as most of the instruments. Fortunately, in this case Chapel corrected some of the shortcomings of his debut, such as having a real drummer in the figure of Gal Hallier.

As for the music, we continue to find a very guitar-heavy prog with quite a few touches of alternative rock and post- grunge influences (Feel Alive is a good example), but this time something less Americanized, which brings this album closer to what European groups like The Pineapple Thief, Riverside and Amplifier were doing at the time, influences that were already present in "Building an Empire" anyway.

Fortunately, the compositional level of this "Mute" is also quite good, while being less predictable (it doesn't abuse crescendos so much) offering us a record that, although it is not perfect, can be enjoyed from beginning to end, resulting in an interesting and stimulating experience in almost its entirety.

It's a shame that after this album, probably due to the lack of commercial success, Demians had to self-publish their next two albums, because given the quality of "Building an Empire" and this "Mute", it's obvious that Nicolas Chapel deserved better luck!

Best Tracks: Porcelain (very interesting instrumental work, especially at the beginning of the song), Black Over Gold (a showcase for Chapel's nice voice), Overhead (I love those oriental touches, as well as that explosion of guitars towards the end) and Hesitation Waltz (another of Chapel's typical crescendos, very intense and with hints a la Dead Soul Tribe and Tool)

 Three Sides To Every Story by MOTHER TURTLE album cover Studio Album, 2019
3.96 | 19 ratings

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Three Sides To Every Story
Mother Turtle Heavy Prog

Review by BrufordFreak
Collaborator Honorary Collaborator

4 stars 2019's offering from Greek prog virtuosi Mother Turtle.

1. "Zigu Zigu" (6:50) instrumental hard rock musings and playfulness. Are Kostas and the Georges secret LED ZEPPELIN wannabes? Who knew! Tight and fun. Weird segue at 4:15 into a kind of laid back (13.25/15)

2. "Notwatch" (14:54) opens with a very engaging blues-rock jam over which Kostas Konstantinidis does some very impressive lead guitar soloing. The chord progression used is so great--so uplifting--soundl ike it came straight out of a UNAKA PRONG song. Near the end of the sixth minute everything empties out for some spacious solo echoed (and effected) jazz guitar play. At 7:00 the lonely guitar is joined by a recording of what sounds like a Persian religious singer. Her song is quite lovely if oddly affixed within the spacey-experimental psychedelic work going on with the guitar and drummer. At 9:38 we open a door to a KING CRIMSON "Lark's Tongue"-like jam that then turns into a heavy DEEP PURPLE-like jam at the eleven-minute mark. Bass man George Filopelou has his breakout moment in the sun while metal power chords and church organ disburse their wares over some impressive At 13:10 another sideroad is taken--this one sounding like a cross between FOCUS "Hocus Pocus" and something by early Led Zeppelin (It's been a long time since I "Rock 'n; Roll"ed). What a wild, unpredictable ride! (26.75/30)

3. "A Christmas Postcard from Kim" (16:46) opening with yet another attempt at LED ZEPPELINness. At 1:35 we change our course into a more contemplative groove--something almost experimental which turns polyrhythmic and then Heavy Metal and Tech Metal HENDRIX. In the fifth minute Kostas launches into some guitar pyrotechnics while the two Georges (as well as Kostas' rhtyhm guitar work) play with their polyrhythms beneath. Very tech metal of them! Operatic female vocalese joins in for the seventh and minutes. I love the contrast between the vocal (and, later, Zeuhlish group chant vocals) over the metal textures! Another spacious divertiment in the middle two minutes with sampled male (and, in the background, female) Arabian voices before reverting back to a more hard-rock palette. Some YES/UK/KING CRIMSON-like time syncopations around the 12-minute mark before settling into a bass-led groove for some weird ("silly") male-acting-the woman vocals strewn about. Again, the experimentations with time signatures and polyrhythms are quite constant and interesting--perhaps the main focus/intent of this song? At 4:35 we fall, once again, into an isolation pit in which we are bathed by cymbal washes for a bit before progressing through the underground passageways with one lone torch providing our light. This last motif is, sadly, the end as the music slowly fades out despite kind of just getting started (and, of course, leaving us to our own devices to try to find ourselves out of the underground. Asie from this little disappointment, this has been a great ride; as usual, very unpredictable. I have to mark this one down a bit precisely for the odd and inexplicable/unjustifiable twists and turns taken just for a postcard. (31/35)

Total Time 38:30

While I love and appreciate the unpredictable experimental nature of these guys' directional choices, the holistic integrity of the compositions are sometimes lacking--or, rather, are unexplained and therefore, often outside my range for empathy and comprehension (though never outside my capacity for appreciation and admiration). The songs on the band's 2016 album, II, at least had purpose and made sense; for these, I feel completely clueless: as if I'm viewing a slideshow of totally random photos--and I so want to be an insider!

B+/4.5 stars; a near-masterpiece of progressive rock music. Kudos to Mother Turtle for keeping it fresh--being unafraid to travel in new directions--to try new things!

 Le Grand Voyage by KLONE album cover Studio Album, 2019
4.07 | 45 ratings

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Le Grand Voyage
Klone Heavy Prog

Review by Mellotron Storm
Prog Reviewer

4 stars "Le Grand Voyage" continues in the same style as their "Here Comes The Sun" record from 2015. There was an "Unplugged" album in between these two released in 2017. Anyways this six piece band out of France is back and they have some of the best album covers. I don't feel this record is nearly as consistently great as "Here Comes The Sun" but this is a very solid 4 star album. It just seems like it could have ended better but that's my tastes in music I suppose. Again we get a lot of mid-paced tracks, lots of atmosphere and some heaviness with a great vocalist.

The singer wrote all the lyrics while the rhythm/ atmospheric guitarist wrote all the music except for on "Sealed" which the singer composed. The keyboardist once again uses systoles devices along with sax on one track. It was cool to hear that surprise bonus track my first time I spun it because it doesn't show it in the liner notes or back cover but it's called "The Spy" and it's a cover of THE DOORS track from "Morrison Hotel". They make it their own although the singer does go into Jim's style of singing. I like it a lot. The last two tracks are well done but not in my top five which is why I think this could have ended stronger.

My top five does include the opening three tracks. The opener "Yonder" might be my favourite. Opening with the crack of thunder which will continue for over a minute it's quickly joined by picked guitar and then laid back vocals. Love the atmosphere to end it but man what a gorgeous opener. "Breach" is another beauty and maybe my favourite vocal performance on here, that tone! So uplifting this one and even a FLOYD vibe.

"Sealed" is cool with the guest steel guitar, not "steal" I'm sure as they have it in the liner notes. Another relaxed track. The back to back "Hidden Passenger" and "The Great Oblivion" round out my top five. The former is in the style of the others I mentioned but "The Great Oblivion" has down-tuned guitars and a heavier sound bringing fellow french band MARS RED SKY to mind.

I really like this band, the atmosphere, the vocals, it all works so well. Easily 4 stars.

 Signals by RUSH album cover Studio Album, 1982
3.94 | 1442 ratings

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Signals
Rush Heavy Prog

Review by The Crow
Prog Reviewer

4 stars Just like "Hemispheres" was a transitional album towards the more modern sound presented in "Permanent Waves" and "Moving Pictures", "Signals" is another bridge towards the sounds that we will find in "Grace Under Pressure" and "Power Windows" .

Therefore, we have a Rush that exponentially increases the use of synthesizers, while thematically worrying about issues such as technology, the future and the role that man plays in all of it.

Fortunately, we find another master sample of the marvelous compositional quality of this trio, with absolutely intoxicating themes, and an impressive mastery in each of the instruments, highlighting, as always, Geddy Lee's absolutely incomparable bass.

Another of Rush's essential albums, definitely!

Best Tracks: Subdivisions (rocky, complex and full of synths), The Analog Kid (one of the best choruses of Rush's entire career), The Weapon (great guitar melodies stand out above all on this song) and Countdown (excellent closing of an excellent album)

My Rating: ****

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Heavy Prog bands/artists list

Bands/Artists Country
2112 Argentina
41POINT9 United States
4X United Kingdom
99 NAMES OF GOD United States
ABASH Italy
ABIGAIL'S GHOST United States
ABOUT:BLANK Italy
ADVENT HORIZON United States
AFTER THE FALL United States
AICAN Russia
ALBATROS Spain
ALDENFIELD United States
ALDI DALLO SPAZIO Italy
ALGABAS Russia
ALGARAVIA Brazil
ALIZARIN United States
ALL SHADES OF WRONG Spain
ALTERED STATE United States
ALTHEA Italy
AMALGAM EFFECT United States
AMERICAN DRAFT United States
AMUSIA Canada
ANABASI ROAD Italy
THE ANABASIS United States
ANDROMEDA Germany
ANEKDOTEN Sweden
ANIM8 Australia
ANKH Poland
ANOMUS Finland
ANTI-DEPRESSIVE DELIVERY Norway
ANXTRON Brazil
ANYONE United States
APAIRYS France
APOLLO Finland
ARABS IN ASPIC Norway
ARAXES Switzerland
ARC United Kingdom
ARCANE Australia
ARCANE ATLAS United States
THE ARISTOCRATS Multi-National
ARMAGEDDON United Kingdom
ARTYFICTION Poland
ASTEROID Sweden
ATLANTIDE Italy
ATLAS CUBE Germany
ATLAS VOLT Sweden
ATOMIC ROOSTER United Kingdom
ATRIS United States
AUSTRALIS Chile
AUTOMATIC FINE TUNING United Kingdom
AZURE United Kingdom
BABE RUTH United Kingdom
BADGER United Kingdom
BAKER GURVITZ ARMY United Kingdom
BAKERY Australia
BALISET United States
BALLOON Netherlands
BARAKA Japan
BARON CRNE France
DAVID BARRET TRIO Canada
BASS INVADERS United States
BASTIAN PER Argentina
BATTLE CIRCUS New Zealand
ERIC BAULE Spain
BBI France
BEAUTIFUL BEDLAM Australia
BI KYO RAN Japan
BIBLE BLACK Japan
A BIG GOODBYE United States
BIGELF United States
BIRTH CONTROL Germany
THE BITTERS United States
BL LOTUS Sweden
BLACK BONZO Sweden
BLACK MARKET SEROTONIN United Kingdom
BLACK THUNDER Canada
BLACK WIDOW United Kingdom
BLOOD CEREMONY Canada
THE BLOODY MALLARD United Kingdom
BODKIN United Kingdom
BOLT United States
BOOK OF HOURS Sweden
BOSS KELOID United Kingdom
BREAKING ORBIT Australia
THE BROWN Japan
BULL ANGUS United States
BURNING SAVIOURS Sweden
CACTUS PEYOTES Brazil
THE CALMER United States
CAMAFEO Argentina
CAPHARNAUM Canada
CAPTAIN BEYOND United States
CAPTAIN KICKARSE AND THE AWESOMES Australia
CAPTAIN OF THE SWEDISH TEAM Canada
CARDEILHAC Switzerland
CARGO Netherlands
CARGO CULT REVIVAL United States
CARPADIUM United States
CARPE NOTA United States
CASUAL SILENCE Netherlands
CELELALTE CUVINTE Romania
CELESTIAL OEUVRE United States
CHAIN United States
CHAIN REAKTOR Netherlands
CHOLO VISCERAL Peru
CHROMATIC ABERRATION United States
CHRONOBUNNY Norway
STEVE CICHON United States
CIDEVANT Germany
CLEAR BLUE SKY United Kingdom
CLEVIS United States
CLIMAX Bolivia
COBWEB STRANGE United States
COLLAPSE France
COLT Poland
CONFUSION FIELD Finland
CONTRA United States
CONTRARIAN United States
COSMIC NOMADS Australia
A COSMIC TRAIL Germany
TYLER COTNER United States
COUNTRY LANE Switzerland
CRACK THE SKY United States
CRYPTIC VISION United States
CRYSTAL BREED Germany
MICKEY CURTIS AND SAMURAI Japan
THE CYBERIAM United States
CYNICISM MANAGEMENT Slovenia
CYTRUS Poland
D'ACCORD Norway
DAH Yugoslavia
DNAE Argentina
DAREDIABLO United States
DARK United Kingdom
DCODED Spain
DEAD END SPACE United States
DEAFENING OPERA Germany
THE DEATH COBRA Australia
DEEEXPUS United Kingdom
DEFORMICA Argentina
DJ-VU Norway
DELLA TERRA (AEGIS INTEGER) United States
DELTA RED Mexico
DELVOID Norway
DEMIANS France
DEVIL DOLL Multi-National
DIALETO Brazil
DIAPASYN United States
DIFICIL EQUILIBRIO Spain
DILEMMA Netherlands
DILLINGER Canada
THE DIVINE BAZE ORCHESTRA Sweden
DIVINE IN SIGHT United States
EL DOOM & THE BORN ELECTRIC Norway
DR. Z United Kingdom
DRAGON Belgium
DRIVEBY Austria
DRUGI NAčIN Yugoslavia
DUST SCULPTURES United States
EARTH ELECTRIC Portugal
EARTH FLIGHT Germany
EASTER ISLAND United States
EAT GHOSTS / MINERVA Germany
ECHO RHYTHM United States
EIGHTH WHALE United States
ELDER United States
ELDOVAR Germany
ELF PROJECT United States
ELIAS Australia
ELIAS HULK United Kingdom
DANIEL ELISEEV PROJECT (D.E.P.) Bulgaria
ELONKORJUU Finland
EMPIRE BATHTUB United States
ENCHANT United States
ENFANT Bolivia
ENMARTE Argentina
ENORMITY United States
EPHRAT Israel
EPITAPH Mexico
EPIZOOTIC Sweden
ESCHERBACH United States
ESTIGMA Chile
ETT ROP P HJLP Sweden
EVERON Germany
EVERY OTHER FATE United States
EXCUBUS Canada
EXPLORERS CLUB United States
EXSIMIO Chile
FACING NEW YORK United States
THE FALL OF TROY United States
FANTASMAGORIA Japan
THE FAR SIDE Italy
FIELDS United Kingdom
FITNES Serbia
FIVE OF THE EYES United States
FLOTANTE Chile
FLYING CIRCUS Germany
FORBIDDEN MYTH Greece
FORCE OF PROGRESS Germany
FORGOTTEN SUNS Portugal
A FORMAL HORSE United Kingdom
FRAME Germany
FREEDOM'S CHILDREN South Africa
FRIJID PINK United States
FUMIGUN Chile
FUNGUS Italy
FUSION ORCHESTRA United Kingdom
FUSION ORCHESTRA 2 United Kingdom
FUTURE WAS PERFECT Bulgaria
FUZZY DUCK United Kingdom
GTE Norway
GATE 6 Netherlands
GENEROUS MEN Sweden
GHOST IN MIRRORS United Kingdom
GHOST MEDICINE United States
GHOST TOAST Hungary
GIANT STEP Indonesia
GLARESHIFT Italy
GLASSWING United States
GLASSWORK Spain
GLISTENING LEOTARD Germany
GNOMONAUT United States
MOOSEHEART GODBLESS THEE United States
GODZILLA IN THE KITCHEN Germany
GOMORRHA Germany
GOODTHUNDER United States
GOSIA United Kingdom
GRAN TORINO Italy
GRAVY TRAIN United Kingdom
THE GREAT LABYRINTH PROJECT United States
GREYHAVEN United States
GUPPY FISH Greece
H.A.A.S. Colombia
HACKBERRY Netherlands
HADES Norway
HAIL THE SUN United States
HAKEN United Kingdom
HALLELUJAH United Kingdom
HAYSTACKS BALBOA United States
HAZE Germany
HEADSPACE United Kingdom
HEIR TO MADNESS United States
HERO Italy
HEROINE United States
HIGH TIDE United Kingdom
HILLWARD Canada
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