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POST ROCK/MATH ROCK

A Progressive Rock Sub-genre


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Post Rock/Math rock definition

POST-ROCK:

The term post-rock was coined by Simon Reynolds in issue 123 of The Wire (May 1994) to describe a sort of music "using rock instrumentation for non-rock purposes, using guitars as facilitators of timbres and textures rather than riffs and powerchords."

Originally used to describe the music of such bands as Stereolab, Disco Inferno, Seefeel, Bark Psychosis and Pram, it spread out to be frequently used for all sorts of jazz- and Krautrock-influenced, instrumental, electronica-added music made after 1994. Bands from the early 1990s such as Slint, or earlier, such as Talk Talk were influential on this genre. As with many musical genres, the term is arguably inadequate: it is used for the music of Tortoise as well as that of Mogwai, two bands who have very little in common besides the fact that their music is largely instrumental.

The aforementioned Tortoise was among the founders of the movement. After the second Tortoise LP Millions Now Living Will Never Die, the band became a post-rock icon. After Millions... many bands (e.g., Do Make Say Think) began to record, inspired by the "Tortoise-sound" and were often described as post-rock.

In the late nineties, Chicago, Illinois, became the home base of many different groups. John McEntire (of Tortoise) became an important producer for lots of them, as well as Jim O'Rourke (of Brice-Glace, Gastr del Sol and many more). Post-rock began to range from the slow, guitar-based ambience of Boxhead Ensemble to the up-tempo electronica of Stereolab.

Montreal, Quebec band Godspeed You Black Emperor! - later renamed 'Godspeed You! Black Emperor' - brought a political element with anti-globalization movement leanings.

By the early 2000s, the term had started to fall out of favor, while the major artists kept on making high quality recordings. The wide range of styles covered by the term had robbed it of its usefulness almost from the moment it was coined.

Closely related to post-rock is the genre known as Math rock, characterized by more percussive timbres, and more dissonant harmonic gestures.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Post-rock".



MATH ROCK:

Math Rock is a genre that emerged in the late 80's and that was influenced by both the intricacies of progressive and avant-garde rock - King Crimson, Frank Zappa, Henry Cow - and 20th century composers such as Steve Reich and John Cage. The music is characterized by complex structures, angular melodies and constant abrupt changes in tempo and time signature. The name Math Rock is a term that grew out of the Chicago scene and the artists working with engineer Steve Albini in an effort to describe the new style.

The basic building blocks of Math Rock can be traced back to the late 60's and 70's where Progressive Rock artists were making more elaborate compositions than the standard rock bands and were experimenting with song structures. Early Avant-garde groups like Massacre, and artists such as Captain Beefheart and John Zorn were highly influential to Math Rock bands and traces of their music can still be heard throughout the genre. Another big influence to the Math Rock approach was Slint with their album "Spiderland" which showcased many techniques that Math Rock bands will follow in the future. Punk also had significant impact on the sound of Math Rock bands. Other notable influences are: Post-Rock, Heavy Metal, and Jazz.

Although there are Math Rock bands in different countries around the world, most reside in the United States, the Midwest in particular, and tend to be divided by regions: Pittsburgh bands (Don Caballero, Six Horse) Chicago bands (Shellac, U.S. Maple), Ohio bands (Keelhaul, Craw) Louisville bands (June 44, Rodan, The For Carnation, Crain), and San Diego bands (Drive Like Jehu, Tristeza) among others on both coasts. Japan was also an important country in the Math Rock genre with bands like Ruins and Zeni Geva.

Current team members:
as at 7/1/2022

Luca (octopus-4)
Keishiro (DamoXt7942)

Post Rock/Math rock Top Albums


Showing only studios | Based on members ratings & PA algorithm* | Show Top 100 Post Rock/Math rock | More Top Prog lists and filters

4.77 | 17 ratings
SUNSET MISSION
Bohren & Der Club Of Gore
4.29 | 121 ratings
CHILDREN OF GOD
Swans
4.28 | 109 ratings
SOUNDTRACKS FOR THE BLIND
Swans
4.27 | 97 ratings
RANDOM AVENGER
Magyar Posse
4.13 | 643 ratings
LIFT YOUR SKINNY FISTS LIKE ANTENNAS TO HEAVEN
Godspeed You! Black Emperor
4.12 | 601 ratings
ÁGĆTIS BYRJUN
Sigur Rós
4.10 | 451 ratings
F# A# ∞
Godspeed You! Black Emperor
4.78 | 8 ratings
MAA ANTAA YÖN VAIENTAA
Horte
4.53 | 12 ratings
ATLAS
American Dollar, The
4.27 | 28 ratings
NEW LEVELS NEW DEVILS
Polyphia
4.33 | 21 ratings
THE BONES OF A DYING WORLD
If These Trees Could Talk
4.09 | 290 ratings
SHADOWS OF THE SUN
Ulver
4.26 | 26 ratings
HOW LONELY SITS THE CITY
Ascent Of Everest, The
4.22 | 31 ratings
SILENCIA
Hammock
4.14 | 51 ratings
VIXIT
Battlestations
4.06 | 207 ratings
ENTER
Russian Circles
4.47 | 11 ratings
EUTHERIA
Equus
4.27 | 20 ratings
PIEONEAR
Silence Kit
4.36 | 14 ratings
LABRADFORD
Labradford
4.59 | 8 ratings
THE PERFECT TANGO
Neil On Impression

Post Rock/Math rock overlooked and obscure gems albums new


Random 4 (reload page for new list) | As selected by the Post Rock/Math rock experts team

JINX
Kammerflimmer Kollektief
RECORDING A TAPE THE COLOUR OF THE LIGHT
Bell Orchestre
TREE, SWALLOW, HOUSES
Maps & Atlases
DATURAH
Daturah

Latest Post Rock/Math rock Music Reviews


 Floral by FLORAL album cover Studio Album, 2020
3.95 | 5 ratings

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Floral
Floral Post Rock/Math rock

Review by Cerauno

3 stars This album is very ethereal yet ground to Earth at the same time. Perhaps it is the only way I can explain it. The guitar has a beautiful tone and the way it glides around makes me feel tranquil, and especially paired with the drums, the overall tone of the album becomes quite something. And even though the grooviness of the instruments makes me enjoy the album, I couldn't find anything that I would hum to myself after the album. I find it kind of forgettable, the riffs and groove and all. Also, if the song is too long I find myself getting quite bored of the song as it becomes slightly dull. However, the short ones such as 2021 and 2015 retain my attention and due to their shortness, I am not as bored towards the end of a song. Songs that are slightly longer, my favorite being This Year, seem to just dwindle off towards the end. However, this is only how I feel. I would still say this album is good and the instrumentation is very unique. I do not think this album is a must listen but I can see myself reading to this album or doing homework, but after my first listen, I do not feel as if I am going to return to the album to listen to its entirety with my sole focus on it. So overall it is a good, chill, relaxed album but I do not think it is something you should lay down on your bed and listen to it. 6/10.
 Floral by FLORAL album cover Studio Album, 2020
3.95 | 5 ratings

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Floral
Floral Post Rock/Math rock

Review by Beautiful Scarlet

5 stars Cracked guitar.

A few years after their 2 eps Floral dropped their self titled debut lp. Here one can find ceaseless twinkly math rock runs. Aside from brief moments of contemplation this album maintains a certain sound throughout the entire album, this is not a work of variety, the interplay between a single guitarist and drummer is definitely the sole focus. I'd say if one were to hear Ebullient and be uninterested this album is definitely not worth listening to in its entirety. For me the songs all work to fabricate a flowing masterpiece of gliding notes and staccato riffage, easy 5/5 for me and worth trying for sure.

The songs are so excessive I love it.

 The Seer by SWANS album cover Studio Album, 2012
3.97 | 183 ratings

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The Seer
Swans Post Rock/Math rock

Review by Dapper~Blueberries

4 stars Listening to music for pleasure is all the rage, but what about listening to music for pain? Music for masochists, stuff that is displeasing to listen to but still fills the void of sound to where it is very preferable. You could try Harsh Noise like Merzbow, or perhaps some intense Drone Metal like Boris or Sunn O))). However, say you want something a bit more in the Rock vein of things that aren't just Noise; something to jam to and experience. Something brimming with energy more so than anything else. Well, my friend, let me introduce you to Swans. Swans is the only band I consider in the realm of Rock, more specifically Post Rock, to be music for displeasure. This is not to say they are bad, in fact I absolutely love their scary music with all my heart. Such powerful musicianship they have raised since their debut of Filth in '83. Their works from their No Wave powerhouses of Cop, to their Gothic Folk Rock lamentations of White Light From the Mouth of Infinity, to their early Post Rock workings of Soundtracks For The Blind, to their now new era of excellency, the band has gone through the thick of it that they have grown old, experienced, and absolutely brilliant. I found their music to be extremely powerful in every way, but never in their career have I never finished an album of theirs fully. Even some of their most insane, skull kicking records were pretty much easy to get through, albeit very bizarre and scary. That is, though, with the exception of The Seer.

Me and The Seer is something I cannot shake off. Ever since my first attempt, just something about it, while not rubbing me in the wrong way, was very overwhelming for me. This was one year ago in 2021 when I was a Sophomore in high school, when I was still experimenting with what music I liked most. I was listening to Mother Mother, Magma, Arctic Monkeys, Nine Inch Nails. It was a brewing pot of different artists and their ideas that would later shape my life experiences with music as a whole, resulting in who I am now. Swans was amongst those artists, and I always felt a strange connection to their music. I decided, around that time, to give The Seer a chance, and my first experience with this album was so mesmerizing, but so overbearing that before getting into A Piece Of The Sky I turned it off because it felt so intense. Looking at it now, with a much broader musical palette and more of a craving for some intense music, I can see why it was so strong for me. I just couldn't handle such power. Safe to say I was not ready for psychological warfare in my music.

After listening to it again, fully this time around, man, was I missing out on some amazing music. This is still not my favorite Swans album since that goes to To Be King, but The Seer does scratch my itch for cathartic music. Its power and presence alone is quite a treat for me in the grand scheme of things, and even if not all the songs can be real home runners like the title track, The Seer Returns, Song For A Warrior, or Lunacy, 99% of the tracks on here have moments that make me feel like I am both getting embraced in comfort, whilst also getting pelted by bricks in a guerilla war zone. The band's performances, combining Folk, Drone, American Gothic Country, Post Punk, Noise, and even a tiny bit of Brutal Prog to their mix of Post Rock really makes for performances that can be both highly profound and heartfelt, but also be highly brutal and oftentimes scarring. This album is not for those who want easy listening. As I said before, this is music for pain, and no matter what type of pain it is, this album will have it.

I absolutely love Michael Gira's singing here. I think his voice ages like a fine wine the older he grows. He has that outlaw charm to his voice, combined with the more grueling musical arrangements and you get a combination of both power, glory, and wit.

The Seer, for me, has the strongest feat of making the best masochistic music you'll ever hear, but because of it comes the fault of it being too overwhelming. This is a nearly two hour goliath of a record, spanning tracks that take well over 15 minutes, sometimes reaching upwards to the 30s. Despite all the praises I can give for this album, I must address that this is certainly an album that should be digested in small doses. Don't be like me and eat it whole, because this album demands everything from you. Your attention, your thoughts, your fears. 'Stead of listening to the near 2 hours catharsis of music on here, listen to 2 or 4 tracks and after a while, listen to another 2 or 4 tracks that you haven't heard before. Maybe start with the smaller tracks and then to the bigger epics. The album's biggest high and low I can say is that it is overwhelming and demanding, which is what I expect from a Swans release, but for some who want to check out the band or this album, maybe take the album on a date first and get to know it on its smaller, more subtler moments rather than its grander scale sores.

That said, what The Seer has to offer is music that should be experienced at least once in people's lives. There will never be another album in the history of Swans like The Seer, and I think that is perfectly fine. The Seer is Swans' first of three albums that have their own unique twists and turns, and The Seer is merely one of many great examples of the band's power and glory over Post Rock. I'll say, if you are curious about the stasis of experimental music back then or now, put on a Swans record, because I guarantee you that you'll have something quite special in your hands. An amazing record that I think holds its own in the sea of Lift Your Skinny Fists and Happy Songs For Happy Peoples.

 5 Popes by MY EDUCATION album cover Studio Album, 2004
4.04 | 5 ratings

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5 Popes
My Education Post Rock/Math rock

Review by BrufordFreak
Collaborator Honorary Collaborator

4 stars 5 Popes is another good album by the under-appreciated (and under-known) instrumental Post Rock/Math Rock group, My Education. A cleaner, more forward and effected guitar sound graces this album and the drums are mixed as if 'in the music' instead of sounding like they were recorded in an isolation cube.

Favorite songs: the almost COCTEAU TWINS- (and CURE)-like and unusually relaxed and upbeat (for My Education) fifth song, "Deep Cut" (6:56) (13.75/15), and the powerful and very catchy/engaging "Crime Story" (9:02), the album's final song. (18/20) 2. "Lesson 3" (8:35) is almost humorous with the tape of student-elocution professor in the background but is notable for its great bass play and background barrel house piano. (17.5/20) 4. "Nightrider Meets the Waterfall" (7:30) relies a bit on the Cure's "Fascination Street" tempo and driving guitar and bass while using a bit of Kevin Shields' guitar effects. (13/15) The first song, "Concentration Waltz" is more like an étude--not very engaging. (12.5/15)

B/four stars; an excellent addition to any Post Rock lover's music collection.

 Ants from Up There by BLACK COUNTRY; NEW ROAD album cover Studio Album, 2022
4.16 | 21 ratings

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Ants from Up There
Black Country; New Road Post Rock/Math rock

Review by santisoux

5 stars This is my personal favorite of 2022 and probably of 2015-2022 (since Steven Wilson's Hand Cannot Erase). Few albums have done what this album has done for me in terms of moving my musical self to a place I had placed for just a few records, melodies and harmonies. This is a perfect record, from a very catchy and petit intro full of textures to the everlasting laments of the last two songs, the album is a rolelrcoaster of emotions, complexed by the vocals of Isaac Wood incredible voice (such a pity he was forced to leave because of personal problems), the multtilayered winds and strings, make this a very special one. I feel the intensity of the album in ways I haven't in the past years. No fillers, no low points, no boredom, just awesome creativity, crafted compositions and impecable execution. And the most important, heartfelt lyrics and abundant emotionality form beginning to end. 5 stars
 We Salute You, You and You! by EF album cover Studio Album, 2022
3.08 | 3 ratings

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We Salute You, You and You!
Ef Post Rock/Math rock

Review by alainPP

3 stars EF is the band that started playing heavy-rock in 2003 and then decided to turn to more emotional post-rock. Having played with Red Sparowes, they are now part of the Gregor Samsa, Mogwai, Explosions In The Sky and Goodspeed You! Black Emperor. They release their 5th album after 10 years of absence

'Moments Of Momentum' for the giant syrupy piano intro, long rise with some vocals immersed in the air; dreamlike spleen. 'Wolves, Obey!' on a heavy syncopated bass line, violin then ethereal vocals and a catchy alternative rock title with trumpets in the background. 'Hymn Of...' sounds aptly titled; the post in all its state, mounted, strident guitar notes and mounted to their climax, soft voice in cut, orgasmic choirs and military trumpet with its drums; screaming finale. 'Nio' for the solemn piano interlude, saving rest before 'Leuven' ethereal spatial atmosphere, ultimate spleen, between melancholy and disappointed hope, musical beauty. 'Apricity' and the original voice, female and male on an organ for rest; we touch the Sigur Ros here to bring tranquility, travel, relaxation; the present horn gives a moment of wisdom; it starts with a Mexican western air then the sound comes back in an intense finale before falling gently. 'Chambers' catacomb guitar slide introducing vibrating string note; gentle climb, jazzy nightclub break with the trumpet then a second screamed getaway, the violins and other brass instruments add a layer of it until the end in a soothing, meditative decrescendo.

So EF does raw emotional cinematic post-rock, based on musical explosions and the resulting melancholy; they salute us all, us and us for their return by associating "sublime and fragile" inside this album. The pandemic, the confinement will bring them together to give an almost instrumental rock (ah these voices!) Vibrant and hypnotic filled with melancholy nostalgia of the most beautiful effect.

 Avoid the Light by LONG DISTANCE CALLING album cover Studio Album, 2009
3.59 | 73 ratings

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Avoid the Light
Long Distance Calling Post Rock/Math rock

Review by The Crow
Prog Reviewer

4 stars "Avoid the Light" is the first Long Distance Calling album I've heard, and their style fits my tastes perfectly.

They play a kind of stoner rock mixed with space rock and touches of psychedelia, as well as crossover prog influences in the style of Porcupine Tree and The Pinneaple Thief, which makes this "Avoid the Light" a fun and easy-to-listen album despite being practically instrumental.

Highly recommended! I will listen more of this band, for sure.

Best Tracks: Black Paper Planes (it's an absolutely defining song of the band's style, really good) and Sundown Highway (an epic song that cleverly mixes stoner with gothic, but remains purely progressive)

My Rating: ****

 Fbccade by TIC CODE album cover Studio Album, 2006
4.00 | 1 ratings

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Fbccade
Tic Code Post Rock/Math rock

Review by DamoXt7942
Forum & Site Admin Group Avant/Cross/Neo/Post Teams

— First review of this album —
4 stars Incredibly exciting beats, complicated movements, and energetic vibes ... "Fbccade" released in front of us upon the last day of 2005 is only one creation so far by an Oregon-oriented heavy post / math quartet (despite the delicate flavour and taste through Oregon wine :P) TIC CODE. The 35-minute-long storytelling tastes deep, depressive, and dignified all over. Such a nervous atmosphere shows us kind of freshness and fruitfulness regardless of an album coming up over fifteen years ago. Contrary to such a wonderful performance on this opus, we can easily guess there was another conflict or struggle amongst them, all of whom are artists full of technique and full of sensitivity.

The first "Exembox" is crazy from the beginning. Massive dissonance all around the track is comfortable for us. Explosive power via the four instruments is another key. Challenging phrases flooded with ultimate metallic potentiality knock us out perfectly. We cannot help listening to this giant without any breath. An excessive first shot beyond expression. Afte "Skeletons", more stabilized and polished on their soundscape, strictly hard loud machine gun bullets come one after another in "Brain Buster" suitable for the sound essence. There are many heavy dizzy attacks even for only three or more minutes. "Canker Sore City" is another flavourful danger. Simple repetitive guitar words based upon deep poisonous bass shots and percussive, strained drumming. Sounds like they claim lots in this track. Not so complex but impressive really.

We can hear enjoyable but perplexing elements via "Chicken Refrigerator". Pleasant crispy guitar paragraphs are quite charming but some lazy, crazy footprints can be grasped in some points. Heavy mathy moments are priceless as well. The longest one (also the title) "The Second Stanza Of The Tony Danza Tap Dance Extravaganza" reminds us of some depressive moves like 90s grunge rock outfits (or AxCx). "Swedish Fish" is a unification of simplicity and complexity. We can find some poppy, catchy hints here and there but basically grunge-y, shoegaze-y kinky ones. Of course their sound kink is mystic, and the last beautiful moments are our oases. The last "Crunchy Air" notifies us of their unclear future. Dark, slowtempo, convincing melody lines sound a bit sorrowful and anxious. Unstable rhythm and monotonous manner would make us feel so. The latter part involves deeper, heavier texture especially with rigid but fractured guitar play. So sorry to hear such musical instability.

At any rate, it's a pity they could not launch anything but "Fbccade", a superb creation.

 Ants from Up There by BLACK COUNTRY; NEW ROAD album cover Studio Album, 2022
4.16 | 21 ratings

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Ants from Up There
Black Country; New Road Post Rock/Math rock

Review by siLLy puPPy
Collaborator PSIKE, JR/F/Canterbury & Eclectic Teams

4 stars February 4th has turned out to be a great day for music fans with not only the release of Animal Collective's latest which finds them back on top of their game but also the second anticipated release of Black Country, New Road which took the world by storm last year with its debut that blended a unique concoction of prog, klezmer, punk, jazz and indie rock. To make things even more dramatic, vocalist and guitarist Isaac Wood left the band just a week before this album's release today. Cited mental health issues as the reason, the band is forced to cancel its American tour. Well that sucks! Fortunately before Wood left he contributed his last creative efforts which deliver an amazing payoff with an instantly loveable album in the form of "Ants From Up There" which finds the band taming things a bit in the direction of post-rock, chamber pop and slowcore with only a few heavier moments for contrast. Sounding a bit like a more modern version of David Bowie's art rock from the glam rock days, this album also finds the band sounding a bit like more modern acts like Arcade Fire and Wolf Parade. Also cited as existing in the emo camp, Black Country, New Road's has indeed delivered one of the most consistently brilliant albums of 2022 so far not only in that it instantly crafts memorable melodies but displays a distinct unique sound all its own even setting it apart from last year's debut. So far the best album of 2022 that i've so far experienced and this has been a pretty good year so far!

4.5 but not rounded up

 For the First Time by BLACK COUNTRY; NEW ROAD album cover Studio Album, 2021
4.16 | 13 ratings

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For the First Time
Black Country; New Road Post Rock/Math rock

Review by siLLy puPPy
Collaborator PSIKE, JR/F/Canterbury & Eclectic Teams

4 stars While the internet has allowed artists from once unthinkable geographic regions to spawn interesting new music, former musical meccas such as London, England still seem to be going strong with new generations of musicians gathering to catch the next wave of whatever is en vogue. Here is one of England's newest up and coming artists called BLACK COUNTRY, NEW ROAD which formed in 2018 out of the ashes of a band called Nervous Conditions but due to multiple sexual assault allegations against member Connor Browne, the members of Tyler Hyde (bass), Isaac Wood aka The Guest (vocals, guitar), Lewis Evans aka Good With Parents (saxophone), Charlie Wayne (drums) and May Kershaw (drums) left and created BLACK COUNTRY, NEW ROAD and rarely does a band hit the ground running with a sound that stands out from the millions of bands that exist these days.

Just recently released on 5 February 2021, FOR THE FIRST TIME showcases an innovative mix of post-punk, free jazz, math rock and a style of post-rock most often compared to Slint's "Spiderland" but what sets this album truly apart from any other is the addition of klezmer which adds a festive jocularity to the otherwise post-rock processions that implement heavy doses of post-punk guitar dissonance that in tandem with episodic bouts of free jazz can resemble the irreverent skronk of 80s no wave or the detached free-flowing reverie of Maudlin of the Well's more contemplative moments. The addition of Georgia Ellergy on the violin who has played in the pop band Jockstrap as well as the wild Happy Bagel Klezmer Orchestra adds a contrasting heft to FOR THE FIRST TIME unlike any other rock album i've heard outside the more experimental realms of techy progressive rock that is.

After the fittingly named introduction of "Instrumental" which sets the overall mood for the album, the true distinguishing sound of BLACK COUNTRY, NEW ROAD comes from lead singer Isaac Wood whose paranoid fueled lyrics and half-spoken, half-sung singing style that brings David Byrne's similar outbursts in the Talking Heads to mind. Although Wood also has channeled his inner Bryan Ferry as a hopeless romantic trying to navigate a world gone made. For an experimental rock album FOR THE FIRST TIME successfully straddles the world of post-rock which provides the cyclical loops that in the case of "Sunglasses" sprawls on to almost 10 minutes of playing time but fortified with post-rock guitar heft providing the sinewy textures for the klezmer and crafty atmospheres to weave around while Wood provides the perfect counterpoints with his moody oft unstable vocal contributions.

We can thank the UK label Ninja Tune for bringing BLACK COUNTRY, NEW ROAD out of the seas of Bandcamp artists. Although this label that has been around since 1990 and specializes in downtempo and nu jazz releases, they clearly have their ears on the pulse of the modern music market and recognize a winning stylistic approach when they hear it. The beauty of FOR THE FIRST TIME is that it perfectly balances the constituent sum of the parts so deftly as to perfectly align them so that they reflect a completely unique display of music that transcends the influences that have been incorporated. While many have compared this to "Spiderland," in reality this album goes far beyond that album and not being the biggest fan of Slint's so-called magnum opus, i personally find this album to be a much more interesting listening experience as it adds so many more elements and juggles them with a circus performance precision unlike many first timers these days. This is indeed a band that has crafted a winning formula in this third decade of the 21st century and hopefully will continue to do so.

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Post Rock/Math rock bands/artists list

Bands/Artists Country
.O.RANG United Kingdom
[BLEU] Switzerland
100 ONCES United States
1099 Norway
12TWELVE Spain
33.3 United States
37500 YENS France
3ND Japan
417.3 Russia
52 COMMERCIAL ROAD United Kingdom
65DAYSOFSTATIC United Kingdom
A FOOL'S ERRAND Netherlands
A. ARMADA United States
ABOUT TESS Japan
ACANTILADOS Argentina
ACROSS THE WAVES Iran
ACTARUS Luxembourg
ACTIVITIES OF DUST United States
ACTUAL MUSIC QUARTET RSM Russia
ADEBISI SHANK Ireland
AERIAL Sweden
AESTHESYS Russia
AFFORMANCE Greece
AI Italy
AIMING FOR ENRIKE Norway
AIUA United States
AL SABO United States
ALARMIST Ireland
ALBINOBEACH South Africa
THE ALBUM LEAF United States
ALFHEIMR United States
ALL ANGELS GONE France
ALL INDIA RADIO Australia
ALL WILL BE QUIET Finland
ALL YOU'VE SEEN Switzerland
THE ALLSTAR PROJECT Portugal
ALPHA MALE TEA PARTY United Kingdom
ALRIGHT THE CAPTAIN United Kingdom
AM FOST LA MUNTE SI MI-A PLACUT Romania
AMBIENTE Mexico
THE AMERICAN DOLLAR United States
ANA NEVER Serbia
ANALECTA United States
ANATHEME France
ANCIENTS Multi-National
AND SO I WATCH YOU FROM AFAR United Kingdom
AND STARS COLLIDE United Kingdom
ANOICE Japan
ANTARCTIC United States
THE ANTARCTICANS United States
ANTENNAS TO HEAVEN United Kingdom
ANTETHIC Russia
ANTIER Spain
APRICOT RAIL Australia
APRIL RAIN Russia
ARAMID United States
ARBOR LIGHTS United Kingdom
ARCTIC PLATEAU Italy
ARMS OF TRIPOLI United States
ARROWAY France
ART.FICIAL Brazil
ARTIFICIAL WAVES Russia
AS THE POETS AFFIRM Canada
THE ASCENT OF EVEREST United States
ASTRALIA Spain
ASTRO SONIC Norway
ATSUKO CHIBA Canada
ATTILION Indonesia
AUDREY FALL Latvia
AUREA HYBRIDE Mexico
AUSTIN TV Mexico
AUTO!AUTOMATIC!! United States
AUTOMASSAGE Slovenia
AUTUMN MOONLIGHT Argentina
THE AUTUMN PROJECT United States
AXES United Kingdom
BAFFODORO Italy
GABRIEL BAKER United States
BALMORHEA United States
THE BALTIC SEA United States
BANGLADEAFY United States
BARK PSYCHOSIS United Kingdom
THE BASEMENT PAINTINGS Canada
BATHYSCAPHE France
BATTLES United States
BATTLESTATIONS Belgium
BEAR THE MAMMOTH Australia
BEAST PLEASE BE STILL United States
BEATEN BY THEM Multi-National
THE BEAUTY THE WORLD MAKES US HOPE FOR France
BECAUSE OF GHOSTS Australia
BELEGOST United States
BELL ORCHESTRE Canada
BELOW THE SEA Canada
BELYE FLAGI ZAZHIGAYTE MEDLENNO Russia
BESIDES Poland
THE BEST PESSIMIST Ukraine
BETRAYAL AT BESPIN Finland
BEWARE OF SAFETY United States
BEYOND FREQUENCY Brazil
LA BIBLIOTECA DESERTA Italy
BILL IN THE TEA Italy
BILLY MAHONIE United Kingdom
BIRDS OF FIRE United States
BLACK COUNTRY; NEW ROAD United Kingdom
BLACK FOREST / BLACK SEA United States
BLACKPAPERPLANES Belarus
BLUEBRIDGE QUARTET Sweden
BLUENECK United Kingdom
BODY HOUND United Kingdom
THE BODY LOVERS United States
BOHREN & DER CLUB OF GORE Germany
WES BORLAND United States
BOSCH'S WITH YOU Russia
BOXHEAD ENSEMBLE United States
BRAINBOW United States
BRASS KNUCKLE SURFER United States
BRAVEYOUNG / GIANT United States
BREADWINNER United States
BRONTIDE United Kingdom
BRONZE FAWN United States
THE BRONZED CHORUS United States
BROUGHTON'S RULES United States
BULLETS IN MADISON United States
THE BURNING SEA Australia
BY THE END OF TONIGHT United States
C Czech Republic
C'EST MORTEL United States
CADDYWHOMPUS United States
DAN CAINE United Kingdom
THE CALM BLUE SEA United States
CANYONSOFSTATIC United States
CARLOS DANGER United States
CARNENERA Italy
CARTA United States
CARTOGRAPHER Netherlands
CASPIAN United States
CAUDAL Germany
CAVALLO United States
CAVES OF STEEL Norway
CECILIA::EYES Belgium
CELESTIAL WOLVES Belgium
CHARTS AND MAPS United States
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TFVSJS China
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THIS WILL DESTROY YOU United States
SAM THOMAS United Kingdom
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WE VS. DEATH Netherlands
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WHAT ALEPH SAID Switzerland
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WORLD'S END GIRLFRIEND Japan
XMENOSUNO Mexico
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YAZYK DOZHDYA Russia
YEARS OF RICE AND SALT United Kingdom
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YOU ALREADY KNOW United Kingdom
YOU SLUT! United Kingdom
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YOUTHMOVIES United Kingdom
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