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NADIE NUNCA NADA

Post Rock/Math rock • Argentina


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Nadie Nunca Nada biography
An Argentine trio NADIE NUNCA NADA (in English "Nobody Never Nothing") were founded as one of one-off off-shoots of KJJJJJJJJJ by Mariano MEMBRIVES (guitar, bass), Mariano SARRA (synthesizers, piano), and Jorge Ignacio CORREA (drums). They released two creations - "Todas Las Líneas" (2019) and "Atl​á​nticos" (2023) - via an independent label Anomalía Ediciones so far.

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NADIE NUNCA NADA top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

4.05 | 2 ratings
Todas Las L​í​neas
2019
4.05 | 2 ratings
Atl​á​nticos
2023

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NADIE NUNCA NADA Reviews


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 Atl​á​nticos by NADIE NUNCA NADA album cover Studio Album, 2023
4.05 | 2 ratings

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Atl​á​nticos
Nadie Nunca Nada Post Rock/Math rock

Review by DamoXt7942
Forum & Site Admin Group Avant/Cross/Neo/Post Teams

4 stars What a big surprise. Finally an Argentine combo NADIE NUNCA NADA has released their second album titled "Atlánticos" on March 3, 2023. Their first album "Todas Las Líneas" is a fantastic one for me (and at the same time it's a pity for me they have been under hibernation for more than three years). Such a great news completely kicked me into raptures. A beautiful pic on the sleeve is also attractive. And of course, their creativity has gotten more and more refined and positive, even under such tough situations all over the world.

Look at the first shot title "La Rehumanización de la Vida", wonder what is 'rehumanization', and give it a listen. Delightful. Really delightful. No depressive impression is given for you. Their melody lines are quite enchanting. The rhythmic polarity by Membrives and Jorge is a bit complicated but smooth and silky. Simultaneously the soundscape especially in the middle part is deep, heavy, and magnificent like Malbec-based Argentine red wine. Sarra's keyboard plays are so brilliant and beautiful enough to excite you much. Clear blue sky-like delight from the beginning until the end is pretty amazing. The following "Goliadkin" is another powerful song, featuring strict repetitive phrases performed by two phantasmagoric guitars and sensitive keyboards. Difficult, aggressive but sincere drumming is also crazy good. This tightness would be rather heartwarming. On the contrary, "Hologramas" has kinda characteristic of calm, slowtempo, and broad-minded vibes. Kaleidoscopic melodic transition is mystic and joyful. Delicious keyboard sounds in the latter part stabilize your inner mind. You can find another mathy-psychedelic moment in "Cenizas Desde Temprano" that has sorta atmospheric texture different from other tracks especially in the former site and involves catchy fantasia in the latter. Such a conversion should be a love. "Antorcha" flavours serious and hard-touched. Sounds like Antorcha blazes so hard at first and is going out gradually. Slightly tragic. And what a dramatic epilogue "Del Litoral" is ... just like a complete compilation of NNN, all instruments shout and cry and get unificated in the final phrase.

Their positivity definitely gives you additional energy.

 Todas Las L​í​neas by NADIE NUNCA NADA album cover Studio Album, 2019
4.05 | 2 ratings

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Todas Las L​í​neas
Nadie Nunca Nada Post Rock/Math rock

Review by DamoXt7942
Forum & Site Admin Group Avant/Cross/Neo/Post Teams

4 stars Such a swiftly windy uptempo post / math structure. Such a faithful, delightful texture. I'm glad to come across such a fascinating creation. This ep titled "Todas Las Líneas" was released as the only one opus by an Argentine combo NADIE NUNCA NADA. They are kinda enigmatic and mysterious project with very little information around us, but the sound bullets launched by them via this album are splendid, without any suspicion. Anyway they play pleasantly and friendly and speedy from the beginning until the end, and this melody and rhythm is of our great comfort.

The first track "Autómatas" features delicate psychedelic keyboard touches and complex but smooth, silky drumming. We the audience will get veiled in such a dreamy flavour. The latter phase is full of space-rock-ish dramatic navigations. Repetitive, highly potential guitar-based sound trajectories are bewitching really. Cool clean watery vibes are quite optimistic, appropriate for the current tough situation all over the world. "Todas Las Líneas" is slightly dissonant and melty but pretty persuasive and energetic. Deeply in the song are sincere, tranquil charms like a powerful magnet. The final part has utterly translunary psychedelia to excite us gradually. "Saeta" is mystically passionate with charming synthesizer-oriented brass-y sounds. Jorge and Mariano's rhythmic patterns full of passion are crazy immersive. The epilogue "Últimas Imágenes Del Océano" is the longest song in this album but a supra-tense complicated sound kaleidoscope completely catches our heart. The last fragile piano plays are somewhat tragic ...

At any rate, it's a shame they are under hibernation currently. Wondering if their intention would have been too higher than expected.

Thanks to dAmOxT7942 for the artist addition.

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