FRAME

That opening title track sounds like something that could have been on the radio in the late 60's I quite like it. Uplifting with vocal parts contrasted with the instrumental sections. There is one long track at over 11 minutes, almost a dirge really about losing a lover. Not a favourite but "If" is with those powerful vocals and heavy sound at times is.

There's mellotron on "Winter" another dirge-like piece about how awful winter is. I get it! Folky at times and not a favourite. But "Penny For An Old Guy" and "Children's Freedom" certainly are favourites. Two short ones that hit the spot especially the emotion on the latter. The album closes with an experimental mellotron-brass outburst for 18 seconds.

Again I like that opener, such a feel good piece while melancholy rules this recording for the most part. A good album that was produced by Dieter Dierks.

Let's check songs on their only album "Frame of Mind":

1. "Frame of Mind" - I truly adore how this album begins. Very relaxed and refreshing verses "Hot summer day, lazy by the river, Time's going by..." which truly remind me about nice warm summer during these winter days... All this song is truly magnificent for me, sometimes nostalgic sometimes more energetic but always very melodic and "catchy". Melancholic organ lines are leading the song from the beginning but in the end we can also listen to fantastic, more speedy organ/guitar solos. Whole song sounds like taken from some long lost Cressida's album but the last 2 minutes remind me of Atomic Rooster's staff. Brilliant!

2. "Crucial Scene" - similar song to the previous one but a bit harder with more elaborated electric guitar soloing and more brutal organ riffs. Vocals (shared by 3 members of the band but the lead one is Dieter Becker) are great as usual and don't bear any burden of German accent. Two slightly bluesy Hammond solos are splendid here. Another perfect track!

3. "All I Really Want Explain" - my favorite composition on the album is an eleven minutes mini-epic characterized by very beautiful, nostalgic vocals, rhythmic acoustic guitar tones and omnipresent almost churchy sounding organs. Shades of Cressida are very clear here again, but I don't mind 'cos I really love such kind of melodic prog. About 5th minute Andy Kirnberger presents us some bluesy guitar solo which is followed by even better and much longer psychedelic Hammond organ one. I could almost swear that it's Jean Jacques Kravetz from "Frumpy" behind the instrument there! In the second part of the song tempo changes to something more jazzy and Cherry Hochdorfer plays some tasty piano then.

4. "If" - this one is a bit more straightforward hard rock song with heavy guitar riffing but also enough organ chops to keep everybody happy. Besides very long and Emerson-like wild Hammond organ solo in the middle won't let you forget that it's a truly classic prog-rock record. In general it can be Frame's answer for many heavy-prog songs of Deep Purple or Uriah Heep.

5. "Winter" - very nice a bit folky ballad with rich layers of organ, lead acoustic guitar lines and occasional background mellotron fills. Vocal sounds passionate and emotional so the main purpose of ballad was fulfilled. Classical sounding middle part with overwhelming organ passages.

6. "Penny for an Old Guy" - it's a very weird song which sounds a bit disjointed. 1st minute is a straightforward hard rock with simplistic guitar riffs and rather awful vocals. After that music suddenly slows down and can listen to some psychedelic, mellow section with repetitive acoustic guitar tones and thrilling, dark lyrics. After awhile Hochdorfer plays some joyful melody on spinet (like harpsichord or clavinet). In the end band comes back to generic hard rock from the beginning of the song. All of this within only 3 minutes and 10 seconds!

7. "Children's Freedom" - truly magnificent folk-like song based upon energetic acoustic guitar and surprisingly loud, but very melodic guitar lines. In the background we can hear some distorted organ layers and everything is closed with catharsis inducting electric guitar solo. But the most important are vocals: emotional, melodic and truly memorable. What a shame that it's only 2 and half minute long!

8. "Truebsal" - anthem-like (real German anthem? I don't know...Maybe...) melody played 15 seconds on mellotron. A bit strange thing to close so good album, but maybe they just bought this great instrument and they wanted to show its "full glory"? Anyway few seconds of mellotron torturing wasn't a really good idea. Sounds too noisy...

Overall "Frame of Mind" is a hidden gem of magnificent prog music from musically great 70s era. If you love organ-driven progressive rock with bluesy influences and folkish acoustic guitars, Frame is a band created just for you. I've already mentioned what British and German bands you should also check along with this one, so I can only add here that you can find similar kind of music in material recorded by American band "Gypsy" and "Think" from New Zealand.

P.S It can also be interesting for you to know that Andy Kirnberger was the guitarist on Pell Mell's debut album "Marburg" which was recorded the same year and later he sang, played guitar and piano on eponymous album of heavy prog band Hardcake Special (from 1974). While Cherry Hochdorfer (keyboards) & Wolfgang Claus (drums) played later on Pell Mell's 4th album "Only a Star" from 1978.

I know that other reviewers didn't like this album so much, but I can assure you that for me it's worth full 5 stars 'cos it's a shining diamond of 70s art/prog rock.

On the title track we have Wishbone Ash's like voices, a mellotron a la Procol Harum and two chords that make me think to George Harrison, at least until the rock section starts. It's an early 70s bluesy rock. Nothing more than nice.

Things don't change a lot on "Crusical Scene", wich starts to be more progressive, with good keyboards and clean guitar solos over a consistent melodic line with "All I Really Want Explain" that has something of Uriah Heep (unfortunately not the singer). A good track anyway, even if far from being an epic. The fact that after 5 minutes of almost prog stuff it turns back to blues doesn't contribute but I have to admit that this kind of psychedlic-blues is very enjoyable until it remains instrumental. Otherwise it seems the lost early album of Wishbone Ash.

"If" would have been good for the Isle of Wight. Acid keyboard on a heavy rock song. The keyboard solo in the middle is good. It's a hard-rock oriented song.

"Winter" starts as a hippy song. Very strange in 1972 when the hippy movement were already gone, also in Germany. When it turns into rock is absolutely not bad. And absolutely not original, too.

With "Penny for an Old Guy" we are back to blues-rock again. It's more or less the same year of Wishbone Ash's Argus, so it's not a sin. The number of changes in tempo and line are a bit too much for a 3 minutes song.

"Children's Freedom" is on the slow side of hard-rock and the last 20 seconds which close the album with a keyboard distorting the national anthem can be ignored.

The first time I've listened to it I was in a shopping center with headphones on. As background music when you are doing something else (a queue for example) is good enough, but even if it's well played and almost well produced I think one can easily give it up.

2.5 stars. I'd like to rate it three, but I want you to save your money for something more essential so I round it down.

In league with other prog bluesmen as Badger, Odin, Traffic or Mainhorse as well as reflecting the impact of Vanilla Fudge and Procol Harum, the quintet's churchly mewling was unlikely to sell many records, ensuring Frame's bill-sharing status and brief lifespan. The dreary title cut plays like garden variety Woodstock-era folkrock with Hochdorfer's deep organ sounds filling up the space well and the band jamming nicely, Peter Lotz, Wolfgang Claus and Dieter Becker's rhythms briefly getting into Santana territory. 'All I Really Want Explain', the 11-minute centerpiece, is an ambitious try at linking disparate songcraft together, suddenly swapping balladry for baroque, minor blues and back again, supported by the band's winsome vocal harmonies. Satisfying hard-rocker 'If' shows an outfit that was on to something but hadn't quite arrived yet, and 'Penny for an Old Guy' is straight riff-rock with a surprise soft center. I reckon 'Collectors/fans only' is just about right.