THE NO NAME EXPERIENCE (TNNE) / EX NO NAME

This is the third album since Luxembourg's No Name reformed as TNNE (The No Name Experience), and it has taken six years since 'Wonderland', as yet again there has been a change in guitarist with the departure of Claudio Cordero (Cast), although in fairness, Cédric Gilis did play on two numbers on the last album, while there is also a new bassist in Stéphane Rosset. This is a concept album where singer Patrick Kiefer has based the lyrics on the book 'Otherland' by Tad Williams, with all music by keyboard player Alex Rukavina (the line-up is completed by drummer Gilles Wagner). Kiefer and Rukavina have been there since the very beginning, strange to think their debut album, 'Zodiac' is now 30 years old.

This is solid neo prog, bringing in some other elements here and there, but allowing the guitar to rock when it needs to while rarely moving firmly into prog metal, although there are some elements of it here and there. It is complex and complicated, but there are times when I wonder if Patrick has taken on too much as some of the lines appear very wordy and it appears he is struggling to get all the story into the abbreviated lyrics. Consequently it is during the instrumental sections where the band have the most power, as Cédric has a very direct approach, and even when he is providing support to Alex there is no chance of him disappearing into the background. It certainly reminds me of some much of the 90's scene, and while IQ are an obvious influence, one can also hear Credo and Galahad, and their influences are much more from the British scene than what was taking place in America. This is an album which stays firmly in neo without ever dropping into melodic rock. Patrick has a wonderful vocal style, the music is great, but I wish they had not decided to use a book as the background for this as a different approach to the words being utilised would have had a better overall result. While I do not believe this is solid an album as 'Wonderland', it is still worth investigating.

NO NAME founded in 88, disbanded to reform as TNNE in 2012; a more symphonic MARILLION sound, as Cadbury would say. 25 years and a 7th album at the beginning of the year on a classic neo-prog inspired by the fiction of Tad Williams 'the other world'. Claudio from CAST leaving his place to Cédric for a more sustained approach with emphatic melodic flights.

'The Net' cinematic intro... it's fashionable, airy, spatial, with the fleeting explanation of the plot by Roby Rinaldetti, a punchy orchestral space inviting you to travel. 'Dreaming Awake' therefore leaves on a neo-prog shore of good quality, rather prog metal even; Patrick unfolds his text in a contemplative mode with phrasing passages while the sound wanders keyboard-style on a jazzy tune then (re)comes on a neo break where the bass gives rhythm to the step. It rises and recalls the many neo-prog groups of the 80s and 90s not hesitating to merge genres including prog metal; complex title with a heavier last third, fat synths and guitar riffs ahead, the finale is heavy, jerky and hypnotically intoxicating and a symphonic finale with majestic piano, in short superb. 'No Man's Land' arrives dark intro, approaching planes, MARILLION-style pads, cooler keyboards, almost pop; synths you want some, here you go, on a soft THRESHOLD, GALAHAD, COLLAGE, a bit of AOR staleness too with a nervous riff behind and a SAGA- style guitar tune; neo-melodic title with a solo flirting with the intonations of Hassan d'ANGE; the finale resumes with keyboards oozing in the same line. 'Behind The Mirror' or how to think of Mickael JACKSON for a few moments! The heavy riff sets the record straight, it grooves dry; Cédric uses his guitar as a musical weapon by distilling riffs profusely; a much more nervous title that feels good, the crystalline break before leaving; the solo is well done and shows a dexterity that I did not suspect, amazed; a good point which opens the group to different rhythms behind this damn mirror. 'Heavenly Visions' much more rhythmic, its futuristic, modern synth-pop that changes from their original register; the most innovative and attractive in fact, bordering on dancing with yet another juicy riff that makes you nod and come out of your musical blinders. 'Harvest' moving epilogue, the title that I love, short, melancholic, contemplative where the notes ooze the spleen and simply make you dream.

TNNE with life 3.0 stands out from the neo-melodic prog sounds that look alike and merge with each other; a group that dares after many changes to release an ultimately innovative sound between neo, prog metal and soft prog, a musical mix barred, progressive fireworks. TNNE can enter the closed circle of modern groups freeing themselves from the reminiscences of prog dinos, it's good after 25 years of existence, it proves that neo-prog is there and alive.

NO NAME released 4 albums between 1993 and 2006 with the last one("4") being the only one I've kept around. The band was dissolved then the singer and keyboardist started the band up again with fresh faces in 2014. This is album number two with the new lineup and even a new band name as they are called THE NO NAME EXPERIENCE now. In my opinion there's not a lot to choose between "4" and "Wonderland" with the exception of the new one being heavier which of course is really common with Neo-Prog bands these days.

"My Childish Mind" gets us started and that heaviness is evident right away with that rhythm section. Love that bass! Sax before a minute as it becomes fuller. The guitar follows then piano before the tempo picks up with sax over top around 2 minutes with vocals then a calm. Synths lead as it picks back up but a spacey calm follows after 3 minutes as contrasts continue. The synths are swirling before 6 1/2 minutes then another spacey calm as this continues plays out.

"Eye Of A Storm" opens with a heavy sound and soon it will be the heaviest we hear on this album. Heavy riffs as the synths roll in. Synths lead after a minute then the guitar. A calm follows then it's heavy again as contrasts continue. Vocals and a heavy atmosphere before 3 1/2 minutes. The guitar cries out a minute later then proceeds to solo. Lots of guitar the rest of the way. "Katrina Killed The Clown" has somewhat mellow vocals with piano. Bass will help out and it kicks in hard at 2 minutes with guitar over top. Not as good as the first two songs though.

"Wonderland" opens with drums and guitar as the vocals join in. The vocals stop before 1 1/2 minutes as the guitar leads then synths. Vocals are back quickly. Piano only before 2 1/2 minutes but the vocals return quickly followed by a full sound. Again it's instrumental with guitar leading before the vocals return before 5 1/2 minutes and it stays energetic to the end.

"Final Fantasy" might be my favourite along with the opener. Atmosphere and experimental sounds to begin with then vocals before a minute as the guitar, drums and bass kick in. Violin follows. I like his singing here and that heavy rhythm before 3 1/2 minutes. Synths lead before 4 1/2 minutes but not for long as the vocals return. So good! "Frozen In Time" sounds really good at first with that beat, guitar and bass in atmosphere. Synths start to pulse then the guitar leads as the vocals arrive just before 2 minutes. Some spoken words after 4 minutes but the vocals return quickly.

"Glittering Lights" opens with atmosphere and more as the vocals join in. Guitar and bass too. So much going on and we will get some riffs too. Kind of a cool track with upfront bass and background synths. His singing is really well done here as usual. "Light Weeks" ends it other than the bonus track. Atmosphere to start as picked guitar and soft vocals take over. A beat too. It's more urgent sounding(doesn't take much here) before 3 minutes including the vocals and guitar especially. Guitar and piano lead after 4 minutes as the vocals step aside briefly then it kicks back in. More guitar solos follow.

A pretty good Neo-Prog album right here and it's good to hear these guys again. There's not many bands out of Luxembourg is there?

Three years on from 'The Clock That Went Backwards', Luxembourg's TNNE (which as the band was seen as a continuation on from No Name, was called TNNE for The No Name Experience) are back with the second album under that banner, or sixth studio album overall. There has been a major change in the line-up, with Claudio Cordero coming on board, who of course has been guitarist with the mighty Cast for more than ten years. That he has had a major impact on the band is never in doubt, with his more metallic guitar riffs and solos definitely enhancing their neo prog credentials. The PR company likens them to RPWL and IQ, and while I do struggle a little with this, I can understand why those comments have been made although TNNE are far heavier, without ever moving into the prog metal genre.

Alex Rukavina on keyboards is an excellent foil to Claudio, while both drummer Giles Wagner and bassist Michel Casadei della Chiesa are far more in your face and driving melodies than is usual, creating a quite different dynamic. The first time I played the album I discovered I was smiling all the way through, and my feelings towards it have only warmed. In many ways, it does hearken back to the Nineties, yet also feels incredibly current and with a powerful production it really does become an album that is surely at the vanguard of the current neo prog scene. Highly recommended, as with soaring vocals from Patrick Keifer, melodies and counter melodies, complexity and simplicity, layers and space, this is a prog album to savour.

Hmm. Where to start. I find it very strange that this gets such high ratings, on a progressive rock forum. I do not only listen to old school bands, but I do have a liking for analog sounds, real dynamics and and an overall organic production. I also identify progressive rock as a genre where the music, lyrics and the ideas have several layers, and that one as a listener has to journey into the unknown and battle with the material. The themes of the songs on Wonderland is largely on the cliché side, and I don't find any mystery going on here.

In my ears this also sounds way too artificial and with a very straight forward pop-quality in the melodies and composing, even if there's the odd time signature or break thrown in here and there. Sometimes I get the feeling I'm listening to a machine, especially when I listen to the sound quality of the vocals. It's compressed so much that it almost removes all the humanity in the human voice. Even if this is well played technically, I think that it lacks soul, originality and creativity. In my opinion this is more of a mash up of 80's glam heavy, synthezied pop metal and advertising music, than it is progressive rock.

The Secret Garden returns, hurrah! Surely 4 and The Clock... are both excellent albums (no matter if marked No Name or The No Name Experience), but they could be released also by IQ, or Jadis, or Sinister Street, or Sylvan. Well, I'm just trying to say that the two previous releases from Rukavina - Kiefer tandem and Co. lack some peculiarity/originality that made the early No Name's music distinctive. But Wonderland seems as diagnostic for the band as The Secret Garden or The Other Side. I remember effulgent 1990s when - while most of Russian prog fans of old generation were still sure that all the good music was definitively gone with the 1970s era, - a new era began. Some new vinyls and CDs came to the new- born Russian music market from Europe, US, Japan and South Korea, and many of us started to recognize a new stream in prog rock, but we associated the idea of 1990s prog mostly with Anglagard, Halloween, Anekdoten, Thule, Landberk, Malombra, Tale Cue, Devil Doll, Hecenia, Sagrado Coracao Da Terra, Men Of Lake etc. The branch of 1990s prog usually called neo-prog sensu stricto (Pendragon, IQ, Jadis etc) seemed to be more or less uniform, lightminded and having just limited capacities for growth and development. No Name was among the bands (along with Ziff, Last Turion, Sylvan and Final Conflict) who disproved that concept and clearly showed that Pendragon/IQ-type neo-prog may be as diverse and profound as, for example, 1990s Scandinavian or Italian dark progressive. And now, with Wonderland, I'm happy to see how No Name returns to their best. Not to their roots (because the album has a number of innovative moments) but to their best. To the instant complexity, inventiveness and refinement, as in beatific 1990s. The only feature of their early releases sadly missing on Wonderland is track(s) sung in Luxembourgish. Eng Oppen Dir, De Verstand (from The Secret Garden) and Mat Enger Train (from Zodiac) sound extraordinary... But I do realize that it's nothing but a fault-finding. You see I just like to listen to every prog band singing in their native language. I'm an epicure of various languages' sound. I enjoy Szallj Most Fel much more than Fly Away, you see. My apologies. It's difficult to cure, I do realize.

TNNE's second album Wonderland has been released in September 2017. As the foreseen guitar player has left the band just a few weeks before the studio recordings the band signed with Claudio Cordero (Cast-Mexico) which then did a brilliant job! The new bass player Michel Casadei from France fits very well and together with the passionate drumer Gilles Wagner they are the perfect rhythm section for TNNE. In my opinion Wonderland is a GREAT neo-prog album and fans from IQ, Arena can buy the CD without any hesitation. My personal favourites are My Childish Mind, Final Fantasy. NB: - Vocalist and Keyboarder were members of No Name(Lux) which disbanded. - the bonus track "au fil du temps" is in french and music of this song has been composed by a fan of the band !

In the population of just 600,000 Luxembourg, there is only one avant-garde rock band. Its name is called no name. The band's style is new avant-garde, similar to IQ, Marillion and Arena. I think the biggest feature of their music is the keyboard, often have a long keyboard to play the paragraphs, plus the guitar that makes up their symphony rock features. The voice of the lead singer is very good, unlike some of the seventies avant-garde rock band as weak. The band has been established for twenty or three years, has undergone some changes, but the home and the keyboard did not change, which makes their overall style remains unchanged. Although the last album in their songs shorter, become more popular, but this latest studio album to retrieve the roots of the band: a lot of keyboard and guitar playing, comfortable voice and mini epic. In particular, the lead singer's high-pitched and passionate voice is exciting, the new drummer and saxophone hand is also very good, very strong drums, making their music is very modern, and saxophone to join their highlights of the music, especially in the A song. Although I might prefer "the other side", but this is also good, worth playing four stars.

Hailing from Luxemburg, THE NO NAME EXPERIENCE was formed in 2012, when Alex Rukavina and Patrick Kiefer, both with a past in the recently disbanded band No Name, decided to collaborate ? initially for one single song, but the project then expanded into a band and album process. "The Clock That Went Backwards" is the debut album of The No Name Experience, and was released through the German label Progressive Promotion Records in 2014.

The No Name Experience is the only Luxemburg band I know that has chosen to explore progressive rock, and their take on the genre is one that has neo progressive written all over it in bold types. If you have a soft spot for Fish-era Marillion and bands of a similar kind, and you do enjoy late 70's Genesis as well, chances are that you'll find "The Clock That Went Backwards" to be a compelling production well worth spending some time with.

As a huge fan of No Name's last album, "4", I was very interested to hear that 2 key members had formed a new band, TNNE, and released a new album. I guess the easiest way to rate this album is to compare it to the style of No Name. Well, the differences are rather striking.

The one thing that has not changed is the great vocals of Patrick Kiefer. One of the best voices in prog, very distinctive. Moving on, No Name was a band that featured keyboard dominated, majestic and lyrical songs that often exceeded 10 minutes each. Well, almost nothing in that description also describes this new TNNE album. "The Clock That Went Backwards" is much more guitar focused and has all shorter songs and mostly without the extended instrumental passages. There is even a single edit of one track, "Circles of Life" included as the last track on the album. And although still in the realm of neo-prog, there are several catchy verse-chorus combinations that almost have AOR tendencies.

Still, although this album is quite divergent from what No Name used to do, it is still an enjoyable listen, with many memorable melodies and excellent musicianship and production.