WALKIN' THE DESERT

To be honest, the only reason I figure out, for such a few and so-so ratings for this ASHRA's "Walikin' in the Desert" (1989), is that it is, at the time and now, completely "un-Kraut" or TD (by the way). That's it. Beyond that, there is no other "real" reason, I can figure out.

The first song "first movement - two keyboards", is a "minimalistic" composition, very much in the spirit of Steve Reich's "Piano Phase" (1967), but totally different in goal and successful by its own. Still very far, forget Kraut, even "P/Electronic" as such. The mere use of acoustic keys, marks the whole difference.

Next comes the second movement named "Six Voices", which are electronic, but also include a flute like voice and a subtle but impossing "dark' chorus. The melody is intelligent, kind of a "serious business", yet flows by the addition of a vibraphone which counterpoints the now clearer skies. It is sweet but not "sickening-sweet", a thin and very well respected approach makes it perfect. (to some it could sound like Mr. Oldfield, without honey) still not "Kraut" found as such.

The third movement, "Four Guitars", goes for the same approach as the first, but now with 4 simmultaneous lines of electrics, going alongside, playing against and with each other. This is one of the recorded reasons, why M. Gottsching (guitars/keys) was and is so relevant to the whole "Prog" scene. When he is good, he is great, this song is "shocking proof!". Close to "kraut" but not the "Temple".

Fourth movement - "Twelve Samples", is closer to "world" fusion music. As understood, these 12 samples run along, although they, as independent structures, will not stand alone. In the vein of middle Eastern music, without no big emphasis, beyond being a mere good electronic/experimental song. This one could be the 3 star owner.

The last track, "Desert - Eight Tracks", takes from its predecessor, the experimental tone, but its construction goes otherwise, this one is by all standards "pure', Lo/Fi, electronic- Kraut, or at least, its "future".

So, I will highly recommend to approach this "near-masterpiece", without pre-conceptions or prejudices, in able to "see" the "caliber" of this work. By all means 4****PA stars. Enjoy!