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Organisation - Tone Float CD (album) cover





3.16 | 80 ratings

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1 stars I really had not expected an entrance like this from the electronic band Kraftwerk. In fact, this album is the very last thing I'd think they'd come out with.

This little krautrock gem is a five track release that was recorded by Organisation (pre-Kraftwerk) back in 1969. Mind you, this was before they became Kraftwerk with their 1970 eponymous release. I'd hate to bash on a genre so innocent as krautrock, because I happen to enjoy a number of bands that apply to it, especially Can. But it is obvious after listening why Organisation couldn't stay the way they were.

Wow, these guys tried WAAY too hard to be as experimental as they could possibly be. And when I say that, I mean that they made their music sound excruciating in the name of art. I honestly don't know how people can seem to enjoy this. Sure, I guess you could say that it was 'influencial', but I haven't exactly seen any band that says: "Oh, well we were inspired by the band Organisation. Me and my friends would listen to them all the time while we were kids. Their 1969 album Tone Float really inspired us to make our own sound." If you've heard that from a person, please let me know, because I sure haven't.

I really hate the fact that I have to hate this album. I mean, these guys sure did try and all on this, and it's true that it doesn't sound anything like Kraftwerk, but oh my god. I couldn't even make it through any of the songs during this review. The album has the twenty minute long title track, a compilation of echoes and rhythms, with a third quarter that actually sounds nice. Other than that, this album is completely worthless. 'Milk Rock' could have managed to be a standable track, but instead we get some guitar doodling and incoherent keyboard, all the while a stabbing synth rhythm buries itself in your brain. 'Silver Forest' is worthless, floaty fanfare with unnecessary cymbal crashes and glittery synthesizer. 'Rhythm Salad' is probably one of the most annoying songs I've ever heard, with a ton of people randomly jamming on what seem to be bongos, castanets, and maracas to make something to use as an excuse for art. The finale epic, 'Noitasinagro', is a strange yet painfully boring song with very little context or overall need.

So if you are seeking some good old classic krautrock, here you go. This would be perfect for you, but be warned; if you are searching for krautrock like Can or Neu!, then you are sadly mistaken.

I do not recommend this album.

aglasshouse | 1/5 |


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