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Opeth - Damnation CD (album) cover




Tech/Extreme Prog Metal

3.98 | 1285 ratings

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5 stars All I can say about this album is Thank God that it was released. Without it, I would probably have never listened to Opeth or explored the sounds of other bands under the subgenre of Tech/Extreme Prog Metal. People say this was a huge departure away from Opeth's sound. Some blame the departure on Steven Wilson's influence on the album. As for myself, I am a huge Steven Wilson fan, but I honestly didn't know he had any tie in to this album or "Departure" when I first heard them.

At the time of my first hearing of this beautiful album, I was just starting to get to know Porcupine Tree's discography. A friend of mine had bought the box set that had "Blackwater Park", "Deliverance", "Damnation", and "Lamentations". He had been a huge Opeth fan, but he was pissed when he heard "Damnation", enough so to swear off Opeth for good. He gave me this box set. Nice guy, right? Yes. Anyway, the first disc I put on was "Deliverance" and, even though the first listen was not a thrilling one for me, after I listened to "Damnation" I was very enthusiastic about the band and listened to them with new ears after that. Suddenly, the growling vocals weren't so foreign sounding in this or other extreme bands, except for when that is all they do. Because of this album, I now appreciate other bands like Agaloch, Baroness and Orphan Land who I probably would have just written off as useless noise bands otherwise.

It is true that this album is not typical Opeth, but it still has the ingenuity that exists in their harder albums. I don't know why I had to have the growling element taken out to hear how much genius is in their music. But this album strips the noise back so you can hear the interesting rhythms, the changing dynamics and the other prog elements. Some people say this album lacks emotion, but I disagree. The music is still dark, just like it is when it is heavy. The vocals are expressive and beautiful. The guitar is passionate at another level than it is when everything is loud. The mellotron, when it exists, adds a new element not present in their music before. I'm not expecting to sway the lovers of the old Opeth over to the new sound, but I'm hoping that maybe those that are a little afraid of the old extreme sound of Opeth might be convinced to give this album a try and maybe it will become a bridge to tech metal and other talented band the way it has for me.

I call this a masterpiece because it did prove that in a wall of noise, you can still find genius and beauty if you strip it down to the basic elements first, then add them back in. You might be surprised what you discover. 5 stars.

TCat | 5/5 |


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