IT'S MY LIFE

It's My Life is a great example of how artistry isn't exclusive to the "prog" genre. Strictly speaking, this album is synth-pop coming out the new wave movement of the early '80s. In some ways this release fits right in - lots of synth, a strong British vibe, and a catchy veneer. But while more mainstream groups like Duran Duran or Flock of Seagulls focused on hooks and melody, Talk Talk crafts songs that are more like portraits, each one lush with sound and nuance that grows with each listen.

While there are some songs here that are stronger than others, such as the excellent, noir "Renee," the entire album oozes class and depth. The keyboardists do an outstanding job of creating layers of sound, all of which has a professional polish that is devoid of some of the cartoonish qualities that plague many synth-heavy compositions. Paul Webb's bass is some of the strongest pop work I think I've ever heard; his lines are thick and heavy and engaging. Thanks to the excellent production we can hear every note of him, and of the rich keyboards. The overall effect is impeccable.

Hollis' voice adds an unique air of melancholy to the mix. He sounds very real, not playing for hooks or the dance floor, which I suppose is a compliment that applies to the entire band as well.

All in all one of the better pop oriented albums I've discovered here at Prog Archives. It's My Life is considerably more enjoyable than most of the '80's content put out by more well-known prog bands during the same time frame (such as Yes' 98015 or Genesis' Abacab). Not so highly recommended as Talk Talk's amazing later output, but still a great addition!

Songwriting: 4 - Instrumental Performances: 3 - Lyrics/Vocals: 3 - Style/Emotion/Replay: 4