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Virus - Remember CD (album) cover

REMEMBER

Virus

 

Heavy Prog

3.18 | 11 ratings

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ClemofNazareth
Special Collaborator
Prog Folk Researcher
3 stars This is a high-energy, blues-based hard rocking live album from a band with little documented history but who seem to have done an admirable job of keeping up the paces while they were on stage.

Despite being German and existing in the early seventies, this is more modern hard rock than it is progressive or Krautrock. There aren’t any grandiose lyrical themes or complicated arrangements, but there is an abundance of horns (mostly saxophone) which wasn’t particularly mainstream in that period.

The sound quality is pretty good for a live album, although the Garden of Delights reissue is surely cleaned up from the original vinyl (which I have not had the pleasure to hear, but is a reasonable assumption anyway). The band manages to keep up a high level of energy throughout, and there aren’t any mellow tracks. The keyboardist Jörg-Dieter Krahe sounds a bit like Jon Lord with a dose of acid under his tongue, and Wolfgang Rieke’s drumming isn’t overly ornate but he is quite intense at times.

The title track has some great guitar licks all through the song, including an extended instrumental piece. The band has a tendency to lay into longish jams all through the album, not surprising considering the times and the fact that they were in stage at the time. I would be interested to hear one of their studio albums in comparison, but as yet haven’t had the chance.

A few of the tracks here aren’t much more than heavy rock with little if anything progressive about them, “Rock 'n Roll”, “King Heroin” and “Settle Down” in particular. The last of these sounds a bit like the heavier parts of the first couple of Chicago albums, mostly thanks to the saxophone and keyboards.

The album closes with another jam session, the ten-minute long “Woods Fun” with extended keyboard funkiness and free-form jazzy saxophone. This must have been a crowd pleaser on a dark summer evening under the skies (I’m imaging this was the setting, but who knows…).

I suppose these guys are forgotten for a reason, and I certainly wouldn’t recommend this album for someone trying to discover progressive music. But the tunes are all originals, the sonic quality of the music is quite good, even for 1973, and folks who get into long jamming heavy rock will probably dig this album a fair bit. Three solid stars for sure, and recommended mostly to fans of bands like Uriah Heep, Cactus, Colosseum – stuff like that.

peace

ClemofNazareth | 3/5 |

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