BEGINNINGS

This album has taken some heat over the years, and yes, some of it is deserved. Beginnings has 3 major issues to be dealt with, and the most obvious (because absolutely everyone mentions it) is Steve serving as his own lead vocalist. He just doesn't have a powerful, belt-it-out vocal delivery. Still, none of the 6 vocals on this album demand over-the-top histrionics. Beginnings was co-produced by Howe and Eddy Offord, and I'm wondering how much say Offord had regarding vocal takes. I'm sure Steve thought he was doing just fine, and he does seem to be enjoying the material he's working with. As one spends time with this album, one can almost overlook the vocals, even when they dip below decent, acceptable levels.

The second issue of Beginnings is its pastoralism. Just look at that inner gatefold photo of the English countryside which provides the perfect atmosphere for the music. While definitely NOT a slow, quiet album (even with the extended classical-with-string-section title track), there is a casual, relaxed "ethereal-ness" that might disappoint those who were expecting a rock'n'roll extravaganza. To be sure, there is plenty of Steve's exquisite guitarwork and multiple instruments have been overdubbed, but almost nothing on this album has the burning fire of the work he's best known for. Even with special guests such as Alan White, Patrick Moraz, and Bill Bruford, only on "Will o'the Wisp" and perhaps the horn sections of "Lost Symphony" does the temperature begin to rise.

And lastly, there is the issue that can only be described as "preciousness" to contend with. Beyond the cute family photo that's included, there's something very intimate about Beginnings, especially when it comes to lyrics. As to just what these songs are about, I haven't the slightest idea, but they seem to refer to personal events in Steve's life. Nothing wrong with that, but they are far more implicit than explicit, so they won't mean much to the average listener. This isn't anything like Jon Anderson's intentional cryptic-ness, but rather a "just between us friends" conversation.

So if one can deal with all of the above, one shouldn't have too much of a problem with Beginnings. I've been listening to this album for almost 40 years, and it's one of those that requires the right mood and context for the best listening experience. And while it never achieves true greatness, it's become like an old friend who one is always glad to see again.

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