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Mezquita - Recuerdos De Mi Tierra CD (album) cover

RECUERDOS DE MI TIERRA

Mezquita

 

Symphonic Prog

4.08 | 144 ratings

From Progarchives.com, the ultimate progressive rock music website

Cesar Inca
Special Collaborator
Honorary Collaborator
5 stars Mezquita's 'Recuerdos de mi Tierra' is, IMHO, the definite masterpiece of Flamenco oriented prog, and most certainly, one of the highlights of Spanish prog in general. From the beautiful city of Córdoba, Mezquita managed to elaborate a prog style firmly rooted in the Flamenco traditions, and watered by the influential flows of 73-75 Yes (with less meandering), the melodic side of KC, the fire of Rush, and some hints to classic hard rock. The result is simultaneously powerful and exuberant, since the four musicians' skills are top notch. The fluency of the interactions between the guitars and the keys is simply awesome, and so is the precision with which the rhythm section lays the proper foundations for this intrincate, energetic material. The opening title track is per se a manifesto of Mezquita's personal style: the alternation between the instrumental intro's two central motifs is perfectly intertwined before the appealing sung section emerges. The following three tracks are the most explosive ones, full of tempo changes, pyrotechnics (never reaching at a gratuitous level) and genuine enthusiasm (oh!, that chanting/clapping passage right before the end of 'Ara Buza', that is special gypsy magic of Flamenco at its purest) - a special mention goes to the opening instrumental section of 'Desde que Somos Dos', which is my personal favorite song from the album, an example of the romantic facet of Flamenco in a prog-rock context. Track 5 is more somber, due to the dark solemnity of the subject (a massive suicide), but still manages to capture the intense magic of South Spanish folk, as well as the band's punchy swing. The fusion touches that were somewhat moderate in previous tracks, emerge more clearly in the instrumental closure - once more, a superb number. The occasional use of a guest string quartet enhances the Arabic air of some compositions (string quartets are very recurrent in Moroccan folk tunes), making the exotic thing compatible with the rock side of Mezquita's music. Well, let me finish by reiterating that this is a Spanish prog gem that should not be missed in any good prog collection.
Cesar Inca | 5/5 |

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