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THE WALL (A FILM BY ROGER WATERS AND SEAN EVANS)Roger WatersCrossover Prog3.71 | 55 ratings |
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friso
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Prog Reviewer |
This movie has been available on Netflix for a while. It's part documentary, part live registration of The Wall
(recorded between 2010-2013). The opening of the movie was exemplary for what was to come. Music by Roger
Waters. Script by Waters. After an idea by Waters. Starring Roger Waters as Roger Waters. The cinematography of
the documentary is great, but the idea is artistically corrupt. Old men chatting about, saying things that mean
nothing, speaking as if it's a great revelation that comes with old age. In one scripted scene Waters sits at a dark
lit bar in France with a French bartender who doesn't speak English. But he wants to tell the story of how his
father died in the war anyway (in English). Roger Waters wants to tell his deep story no matter if it
relevant/welcome or not. This reflects back on the live footage of the complete The Wall record. The story has lost its relevance since WO II is more then halve a century ago. Schools have become child friendly. Drugs are known to be dangerous. People get help with their depressions. Communism and Fascism are dead. The Berlin Wall fell thirty years ago. Confusion has been replaced by a bitter understanding of reality or a flight to digital fantasy worlds. The original critique of his generation has actually changed society for the better - destroying its initial power. However, the Wall is still a work potent of a long list of classic symphonic rock songs. Yet Roger Waters has chosen to focus on an impressive show full of dated symbols. Yet again hiding the band behind a meaningless (personal) wall he has failed to tear down all his life. A plain crashing with special effects, brilliant visual material portrayed on the set and a stage full of dummy soldiers. The music sounds worn out, not even that well recorded, as if played by tired people. The average tempo of the songs is much slower then the original and extra instrumental passages add to the feeling of drag. If you would listen to a David Gilmour dvd next (choose any) you'd hear the Pink Floyd legacy played with way more fresh energy and atmosphere. I could not recommend this film to any-one other than the hardcore fans of Roger Waters. Preferably people who have lived under a pile of bricks themselves for the past four decades.
friso |
2/5 |
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