DISCONNECTED

1. "Disconnected (Part 1)" (1:16) ominous, portentous opening. (4.25/5)

2. "One" (4:23) the opening sounds like 1970s/80s metal--Black Sabbath, Iron Maiden, Blue Öyster Cult. When the vocals enter it becomes even more SABBATH-like. Solid performances but very little ground-breaking in the sound or music structures. (8/10)

3. "So" (8:07) cool Blade Runner-like opening turns LOVERBOY-like at 1:10. At 1:37 things stop for vocal entry. Now the song gets interesting--especially with the excellent chorus. Where it feels deficient is in the choice for pacing: it's just a little too slow. (I know: he's tired.) (13/15)

4. "Pieces Of Me" (4:24) A little more energy in this one but, again, there really is nothing new or refreshing here besides a little sonic play with the guitar in the quiet of the third minute. (8/10)

5. "Something From Nothing" (10:58) fairly simple and straightforward--nicely melodic--but hits all the right buttons to be awesome. (17.75/20)

6. "Still Remains" (16:11) firing on all cylinders, this one rocks like a RUSH classic. (27/30)

7. "Disconnected" (Part 2) (6:07) finishes like an end, bookending the album in a perfect way. Classic Kevin Moore keys beneath the recorded voice passage in the second and third minutes. Great subtle transition in the fourth minute with some techno-support. I have to admit that, with this length, I was rather surprised that there are no vocals. But, still, it's great. (9/10)

Total Time: 51:26

The album has nice clean sound production and enough space to hear everything--which is nice, but I'm not a big fan of the lead vocals--Ray Alder's competent and confident but there's really nothing special here. The highlights for me are the two epics: the spacious, atmospheric "Something from Nothing" and the more melodic though more neo-oriented, "Still Remains," on which I can really hear the Kevin Moore contributions.

B/four stars; an excellent addition to any prog lover's music collection.

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