DAMNATION

Opeth has always been unpredictable. One second they are raging death metal, the next, they are quiet, acoustic rock. Come the early 2000's and they decide to show the best of both worlds by releasing two albums: Deliverance and Damnation. Deliverance focused on the heavy side, while Damnation was fixed on the lighter, acoustic side.

This album is a very relaxing musical journey. There are none of Mikeal's signature growls, and no distorted guitars or fast double-bass drums. Instead, there are acoustic guitars and drum work straight out of the 70's. The lyrics are haunting and mysterious, and the way Mikeal sings is absolutely beautiful.

So why 4 stars out of 5? Opeth has always been known for their signature switching between death metal and acoustic rock. Without the death metal, the music is still good, but it seems like it is missing something. If this album were made by any other band, it would be incredible. However, Opeth had set themselves up earlier in their career.

Furthermore, after repeated listens, the songs begin to sound the same. There could have been a lot more variation. This being said, there are three songs that stand out: 1. Windowpane is the opening track, and it really kicks the album off. The guitar solos are the best on the album, and the drums also stand out. 2. Ending Credits is a short instrumental track, based off the band Camel. The guitar is the featured instrument, and Mikeal really shines. 3. Death Whispered a Lullaby has the best lyrics on the album. They are mysterious and haunting. The instrumentals match the tone of the lyrics perfectly. This is one of the strongest songs on the album.

Overall, Damnation is a very powerful album. Although it lacks variation, Opeth succeeds in creating an album that sounds like it came right out of the 70's era of classic progressive rock. Recommended.