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THIN AIRPeter HammillEclectic Prog3.33 | 119 ratings |
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Sean Trane
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Special Collaborator Prog Folk |
![]() While VDGG's later career has now being going on for around five years, it hasn't really stopped Hammill's solo output, but has solidly slowed it down, since it's only his second (after Singularity)album since restarting the Generator. Not that I'm complaining at all, since Trisector easily sits in my top 10 of the 00's, but the last solo I'd heard from him (before this present one) is the brilliant Incoherence. After hearing the present thin air, it seems that one of my next goals is to get a hold of Singularity. After an usual track (for Peter) Mercy track (harpsichord, then piano and guitar with cellos and strings), a more reflective Face In The Street signal to the listener that Peter is indeed on a strong streak of songwriting since his health problem early in the 00's decade, something that had evaded him throughout the 90's (IMHO), It seems also that he's more intent on giving the instruments more space as there is an unprecedented (AFAIK, I am far from having heard every album) instrumental on one of his album: an instrumental track: the short and controversially-titled Wrong Way Round, with plenty of electric guitars. An obviously profound album by its lyrical content, this is a solemn album where every track has its own special ambiance, all the way down to the sinister Diminished, which has The album ends on the chilling Top Of The World Club, which stands for the title track of the album, as would Ghost Of Planes. If I must name two tracks of this album, I'd choose Stumbled and Undone. Well I certainly won't say that this yet another run-of-the-mill Hammill album, but I can eventually qualify it as one of his better albums over the last two decades, but behind Incoherence. Hammill fans won't be deceived, newcomers better look ar either VdGG or early 70's albums.
Sean Trane |
3/5 |
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