THE MOTHERS OF INVENTION: ABSOLUTELY FREE

On May 26, 1967, Verve Records releases Frank Zappa's THE MOTHERS OF INVENTION Absolutely Free. Much like their Freak Out! debut from the year before, Absolutely Free is a display of complex music fully supporting Frank's political and social satire.

- Absolutely Free (19:34) a seven-part ode to prunes:

1. "Plastic People" (3:40) a great start that let's you know straight off what the band's intentions are: Humorous satire! (8.75/10)

2. "The Duke Of Prunes" (2:12) so this is where The Soft Machine extracted the "Moon in June" phrase! And mock- opera/show tune fare. Todd Rundgren got the idea for his tongue-in-cheek operatic vocals on his early albums and "Freak Parade." An excellent song. (5/5)

3. "Amnesia Vivace" (1:01) quite possibly where Todd Rundgren got the idea for his tongue-in-cheek operatic vocals on his early albums and "Freak Parade." (4.5/5)

4. "The Duke Regains His Chops" (1:45) I love the pseudo-Broadway finish. (4.375/5)

5. "Call Any Vegetable" (2:19) some great performances despite the heavy satire. (4.375/5)

6. "Invocation & Ritual Dance Of The Young Pumpkin" (6:57) a mostly instrumental slash of Dick Dale/Surfer music and Roger McGuinn's famous 12-string guitar slash-fest in The Byrds' "Eight Miles High." The tight rhythm section keeps it together as guitarists Frank Zappa and Jim Felder and soprano saxophonist Bunk Gardner slash away on their respective instruments (Gardner's a tongue-in-cheek parody of John Coltrane??). Don Preston's keys are somewhere down in the mix--probably hidden beneath Ray Collins' tambourine. Nice jam. (13/15)

7. "Soft-Sell Conclusion & Ending Of Side #1 (1:40) the multi-style conclusion to the Vegetable Medley. (4.3333/5)

- The M.O.I. American Pageant (18:35) more parodies on American social and political events and themes:

8. "America Drinks" (1:52) (4.25/5)

9. "Status Back Baby" (2:52) impressive guitar solo in the second minute--and a great finish--to an otherwise quoditian song. (8.66667/10)

10. "Uncle Bernie's Farm" (2:09) funny vocal and lyric with masterfully-performed music to match. Great choral "bar room" vocals. (4.5/5)

11. "Son Of Suzy Creamcheese" (1:33) the encore return of Suzy Creamcheeze! Great construct--demanding very tight performances from all--now usurping the "Louie, Louie" melody. (4.5/5)

12. "Brown Shoes Don't Make It" (7:26) more theatric cabaret for satiric social commentary. A veritable multi-part suite in and of itself. So many themes, so many motifs, so many quips. (13.25/15)

13. "America Drinks & Goes Home" (2:43) Frank's satirical "tribute" on the intoxicating and intoxicated world of the lounge scene. Amazing. Not the most progressive musically but an excellent indictment of a world that deserves the same criticism to this day. (9.25/10)

Total time 38:09

Though progressive rock music in general does not conform to the trail of socio-political satire as blazed by Frank's Mothers, the complex theatric entanglement of multiple themes within the framework of single songs and suites will become quite de rigueur.

B+/4.5 stars; an excellent album in the same satirical vein as Freak Out!--fodder for the formation and development of early progressive rock. Not sure I'm ready to welcome this album as something deserving of a true "progressive rock" label, but be assured: the seeds have been sown.