OF THE LAST HUMAN BEING

Emerging from a long hiatus, Sleepytime Gorilla Museum make a triumphant comeback. With an orchestra backing them, absolutely pristine production, and themes as dark and foreboding as any they offered up on their original run of three albums, this is a purified and intensified take on their distinctive musical approach, a terrifying metal-in-opposition meditation on human extinction and other weighty topics which runs the full emotional gamut from ethereal beauty to apocalyptic terror.

Not only do the band sound like they've not missed a beat - and in fact, they never did with many of the members having continued to work with each other in Free Salamander Exhibit, perhaps nodded to in the opening track here. Moreover, they began working on much of this material in 2010-2011 (and SQPR, a This Heat cover, hails from as far back as 2004) and have been gently working on it ever since, meaning this album has been brewed, distilled, and refined over the span of a decade. The end result might be the best expression they've ever offered of their creative vision, a keystone which ties their body of work together and which in retrospect it feels like their earlier albums were building towards all along. With many of the band members equally adept at rock and classical instruments, and Nils Frykdahl giving Mike Patton a run for his money in terms of vocal acrobatics, the Museum deploys its full bag of tricks here expertly, everything used purposefully and thoughtfully to best effect.

For a group which started out resembling an avant-prog take on Mr. Bungle, Sleepytime Gorilla Museum have only forged ahead into yet stanger territory; here they make Mr. Bungle's most alienating moments seem outright smooth and approachable by comparison, but never become dryly technical, maintaining an impressive command of atmosphere and emotion for the whole 66 minute running time.