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I was very much interested in the low-rating reviews. As far as comparing them with the likes of Yes and Genesis, there is an important difference: VDGG make (by their own observation and that of fans like Johnny Lydon and Mark E Smith) noise, not beautifully crafted compositions of the bands mentioned (of which I have several albums as well and I do like them). So if you look for the latter, it is not for you.

Is it good or even great music, or is it bad, mediocre even? I personally think it fails to be in these categories. If you like the style, it is the greatest thing ever. If you don't, don't waste your breath, time or money because it sucks.

For that reason, I give it four stars. In my book it is five but it stands a ice-cubes chance in hell as to general appreciation. You can't sell the best coffee to someone that prefers tea. It is a very personal thing. So maybe three stars would be more appropriate but I don't have the heart.

Yet I will try a general recommendation. If you like symphonic rock played with an ugly attitude, try it. If you like a punk attitude towards prog-rock, try it. Noise is the word. If you don't like it, especially after two or three tries, don't bother. VDGG isn't the best band in the world, they are my best band in the world and maybe yours.

Now a bit more specific: the lyrical richness is beautiful but, being Dutch and not having the lyrics, I had the privilege of listening to the tone and melody of the words and picking up more words and sentences every time I listened. Digging out the lyrics was a great experience, as you strain to dive deeper and deeper into the song. And still, every time I listen to a new VDGG or Hammill album, I start without reading the lyrics. Even among fans 'Lighthouse Keepers'is a subject of debate. I like the rollercoaster ride that it is. 'Lemmings' has this resigning positive ending. After a few 'what cause is there left but to die' it is ultimately replaced with 'what cause is there left but to live'. That seems positive but it is expressed with an inaudible but present sigh, an 'oh wel, let's go on then if we must'.

I guess it's both a two and four star album. But you know my bias. So four it is. Surf's up.l

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