BRIDGE ACROSS FOREVER

By progarchives definitions, this is without a doubt "Essential: a masterpiece of progressive music." 5 stars. Period. It's astonishing to me that anyone would give it less than four stars, and those critics are probably listeners confused by prog that isn't focused around dungeons and dragons, and doesn't feature airy fairy lutes 'n flutes.

This is the second album by the brief yet near-perfect union of members of Dream Theater, Marillion, Spock's Beard and the Flower Kings. It is nothing short of stunning, featuring everything one can know and love in prog and great music in general.

First, there are the epics. Two of the four tracks clock in at over 25 minutes, and a third is more than 13 minutes.

The music is both fresh and innovative yet pays great respect to the 70s prog masters. It is fresh, with influences ranging from jam music to the Beatles' "Abbey Road." Yet it's classic prog, with Yes-like virtuosity and time signatures, Genesis-like monster organ riffs, and Floyd-like, haunting female choral excursions

The compositions are outstanding. Whereas a lot of prog consists of empty virtuoso exhibitionism, the melodies here are unique, powerful and will stick with you. As an added plus, the music is reminiscent of the medley on side 2 of Abbey Road, consisting of an ever-changing yet cohesive journey through melodic landscapes.

The musicianship is superb, starting with the massive organ and keyboard riffs of Neal Morse. Mike Portnoy plays the drums like an octopus, anchoring an intricate, powerful rhythm section. With Marillion, Pete Trewavas has always been a competent bass player, but with Transatlantic he shines with power and nuance, and has quickly been elevated to one of my favorite bassists. While perhaps a little too restrained, the guitar work of Roine Stolt is tasteful and varied. While Morse sings most of the lead vocals, the others take turns and all turn in fine vocal performances.

Ignore the critics on this page. Transatlantic has created some of the finest prog ever, and it is one of the greatest regrets of my prog years that I never had the chance to witness this awesome quartet live. Highest recommendation.

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