THE BOOK OF FLIGHT

Multinational, Switzerland based outfit RAK is the creative vehicle of Marc Grassi (music) and Dave Thwaites, and was formed back in 2004. The band released their debut album "Lepidoptera" later the same year to critical acclaim, and their live support of it has been described as a successful one. "The Book of Flight" is the band's second full length production, and was released in February 2012.

And it is a fairly compelling sophomore effort they have made themselves, an album that will find a strong appeal amongst followers of symphonic progressive rock. That this is a conceptual creation is usually an advantage among followers of this type of art rock, and any CD that kicks of with a song clocking in at 17 minutes is bound to raise interest in itself. That the following three pieces all clock in at epic length another positive aspect for quite a few I surmise.

But framework aside, the music itself is fairly intriguing too. It's easy to hear that the main composer in the band is the keyboardist, as quite a lot is based around the tangents for this band. Wandering piano motifs and an organ backdrop or more or less mainstay elements throughout, and soaring keyboard solos can be found aplenty. The guitar has more of a supporting role when not soloing, usually delivering harder edged, dark toned and dampened riff constructions that contrast the tangents quite nicely. Steady and often fairly sophisticated rhythms complement the dominating instruments quite nicely throughout. And the different instrumental elements are utilized in an efficient manner. Each part of this conceptual creation have multiple themes, with a nice and logical development to each of them. And they complement each other fairly well to. Sparse sequences that use guitar and piano only are used to good effect, gentle vocals and piano sequences too, but the most common mode explored and the one followers of symphonic progressive rock most likely will appreciate most are majestic, richly layered arrangements dominated by multiple keyboard textures where the guitar adds the darker tones needed for that really grandiose atmosphere to appear.

Well made and well produced, and with some surprisingly well placed effects. The dissonant instrumental textures used on The Deception elevating this particular piece to a higher level a prime example in my opinion at least. But there's one aspect of this production that limits my enjoyment, which is the lead vocals. Dave Thwaites has a fairly uncommon vocal style, at least in my experience, and I suspect that his choice of tonal range and delivery both will be a feature that will, so to say, make or break this disc. Those who enjoy his lead vocals and are generally fond of contemporary symphonic progressive rock will regard this album as a strong one, while those who don't, those sensitive to lead vocals in particular, might find them too be too distracting. I'll readily admit to being in the latter category in this case.

Overall this makes for a fine piece of symphonic progressive rock, and as long as you don't have a problem with the aforementioned vocal style this conceptual creation should be a nice addition to your collection. Especially if you enjoy fairly complex, contemporary sounding music of this kind explored within epic length compositional frameworks.