MIRIODOR

By the end of 1984 Miriodor, now reduced to a quartet without Denis Robitaille and Marc Petitclerc, left Quebec and moved to Montreal.They released a casette entitled ''Tot ou tard'', recorded in the fall of 1986, after which Francois Emond also quit.The now compressed trio of Pascal Globensky, Remi Leclerc and Sabin Hudon decided to move on, trying to take advantage of the modern technology and signing a contract with Cuneiform Records, finally recording a new album in January 1988 in Montreal.This was released the same year, simply entitled ''Miriodor'', propably to mark the new beginning of the shortened line-up.

While the debut of the band was close to a masterpiece, ''Miriodor'' seems to reflect the trio's hard times during the mid-80's, having lost a bit of the inspiration, still producing highly challenging and sometimes entertaining music.The abscence of additional musicians and the heavy use of modern technologies have made their sound quite cold and mechanical, while the album lacks the interesting melodic parts of ''Rencontres''.On the other hand the arrangements remain demanding with impressive, serious musical ideas, ranging from Lounge Jazz to complex R.I.O, full of dominant sax attacks and careful synth and piano parts.These allow the trio to scan the territory from dramatic and bombastic jazzy Progressive Rock to ethereal and minimalistic soundscapes with tons of changing moods.There are plenty of intersting orchestral parts, combined with sax- and violin-driven Avant-Prog climates, offering adventurous material all the way.

Some years later the album was reissued in CD format, containing also the tracks of the ''Tot ou tard'' cassette, more or less following the vein of the main album's component.I miss the masterful moments of Miriodor's debut, but this is still a very good album of cinamatic, orchestral and complex Progressive Rock.Recommended.