THE FINEST OF MIRACLES

Review #15 Ciccada is one of the most talented and promising bands in Greece right now. (In my opinion at least). I discovered them a few years ago, when they released their first album 'A Child in the Mirror'. While I was listening to that album I was surprised by their rather unique sound (for the Greek standards at least), which combines many different elements such as Folk, Jazz and Progressive Rock, just to name a few.

A couple of months ago, Ciccada released their second album 'The Finest of Miracles', which is better than their first one in everything. Better compositions, more "mature" sound, and a lot of guest musicians playing a huge variety of instruments, giving their music a beautiful "color". (I had the chance to meet the drummer Giannis Iliakis, and the mastermind behind the band Nikos Nikolopoulos, and I have to say that they are cool and interesting guys, but above all very good musicians).

As for the album, it includes 10 tracks and has a total running time of almost 45 minutes. There are 3 small tracks included, which can be characterised as "passages" between songs, and they are under 2.00 minutes long. All the rest are between 3.00 and 9.00 minutes in length.

The album's opening track is the dreamy instrumental 'A Night Ride' having as leading instruments the keyboards and the violin at the start, but there are more instuments added later on, such as the flute and guitar. Definitely one of the best songs here. With the second track 'Eternal' the band is presenting to the listeners their female singer Evangelia Kozoni, with the soft and beautiful voice. As for their influences, most probably are bands like: Gentle Giant, Jethro Tull, Camel etc, but you can't say that Ciccada are a "copy" of those bands. They have some elements from those bands in their music, yes, but they are combined in such a way that the final outcome sounds very personal. At the moment I got the album's in MP3 version, waiting for the release of the vinyl version which will probably come out in May.

I strongly recommend the album to those who can enjoy and appreciate an album with "dreamy" passages, beautiful melodies, and on many occasions complex compositions.

4 stars from me

A group from a small country with no tradition in progressive music seems to know the way to sound like a classic band. Groups such as the "Afrodites child" is certainly an exception. The musical form of "The finest of miracles" have a prototype that does not depart from the authentic sound of progressive sound. I especially enjoyed the keyboard and flute.The guitar work is excellent here, especially in the guitar solos.The drum and percussion sounds very well-balanced with increased tensions the right time. Certainly the group has makes a clear progress compared with the first album "A child in the mirror". I enjoyed it very much. Five stars.

It's been five years since Greece's Ciccada released their highly acclaimed debut album, A Child in the Mirror on AltrOck Records. Now they are back with an album that displays the maturation process the band has undergone in both recording and compositional technique. The songs of The Finest of Miracles show improved mastery of the band's proclivity for weaving sophisticated instrumental structures using their multiplicity of ancient and traditional folk instruments integrated with modern electrified instruments. They have also refined their symphonic sensibilities, as is displayed in the long-playing masterpieces, "Around the Fire" and the 18-minute long "The Finest of Miracles Suite." They are also much more evenly paced, eliminating the occasional tendency they had previously to over-do or flood passages with too much information.

1. "A Night Ride" (6:26) is an instrumental putting on immediate display the fact of the band's maturation as well as its further commitment to both rock music and symphonic song structures. Also on display is the multi-instrumental virtuosity of leader Nicolas Nikolopoulos who is credited with flute, tenor sax, Mellotron, synthesizers, electric and grand pianos, organ, and glockenspiel. The contributions of guest musician Lydia Boudouni on violin are also quite significant. Nice opener. (8/10) But, we're all waiting for the complete ensemble--and especially the contributions of vocalist extraordinaire, Evangelina Kozoni. The next song does not take long to satisfy.

2. "Eternal" (8:02) starts out sounding very much like A Child in the Mirror's "A Garden of Delights"--though a bit more spacious. By the middle of the song the band has started mixing things up enough and by the end of the sixth minute they have finally broken away from its predecessor: organ, acoustic guitars, flutes, Mellotron and violins. In retrospect, it feels as if it is really Evangelina's vocal melody that keeps bringing me back to "Earthly Delights," not so much the instrumental music. Still, a great song. Great sound. (8/10)

3. "At the Death of Winter" (4:04) starts out with flute, synths, Mellotron and marimba setting things up for Evangelina's storytelling vocal. The song is impressionistic: jazzy, folkie, kind of childlike and pleasant. At times it even treads into GENTLE GIANT territory--especially with the jazzy section beginning in the third and the rondo weave of male vocals accompanying Evangelina which soon follows during the fourth minute. Surprising and beautiful song! (9/10)

4. "Around the Fire" (9:16) is a true symphonic construction with no single section lasting more than 45 seconds and never less than 30. It opens with two wooden flutes playing together for the first 30 seconds. Multiple tracks of acoustic guitars fill the next 30 seconds before an all-out acoustic JETHRO TULL instrumental weave bursts out. This is then joined by organ and Evangelina's vocal. Next there is a brief instrumental of medieval instruments before the music returns to the JTULL theme with electric guitar and flute flashing in and out in an enthusiastic dance. Next Evangelina returns with the organ before the song quiets down to the medieval instrument section this time with Evangelina's voice. It sounds like a 1960s folk songs with its strummed acoustic guitars and background vocal harmonies. Gorgeous! At the five minute mark we get to hear two electric guitar soli before the song devolves into a rapidly strumming acoustic guitar. Then, at 6:30 we get to hear some impassioned JTULL flute and guitar soli, building into a heavier JTULL crescendo before returning tho the 60s folk section with the addition of Mellotron and GENESIS-like guitars to exit. Amazing song! (10/10)

5. "Lemnos (Lover Dancer)" 0:47) is a song in the true medieval folk minstrel tradition. Plus horns! (10/10)

THE FINEST OF MIRACLES SUITE:

6. "Birth of the Lights" (1:52) opens surprisingly heavily, with and odd time signature, before evolving into a softer and lighter "sunshine and unicorns" mood. (9/10)

7. "Wandering" (6:42) opens sounding a lot like very early GENESIS. Sax with background violin and piano are interspersed with the "mischievous" "interruptions" of flute A weave of multiple synths ensues before the song returns to the sax and violin weave, this time interlaced with slightly heavier sections?one of which has some raunchy jazz guitars. The song always comes back to either the sax and violin theme and/or the flutes over acoustic guitars for its grounding. This is very much a soundtrack for a film--like an old silent film soundtrack--one in which five or six very distinct personalities are interacting and/or conversing. (9/10)

8. "Sirens Call" (1:38) starts with simple acoustic guitar arpeggios joined by flute and then double bass and Rhodes piano. Violin and flute trade soli throughout. (9/10)

9. "As Fall the Leaves" (3:09) is a medieval folk ensemble set up for Evangelina to sing in her native Greek. Very RENAISSANCE like. (10/10)

10. "Song for an Island" (4:47) sees the suite step into the electronic era with trumpets and Mike Oldfield-like lead guitar with Evangelina continuing singing in Greek. The music has the feel of an early bluesy JETHRO TULL or GENESIS song. Horns join in at 1:10, adding something special before the song returns to the opening vocal section. In the fourth minute it takes a turn into new territory--a kind of "MacArthur Park" sound and structure. At 4:30 a circus-like element is introduced--which carries us through to the end! (9/10)

Amazing composition pulled off with such skill and maturity! Awesome!

This album has an amazing 1970s feel to it in the way it is composed and performed; such mastery and maturity is rare in this day and age. Always a sucker for medieval and folk traditions, this album has bewitched me--much more than even their debut--to which I also ascribed five stars.

I take time to listen to new music. Quite a long time. In fact, excepting the recent releases of old bands (the albums of Ian Anderson, Osanna, Martin Barre ... etc) and small exceptions (The Worm Ouroboros and Steven Wilson), I hardly hear anything from the 90s onwards.

Looking to catch up, and discover new sensations: BANG, Ciccada.

The first album not necessarily moved me, but the second is of a sweeping quality. The songs are exceptional, good alignment in the parts the "guests" instruments come along (like the violin and the basoon, for example), several mini epics are placed in each track - at times reminding me the best of Gryphon. Special attention, in my view, for "Eternal" and "Wandering". In the latter, where in fact the band wanders through various musical styles, sounding like King Crimson and some of Ian Anderson moments.

5 stars would be exagerated? I dont know ... I think true classics take time to actually establish themselves as classics. Achieved maturation. Like wine.

But, damn, this Greek wine is tasty!

Greek band CICCADA was formed back in 2005, with an initial core line-up consisting of Nicolas Nikolopoulos, Evangelia Kozoni and Giorgos Mouchos, supplemented by the skills of Omiros Komninos, who joined in 2009. With the aid of numerous guest musicians they recorded their debut album "A Child in the Mirror", a production that was picked up by the Italian label Altrock and released by it in 2010. "The Finest of Miracles" is their second studio recording, released through the same label in 2015.

Diversity is something of a central characteristic to be given Ciccada's second album. The foundation of their style is progressive folk rock, but with details and excursions from jazz, traditional folk music and symphonic progressive rock incorporated into the totality, alongside elements that one might describe as *chamber rock to boot (not to be confused with RIO*). A well made album on all levels, and while not as challenging as it may sound from description, the overall production merits that description due to the sheer diversity of the material. As the band cites bands such as Jethro Tull, Gentle Giant and Gryphon as sources of inspiration, those with an affection for those bands appear to be a likely key audience for this CD, and I'd suggest that those with a general affection for bands with a diverse and varied sound, style and expression to give this one a spin as well.

CICCADA is a Greek band that offers an exceptional mix. This formation has achieved two feats. The first is to prove that producing great progressive rock is possible in a country with no tradition in this style. The second is to revive the golden period of Italian (Quella Vecchia Loccanda) and South American (Baccamarte) progressive rock, while marrying it with the English folk-prog heritage of the seventies (Jethro Tull, Gentle Giant, Gryphon). A complex music with rich instrumentation (Rock, Brass, Wood, strings, traditional), brilliantly interpreted and perfectly recorded. Highly recommended to anyone who enjoys mixing progressive rock with folk music. No doubt, "The finest of miracles" is a great addition to any prog rock music collection. I do not put five stars because I expect a lot from their next album. I would be really annoyed if it is even better!