
Like every true Prog-head, I am really happy that the contemporary Progressive Rock
movement is not only alive, but is so rich and diverse that many of the bands that
created and furthered the genre would be proud. (Yeah, regardless of how trite this
expression sounds.) Well, having started with such a pompous prelude, I've actually
laid my cards on the table and made it clear to you that the review will be very positive.
However, do you know dear readers that it's much harder to write so-called rave
reviews than critical ones? I'm honest, and I believe most reviewers would agree with
me without any hesitation. So, here is another brilliant album, and of course, a distinct
originality is among the principal virtues of it. Daniele Perico is an amazing chameleon
singer. But while he sings in Italian, and the band's music is hardly about something
unusual (if not to take into account its almost exclusively dramatic character), it isn't
linked with their native Progressive and any other school of the genre alike. "A Genius is
a friend of Paradoxes". This way, mentally quoting the great Russian poet Alexander
Pushkin, I have stopped to search for the roots of Imagin' Aria's music after hearing the
album. I think I can declare that this is just an original contemporary Progressive at its
best. There are no pauses between the tracks here. Furthermore, it is often hard to
determine the end of one composition and the beginning of another. So "Esperia" is
most likely a full-fledged concept album. (All-instrumental concept albums are only semi-
full-fledged:-). Most of the songs here aren't long, but the vocal and instrumental
arrangements on each of them are so much diverse and changeable that you'll have
very little time to dwell on any one theme. The predominant stylistics is not Symphonic
Prog-Metal, typical for Dream Theater and the likes, nor Symphonic Art-Rock with
pronounced elements of Prog-Metal, like in the case of Magellan, etc. This is a very well
balanced combination of both of these genres when the heaviness of Prog-Metal
perceives like being originally inseparable from the lushness and complexity of Art-Rock.
All of this is typical for most of the tracks on the album, one of which (3) is an
instrumental piece. The last song (12) is the only track which features violin and
accordion and is notable for lushly orchestrated arrangements, while generally, the
album is made up of the parts of traditional Rock instruments, including Hammond, and
those of piano, flute, and classical guitar. Along with its intro (4), Schegge di Poesia (5)
represents a pure Symphonic Art-Rock with a strong medieval folk music feel
throughout. Canto di Adagio is the only song among the shortest tracks and, as well as
two instrumentals (4 & 11), is based on passages of classical guitar. The ninth consists
of passages of a string ensemble going along with narration and, like any of the other
short pieces here, is just part of the song that follows it.
Conclusion. Imagin' Aria's "Esperia" is an all around great work. One of the year's
masterworks, this is a certain candidate for my Top-20-2004. The lovers of classic
Symphonic Progressive will find everything here that makes music the integral part of
their life.
VM