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Robert Wyatt - Rock Bottom CD (album) cover

ROCK BOTTOM

Robert Wyatt

 

Canterbury Scene

4.28 | 903 ratings

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LinusW
Special Collaborator
Italian Prog Specialist
4 stars Intimate, fragile, unstable and delicate - Rock Bottom is a reserved but bustling musical odyssey inwards. A perfect marriage of the personal and the abstract.

While never outright showy, there's just a subdued shimmering and hazy richness and gentle grandeur that make this album positively simmer in a unique and self-contradictory hallucinatory clarity.

A freely flowing, kaleidoscopic enigma of intimate beauty in predominantly colder colours, it's made full by layer upon layer of droning, eerie ambience, psychedelically immaterial or squealing guitars and the entirety of the zany zoological garden of sounds you find on the Canterburian experimental side. Sweetly innocent and clear melodies alongside Wyatt's almost tangible, vulnerable and very personal vocals fuse with darker streaks of wavy and diverse keyboards or a low-intensity jazz glow with gently crackling drums and unpredictable, fiery, but ultimately restrained woodwind and brass. Substantial, melodic, but sometimes detached, freely roaming and wilfully strange piano and importunate, entrancing percussion and imploring saxophone. Viola, concertina...there's room for so much. Every track is a new adventure, rewarding patience and attention in order to fully soak up all the nuances and minute twists and turns in the crisp and clear atmosphere.

The songs drift away into the unknown on a steady, patiently repetitive beat, but soon develop into isolated and hypnotic universes of their own when all the restless instrumental opulence gradually kicks in. It's fractured and jumbled, undependable and shaky, free-form, but often bent towards naked melancholia and sadness or even sinister, looming danger. And there's even room for a twisted sense of fun, creating a schizophrenic tension that never really goes away, and which only further adds to the vibe of uncertainty. But in the end it's always so wondrously, surprisingly, controlled. The emotion and instrumentation are like embers in the dark, with a constant deep red intensity that says it all without ever having to resort to wildly dancing flames.

While the charms of this one eluded me for a long time, the more I've listened to it the more I've come to adore it. It's an intense and intruding, but simultaneously restrained and naked affair, which if you let it in under your skin can cause exhilarating dizziness and lasting shortness of breath. And that's a good thing.

4 stars.

//LinusW

LinusW | 4/5 |

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