IKARO

Prog Folk coming out of Finland. The blending of what sounds like Arabian and Indian instruments with the gut-stringed instruments and shamanic voices native to Finland, plus Didgeridoo, banjo, a kind of zither/autoharp, reed instruments, and "Tibetan" or "Tuvan" (or Sami? or some other Siberian tribe's) vocal overtone singing make this more of a blending of ancient and sacred intercontinental indigenous traditions. Coming from North America, I am biased in that I think I am hearing First American rhythms and vocals, too--especially songs like the album's opener, "Ikaro" (8:12) (8/10). The second song, "Vapathaja" (7:30) (9/10) presents with a jazzy Eastern European/klezmer sound. Sultry female lead vocalist, Petra Poutanen, the delicate acoustic stringed instruments, along with the virtuosic clarinet performance give it a bit more of an international flavor. Sitar-, doshpuluur- and mandolin- dominated "Heijestumia" (5:19) (9/10) has quite a fun minstrel/troubadour feel to it, though is quite Indian-sounding. The "Tuvan" throat singing adds a mystical quality to the song's feel. 4. "Kastepiesaroita" (4:16) and 5. "Kastepiesaroita II" (5:23) present as an ethereal pair of Eastern-spiced meditative songs. The first is dominated by an effluent, hypnotic female voice singing as if trying to lull the listener into a trance or some receptive state. Part II continues the hypnosis using only instruments. (8/10) "Sateentuoksuisia Unia" (4:55) is for me one of the albums high points. Beautiful melodies, almost a Cassandra Wilson feel to the banjo, baritone guitar, didgeridoo and hand drum foundation with some great vocals, lead and harmonies, throughout. (10/10)

7. "Metsätaloushöömei" (6:26) has quite a shamanic story-telling sound to it as male vocalist alternates between throat singing and pleasant tenor folk singing. The 'shout chorus' and female 'yodeling' take the song into even stranger territory. Ends like a front porch bluegrass jam straight out of the Ozarks! Not a song for the faint of heart! I like it! (8/10) The album's closer--and its longest song at 10:39--"Kuun Tytär" is its best. Opening with didgeridoo, subtle background strings sounds and harmonics all playing over the syncopated rhythms of a hand drum. At 1:28 a clarinet enters, claiming the melodic lead with repetition of its simple ascending note sequence. At 2:10 the etheric, delicate voice of Petra Poutanen again graces us with its present. I wish I could find the translation to the Finnish lyrics here because they must tell quite a powerful little story. The song is mesmerizingly beautiful and haunting in a very MEDIÆVAL BÆBES kind of way. (10/10)

Overall this is an interesting album of unusual and often beautiful, hypnotic, and joyful songs. I can't remember the last time I've ever come across such an eclectic blend of world instruments into the songs represented here. But it works! I have been listening to this album over and over for several weeks now and each listen only seems to deepen my immersion and enjoyment of them. I'm not sure this is a "masterpiece of progressive Folk music" but it is definitely worth checking out. If you're looking for something different, something out of the ordinary and entertaining, I would highly recommend that you check this one out.