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Steamhammer - MK II  CD (album) cover

MK II

Steamhammer

 

Crossover Prog

4.03 | 61 ratings

From Progarchives.com, the ultimate progressive rock music website

Jeff Carney
3 stars I'm all for progress when it comes to musicians expanding their sound, but while this album is ultimately fairly successful, it plays a little too closely with serious misstep.

The debut album had such a warm, inviting sound. Beautifully produced and executed with real care, but also an admirable level of musical focus. Here, while the great production and excellent, disciplined playing continue, the band become somewhat lost in an endeavor to expand into areas of jazzy blues, a sort of darker bubblegum psych and progressive rock arrangements. And I just don't think the result is a cohesive musical statement.

While Steve Joliffe seems to have a lot of praise heaped on his contributions to this album by the prog crowd, I find his sound within the context of Steamhammer to be somewhat unconvincing. It almost comes off like they didn't want to be compared to Cream and the blues-rock giants of the day, so they quickly changed their identity. And perhaps too much. Add to that the harpsichords and some psych flavors which rear their heads on Side 1, and the album projects an unfocused feel. By the time of "6/8 For Amiran," they are in territory which I don't think juxtaposes well. Adding bluesy harmonica to a repeated, odd-time synchronized riff is innovative, but doesn't make a lot of sonic sense here. Krokodil might be one of the few groups who were able to texturally combine harmonica with progressive arrangements as they moved through their career, but here is doesn't come off as well thought out. Just attempted.

Side 2 really saves the record. The Steamhammer established on the first album is back at the wheel instead of riding shotgun. Steve Joliffe adds some flute which I think works well and is done with a subtle flare. His sax work seems out of place to an extent on Side 1 , but here it begins to merge more impressively. Still, it sort of appears and then disappears. It's not fully integrated into the twin guitar sound. The flute, however, begins to really convince as it weaves its way into the proceedings.

"Fran And Dee Take A Ride" is an absolutely gorgeous closer. Acoustic guitars gently pick through a wonderfully moving set of chords, as Leslie guitar drops delicate notes into the mix with beautiful results.

3.5 stars.

Jeff Carney | 3/5 |

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