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Ekseption - Ekseption 3 CD (album) cover

EKSEPTION 3

Ekseption

 

Eclectic Prog

3.85 | 67 ratings

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Guillermo
Prog Reviewer
4 stars For this third album from EKSEPTION again there were some changes in the line-up: lead singer Michel van Dijk was replaced by Steve Allet (although van Dijk appears in 'Another History' as lead singer and lyricist), and drummer Peter de Leeuwe returned to the band. For this album Rick van der Linden composed all the original music with the rest of the lyrics being written by Will Luikinga. Producer Tony Vos again appeared as guest playing saxes.

This is another concept album by the band, this time having as central theme Antoine de Saint-Exupery`s book titled 'Le Petit Prince' ('The Little Prince'). This album is even more Progressive than their previous two albums, and it seems to me that with each new album the band was having more confidence, a more stable line-up (with Rick van der Linden, Rein van der Broek, Cor Dekker, Peter de Leewe and Dick Remelink appearing together in this and other three albums during the seventies) and a more stable musical style with less inclinations to Pop music. For this album, van der Linden was increasingly becoming the musical leader of the band and his influence over the musical arrangements is even more clear, with maybe J.S. Bach`s music and Baroque music in general having more influence in the musical style of the band.

'Peace Planet' is an arrangement from J.S. Bach`s 'Badinerie From Suite No. 2 In B Minor', played with energy. I remember that parts of this track were used in a TV ad in my country in the late seventies.

'B612' has Steve Allet in lead vocals, with very good spinet playing from van der Linden and with very good Jazz arrangements and very good solos from van der Broek and Remelink.

'Morning Rose' is another song which was sung by Allet and with some Hammond Organ playing by van der Linden which makes me remember PROCOL HARUM a bit.

'Piece For Symphonic- And Rock group In A Minor (Part 1: Passacaglia, Part 2: Painting)' has in the first part an orchestra playing mostly without the band, and in the part two the band playing an instrumental Jazz-Rock influenced musical piece, without the orchestra, again with van der Linden playing spinet in some parts and an organ solo.

'The Lamplighter' is an adaptation from J.S. Bach`s 'Prelude And Fugue In Minor' with some Jazz arrangements.

'Bottle mind' is a fast instrumental musical piece with some (uncredited) influences in the melody from 'In the Hall of the Mountain King' from Grieg`s 'Peer Gynt Suite No. 1'. It also has a very good and brief bass solo by Cor Dekker.

'On Sunday They Will Kill The World' is a more influenced Rock musical piece sung by Allet with musical parts taken from Rachmaninoff `s 'Prelude In C Sharp Minor'.

As I mentioned before, 'Another History' is sung by Michel van Dijk and has lyrics written by him. Maybe it was recorded for their previous album ('Beggar Julia`s Time Trip', 1970) and also it maybe has an uncredited Dennis Whitbread playing the drums, but I could be wrong. Very influenced by Jazz and J.S. Bach`s music, and with Hammond organ solos which makes me remember PROCOL HARUM again. This song was also released as a single.

'Rondo' was taken from Beethoven`s 'Piano Concerto No.3 In C Minor', with van der Linden playing the original piano parts in an organ, and with an extended and maybe improvised instrumental Jazz section with him on piano and with very good solos from Remelink and van der Broek. Apparently it was recorded 'live in concert' because it has applauses from an audience at the end (with van der Linden or someone else saying 'Thank you!' to that audience).

I watched on youtube a video (maybe done for TV) with the band playing live in concert some parts of songs from this and previous albums, with 'Rondo' and 'On Sunday They Will Kill The World' being played from this album and with Steve Allet on vocals in this last song. The band appears playing in a stadium, with a lot of energy.

As a whole, this album is very good, and it is maybe one of their most Progressive albums.

Guillermo | 4/5 |

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