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Taļ Phong - Return of the Samurai CD (album) cover

RETURN OF THE SAMURAI

Taļ Phong

 

Symphonic Prog

2.40 | 16 ratings

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kenethlevine
Special Collaborator
Prog-Folk Team
2 stars With the previous "Sun" breaking a 21 year drought, TAI PHONG's faithful only needed to wait 14 years for "Return of the Samurai". At this point it's more or less a solo effort of original member Khanh Mai, with a variety of invited guests a few of whom appeared as band members on "Sun". Added to the band proper is lead vocalist Sylvie Tabary, and, given the high pitched vocals that have always been synonymous with TAI PHONG, it's nigh impossible to determine who is singing each track, not that it matters, as both can hit any scripted note and then some.

If this version of the group had a different name, it's doubtful they would even crack the prog related frontier let alone symphonic prog, as this collection comprises mostly short tracks of a poppy nature, simple and melodic, at times syrupy ballads with fine harmonies, a bit to the good side of the "Sister Jane" clones we get on every release. If "Samurai" proves one theorem, it's that TAI PHONG is as accomplished with the short form as on the feathery tip of the prog spectrum.

I want to signal a few of the standouts here, notably "Meggie" which appears to be a tribute to the MAGGIE REILLY era of MIKE OLDFIELD at least musically and vocally, so yum. "One Day" and "Long Ago" won't win points for original titling but they are definitely entitled to be heard. "Come to me" and "Talk to Me" are similarly more worthwhile than you might think with surprisingly blistering lead guitar incursions which help make this better than dispensable whatever your tastes.

The Samurai is more lover than fighter here, and the near total lack of adventurousness dings her further. 2.5 stars rounded down.

kenethlevine | 2/5 |

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