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Aquaplan - Old Waves New Seas CD (album) cover

OLD WAVES NEW SEAS

Aquaplan

 

Prog Folk

3.02 | 4 ratings

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Eetu Pellonpaa
Special Collaborator
Honorary Collaborator
3 stars I found spontaneously the second album of this group from my home country, and listened to their musical heart which I believe pulsing like a light, modern sounding symphonic rock group does. Also some tender neo prog stuff which I have heard came into my mind, along with the record of Hungarian group And You and I. The rhythms and arrangements are quite complex, having some full stops and wild runs to many directions. Some comparisons to other Finnish bands might be Ageness from the more vivid proggy parts of the album, and maybe the record of Open Eye Band.

Though there are more ethereal new-age oriented sequences for synth soundwalls and the voice of Maarit Saarenkunnas, the dominating feeling remains however slightly distant and cool, emphasized by modern sounds, especially present in the drums. In the album's song cycle there are some progressive solutions to be detected. The start and end of the disc are done to a circle form basis. These conceal the four more shorter and accessible tracks in the first sequence, being compositions which are merging to each other quite fluently, making the track changes irrelevant. Latter are two eight minutes passing longer tunes, showing little more the musician's technical talents. The pop-oriented songs with lesser complexities sound quite much like sophisticated and well done late 1980's pop rock to my ears. All songs are written by Ari Sutinen, who is also playing electric guitar and synths. The compositions have quite much musical content, and also some tamer sequences with beautiful melodies counterbalancing the more vivid turmoil phases. The musical skill potential of the group has been properly used and also displayed. Achieving harmony and success arranging all these to pleasant packet must be quite challenging, and I think those aims along with getting a powerful emotional presence to the record weren't totally reached, at least from the viewpoint of my own taste. Also the feeling on the record is slightly dull; Though performers are precise, there doesn't seem to be much passion burning in the music. But if this possibly objective quality doesn't matter, there are very nice moments found here, and I believe the record is a sincere output of the musically talented people who made it. This is always fun, allowing some communication channels to other kind of people's ideas. I liked most the open and free ambiences, and the sweeter and acoustic pop-oriented tracks like "Choose" and "Oridinary Life". Fine compositions and performances certainly, and evoked some further thoughts about music. Though institutional art music elements are interesting, with this record I did not feel they would have brought very much extra value to the end result. From the longer tracks, I believe "Infrequency" is quite nice due impressionism which I prefer, as the form of the song is not very complicated, being more like a constant flow of musical virtuosic outbursts floating with calm jazzy manner.

Thus I took a pilgrim voyage to grand seer, proclaiming a vision revealing those people, to whom this Finnish prog rock album should be recommended; - If you liked Wigwam's "Titan's Wheel" and/or Tasavallan Presidentti's "Take Six", if should you study music theory at university, if you should be "a nearly middle-aged Finnish humanist, who has not been alienated from the society", complete your quest of new CD containing adult oriented intelligent pop-rock, as this record might be a potential candidate for your evenings' listening pleasures -

Eetu Pellonpaa | 3/5 |

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